The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)
An accessible and exciting approach to William Morris, a true art and design hero. The beautifully designed book will look at William Morris as an artist and culture shaper and include his most famous works.
Some vols. include supplemental journals of "such proceedings of the sessions, as, during the time they were depending, were ordered to be kept secret, and respecting which the injunction of secrecy was afterwards taken off by the order of the House."
Virginia Woolf's career was shaped by her impression of the conflict between poetry and the novel, a conflict she often figured as one between masculine and feminine, old and new, bound and free. In large part for feminist reasons, Woolf promoted the triumph of the novel over poetry, even as she adapted some of poetry's techniques for the novel in order to portray the inner life. Woolf considered poetry the rival form to the novel. A monograph on Woolf's sense of genre rivalry thus offers a thorough reinterpretation of the motivations and aims of her canonical work. Drawing on unpublished archival material and little-known publications, the book combines biography, book history, formal analysis, genetic criticism, source study, and feminist literary history. Woolf's attitude towards poetry is framed within contexts of wide scholarly interest: the decline of the lyric poem, the rise of the novel, the gendered associations with these two genres, elegy in prose and verse, and the history of English Studies. Virginia Woolf and Poetry makes three important contributions. It clarifies a major prompt for Woolf's poetic prose. It exposes the genre rivalry that was creatively generative to many modernist writers. And it details how holding an ideology of a genre can shape literary debates and aesthetics.
The Year's Work in Medievalism, volume XXV, is based upon but not restricted to the 2010 proceedings of the annual International Conference on Medievalism, organized by the Director of Conferences for the International Society for the Study of Medievalism, Gwendolyn Morgan, and, for 2009, Dr. Pam Clements. The Year's Work in Medievalism also publishes bibliographies, book reviews, and announcements for conferences and other events. Richard Utz, Pi(o)us Medievalism vs. Catholic Modernism: The Case Of George Tyrell Martha Oberle, The Legacy of the Medieval Mendicant Orders Chelsea Gunter, Mysticism and Messianism in the Poetry of Paul Celan William Calin, Postcolonialism and Medievalism: How French Regional Cultures/Literatures Reshape Their Past and Present Jana K. Schulman, Retelling Old Tales: Germanic Myth and Language in Christopher Paolini's Eragon Arthur Russell, From English Stage to American Page: The Transatlantic Dissemination of Leonard MacNally's Robin Hood; or, Sherwood Forest Gwendolyn Morgan, The Battle of Maldon in Imitative Translation Edward L. Risden, The Battle of Maldon: A One-act Play for Readers' Theater T.S. Miller, A Look at Some New Lays of Beowulf: The Misunderstood Monsters of Contemporary Popular Music Aspen Hougen, Debilitating Dracula: Vampire as Illness Metaphor from the Middle Ages to the Present Day Peter Johnsson, Purged by Fire: The Influence of Medieval Visionary Literature on Post-Apocalyptic Science Fiction Gerald Nachtwey, Unburied Corpses: The Violence of the Past in William Morris's Froissartian Poems Karl Fugelso, Dante as Surfer Medievalism: Sandow Birk's Commedia Illustrations
