Using Photographs in Social and Historical Research

Using Photographs in Social and Historical Research

Author: Penny Tinkler

Publisher: SAGE

Published: 2013-02-01

Total Pages: 250

ISBN-13: 1446291529

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Sophisticated, original and comprehensive, this book investigates photographic research practices and the conceptual and theoretical issues that underpin them. Using international case studies and ′behind the scenes′ interviews, Penny Tinkler sets out research practices and explores the possibilities, and challenges, of working with different methods and photographic sources. The book guides the reader through all aspects of doing photographic research including practical issues and ethical considerations. Key topics include: - Working with images - Generating photos in research - Managing large archives and digital databases - Reviewing personal photos - Photo-elicitation interviews Written in a clear, accessible style, this dynamic book is essential reading for students and researchers working with photographs in history and the social sciences.


Eyewitnessing

Eyewitnessing

Author: Peter Burke

Publisher: Reaktion Books

Published: 2006-01-27

Total Pages: 226

ISBN-13: 1861898282

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Eyewitnessing evaluates the place of images among other kinds of historical evidence. By reviewing the many varieties of images by region, period and medium, and looking at the pragmatic uses of images (e.g. the Bayeux Tapestry, an engraving of a printing press, a reconstruction of a building), Peter Burke sheds light on our assumption that these practical uses are 'reflections' of specific historical meanings and influences. He also shows how this assumption can be problematic. Traditional art historians have depended on two types of analysis when dealing with visual imagery: iconography and iconology. Burke describes and evaluates these approaches, concluding that they are insufficient. Focusing instead on the medium as message and on the social contexts and uses of images, he discusses both religious images and political ones, also looking at images in advertising and as commodities. Ultimately, Burke's purpose is to show how iconographic and post-iconographic methods – psychoanalysis, semiotics, viewer response, deconstruction – are both useful and problematic to contemporary historians.


The Ethics of Seeing

The Ethics of Seeing

Author: Jennifer Evans

Publisher: Berghahn Books

Published: 2018-01-09

Total Pages: 306

ISBN-13: 1785337297

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Throughout Germany’s tumultuous twentieth century, photography was an indispensable form of documentation. Whether acting as artists, witnesses, or reformers, both professional and amateur photographers chronicled social worlds through successive periods of radical upheaval. The Ethics of Seeing brings together an international group of scholars to explore the complex relationship between the visual and the historic in German history. Emphasizing the transformation of the visual arena and the ways in which ordinary people made sense of world events, these revealing case studies illustrate photography’s multilayered role as a new form of representation, a means to subjective experience, and a fresh mode of narrating the past.


Visual Research Methods

Visual Research Methods

Author: Gregory C. Stanczak

Publisher: SAGE Publications

Published: 2007-03-28

Total Pages: 650

ISBN-13: 1483389383

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Visual Research Methods: Image, Society, and Representation addresses the growing question in social research of how to critically incorporate visual data and visual methodologies in ways that expand and enhance the researcher′s repertoire for understanding and teaching about the social world. Editor Gregory C. Stanczak crisscrosses disciplines in ways that highlight the multiple manifestations of this newer interdisciplinary trend. Beyond methodological interests, the rich diversity of subject matter provides this volume′s pedagogical punch. Key Features Provides a valuable framework for classroom use and comparative analysis: Organized around three themes in visual research—methodology, epistemological reflection, and theoretical contribution of images Addresses a wide range of topics: Original and reprinted works by leading qualitative researchers from various fields, including Sociology, Education, Political Science, Religion, History, and Gender Studies Offers a roadmap to common issues and topics: Reader′s guide connects different chapters to different conceptual themes and methodological approaches Presents vivid visual data: Methodologies go beyond photography alone and include video and virtual research Intended Audience: This is an excellent text for advanced undergraduate and graduate courses in social research across disciplines such as Sociology, Education, Cultural Studies, Anthropology, American Studies, Communications, Gender Studies, and Political Science.Vi


The Camera as Historian

The Camera as Historian

Author: Elizabeth Edwards

Publisher: Duke University Press

Published: 2012-04-11

Total Pages: 346

ISBN-13: 0822351048

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"In the camera as historian, the groundbreaking historical and visual anthropologist Elizabeth Edwards works with an archive of neraly 55,000 photographs taken by 1,000 photographers, mostly unknown until now." -- Inside cover.


Snapshot Stories

Snapshot Stories

Author: Erika Hanna

Publisher:

Published: 2020

Total Pages: 281

ISBN-13: 0198823037

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Photographers often depict Ireland with bucolic rural landscapes, but during the twentieth century, men and women across Ireland picked up cameras to create and curate photographs revealing more complex and diverse images of Ireland. Snapshot Stories Uses diverse photographic archives, both professional and personal, to explore these stories.


Reasoned and Unreasoned Images

Reasoned and Unreasoned Images

Author: Josh Ellenbogen

Publisher: Penn State Press

Published: 2012

Total Pages: 281

ISBN-13: 0271052597

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"Examines three projects in late nineteenth-century scientific photography: the endeavors of Alphonse Bertillon, Francis Galton, and Etienne-Jules Marey. Develops new theoretical perspectives on the history of photographic technology, as well as the history of scientific imaging more generally"--


Phototherapy and Therapeutic Photography in a Digital Age

Phototherapy and Therapeutic Photography in a Digital Age

Author: Del Loewenthal

Publisher: Routledge

Published: 2013

Total Pages: 199

ISBN-13: 0415667356

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This book provides a foundation in phototherapy and therapeutic photography. It provides overviews from different approaches and contexts, including phototherapy, re-enactment phototherapy, community phototherapy, self-portraiture.


Photography Theory in Historical Perspective

Photography Theory in Historical Perspective

Author: Hilde Van Gelder

Publisher: John Wiley & Sons

Published: 2011-04-25

Total Pages: 283

ISBN-13: 1405191619

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Photography Theory in Historical Perspective: Case Studies from Contemporary Art aims to contribute to the understanding of the multifaceted and complex character of the photographic medium by dealing with various case studies selected from photographic practices in contemporary art, discussed in the context of views and theories of photography from its inception. uses case studies to explain photographic practices in contemporary art and place them in the context of theory presents current debates on theory of photography through comparisons to research of other visual media applicable to vernacular and documentary photography as well as art photography


The Handbook of Photography Studies

The Handbook of Photography Studies

Author: Gil Pasternak

Publisher: Routledge

Published: 2020-08-13

Total Pages: 610

ISBN-13: 100021141X

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The Handbook of Photography Studies is a state-of-the-art overview of the field of photography studies, examining its thematic interests, dynamic research methodