On Theatre

On Theatre

Author: Utpal Datta

Publisher:

Published: 2009-01-01

Total Pages: 201

ISBN-13: 9788170462514

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Lecture, discussion, and articles; previously published.


Utpal Dutt's Theatre

Utpal Dutt's Theatre

Author: Uddalak Dutta

Publisher: Springer Nature

Published: 2023-11-21

Total Pages: 211

ISBN-13: 9819921279

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This book offers the reader an in-depth understanding of Utpal Dutt’s entire career in drama. Covering Dutt’s career in proscenium, street theatre and Jatra, it analyzes the interesting exchange of dramatic art with politics in his theatre. Owing to a plethora of unsubstantiated opinions, Dutt is either revered by his followers or dismissed by his opponents, but hardly ever studied with necessary objectivity and intellectual rigour. The book attempts to bust the myth that Dutt was primarily a political propagandist who used theatre only as a means to achieve his political end. The remarkable range of Dutt’s subject matter makes him as internationally significant as he is loved by Indian theatre enthusiasts. His work has been discussed on various reputed international platforms. Yet there is a stark lacuna when it comes to intellectual attention devoted to Dutt’s theatre. This is the first book which attempts to introduce Dutt’s theatre comprehensively to an international readership. The book looks briefly at Dutt’s life, the impact of his politics on his theatre, the art of his characterization, his dramaturgy and stage technique, and the legacy of his work in theatre. It also offers the reader with a chronological list of the first performances of his original theatrical works and an exhaustive bibliography, which, it is hoped, shall prove especially useful for researchers. The book is designed for lay theatre enthusiasts as well as advanced students of theatre.


Acts of Authority/Acts of Resistance

Acts of Authority/Acts of Resistance

Author: Nandi Bhatia

Publisher: University of Michigan Press

Published: 2010-02-01

Total Pages: 215

ISBN-13: 0472024620

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Despite its importance to literary and cultural texts of resistance, theater has been largely overlooked as a field of analysis in colonial and postcolonial studies. Acts of Authority/Acts of Resistance seeks to address that absence, as it uniquely views drama and performance as central to the practice of nationalism and anti-colonial resistance. Nandi Bhatia argues that Indian theater was a significant force in the struggle against oppressive colonial and postcolonial structures, as it sought to undo various schemes of political and cultural power through its engagement with subjects derived from mythology, history, and available colonial models such as Shakespeare. Bhatia's attention to local histories within a postcolonial framework places performance in a global and transcultural context. Drawing connections between art and politics, between performance and everyday experience, Bhatia shows how performance often intervened in political debates and even changed the course of politics. One of the first Western studies of Indian theater to link the aesthetics and the politics of that theater, Acts of Authority/Acts of Resistance combines in-depth archival research with close readings of dramatic texts performed at critical moments in history. Each chapter amplifies its themes against the backdrop of specific social conditions as it examines particular dramatic productions, from The Indigo Mirror to adaptations of Shakespeare plays by Indian theater companies, illustrating the role of theater in bringing nationalist, anticolonial, and gendered struggles into the public sphere. Nandi Bhatia is Associate Professor of English at the University of Western Ontario.


The Ideological Condition: Selected Essays on History, Race and Gender

The Ideological Condition: Selected Essays on History, Race and Gender

Author: Himani Bannerji

Publisher: BRILL

Published: 2020-09-25

Total Pages: 819

ISBN-13: 900444162X

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The Ideological Condition is a feminist critique of ideology as a barrier to self and social transformation. Himani Bannerji explores the problematic of praxis by connecting forms of consciousness and politics. We see how people make history in spite of hegemony.


The Rights of Man

The Rights of Man

Author: Utpal Dutt

Publisher:

Published: 2009

Total Pages: 237

ISBN-13: 9788170463313

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Utpal Dutt (1929 93), playwright, director and actor, an inspiration and role model for the activist theatre person. Whether through the proscenium theatre, street performance, the traditional strolling theatre-in-the-round, or cinema, Dutt tried to take revolutionary theatre to the widest mass of people, with political messages for every turning point in a highly sensitive and rapidly changing political scenario, redefining his relationship with the political leadership again and again, getting into violent confrontations with various forces, being driven underground, and getting jailed in the process. His legacy of plays and other writing remain a valuable chapter in Indian theatre history. Rights of Man is the first English-language translation of Maanusher Adhikaré, Dutt s landmark play dramatizing the infamous Scottsboro Trials of African-American boys in the American South of the 1930s. A critical introduction explores the historical context, problems of dramatic translation, and postcolonial aspects of the play. Includes an extensive bibliography and three crucial appendices: other American Scottsboro plays such as Langston Hughes Scottsboro Limited (1931) and Edgar Nkosi White s Ghosts: Live from Galilee (1993) and Judge James Horton s historic trial opinions published in 1931.


On Cinema

On Cinema

Author: Utpal Datta

Publisher: Seagull Books Pvt Ltd

Published: 2009

Total Pages: 172

ISBN-13: 9788170462521

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Lectures, film scripts and articles; previously published.


A Rasa Reader

A Rasa Reader

Author: Sheldon Pollock

Publisher: Columbia University Press

Published: 2016-04-26

Total Pages: 469

ISBN-13: 0231540698

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From the early years of the Common Era to 1700, Indian intellectuals explored with unparalleled subtlety the place of emotion in art. Their investigations led to the deconstruction of art's formal structures and broader inquiries into the pleasure of tragic tales. Rasa, or taste, was the word they chose to describe art's aesthetics, and their passionate effort to pin down these phenomena became its own remarkable act of creation. This book is the first in any language to follow the evolution of rasa from its origins in dramaturgical thought—a concept for the stage—to its flourishing in literary thought—a concept for the page. A Rasa Reader incorporates primary texts by every significant thinker on classical Indian aesthetics, many never translated before. The arrangement of the selections captures the intellectual dynamism that has powered this debate for centuries. Headnotes explain the meaning and significance of each text, a comprehensive introduction summarizes major threads in intellectual-historical terms, and critical endnotes and an extensive bibliography add further depth to the selections. The Sanskrit theory of emotion in art is one of the most sophisticated in the ancient world, a precursor of the work being done today by critics and philosophers of aesthetics. A Rasa Reader's conceptual detail, historical precision, and clarity will appeal to any scholar interested in a full portrait of global intellectual development. A Rasa Reader is the inaugural book in the Historical Sourcebooks in Classical Indian Thought series, edited by Sheldon Pollock. These text-based books guide readers through the most important forms of classical Indian thought, from epistemology, rhetoric, and hermeneutics to astral science, yoga, and medicine. Each volume provides fresh translations of key works, headnotes to contextualize selections, a comprehensive analysis of major lines of development within the discipline, and exegetical and text-critical endnotes, as well as a bibliography. Designed for comparativists and interested general readers, Historical Sourcebooks is also a great resource for advanced scholars seeking authoritative commentary on challenging works.


Ten Years with Guru Dutt

Ten Years with Guru Dutt

Author: Sathya Saran

Publisher: Penguin Books India

Published: 2008

Total Pages: 232

ISBN-13: 9780670082216

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Guru Dutt Is Probably The Only Indian Film-Maker Who, Within The Parameters Of The Box Office, Made A Personal Statement With His Cinema. His Films Stand Testimony Not Only To His Own Genius But Also To The Creativity Of His Team, Comprising Stalwarts Like Cameraman V.K. Murthy, Music Director S.D. Burman, And Writer Abrar Alvi, Among Others. In Ten Years With Guru Dutt: Abrar Alvi&Rsquo;S Journey, Sathya Saran Looks At The Tumultuous Yet Incredibly Fecund Relationship Between The Mercurial Director And His Equally Talented Albeit Unsung Writer, A Partnership That Evolved Over A Decade Till Guru Dutt&Rsquo;S Tragic Death In 1964. Starting His Career As A Driver And Chaperone To Guru Dutt&Rsquo;S Producer On The Sets Of Baaz, Abrar Soon Caught The Attention Of The Director With His Sharp Ear For And Understanding Of Film Dialogue. With Aar Paar In 1954, Abrar Rewrote The Rules Of Dialogue Writing In Hindi Cinema, Till Then Marked By Theatricality And Artificiality. He Followed It Up With Mr And Mrs &Rsquo;55, Pyaasa And Kaagaz Ke Phool&Mdash;All Veritable Treatises On The Art Of Scriptwriting&Mdash;Before Donning The Director&Rsquo;S Mantle With Great Success In Sahib Bibi Aur Ghulam. Full Of Anecdotes&Mdash;About How Abrar Honed His Skills By Writing Over 300 Love Letters; How An Accident Involving A Buffalo Led To The Discovery Of Waheeda Rehman; Guru Dutt&Rsquo;S Visit To A Kotha To Get The Ambience Right For Pyaasa&Mdash;Ten Years With Guru Dutt Is A Warm And Insightful Look At Two Remarkable Artistes Who Inspired Each Other To Create Movie Magic. It Is, At The Same Time, An Intimate Account Of The Ecstasy And The Agony That Marked The Making Of Some Of The Enduring Classics Of Indian Cinema.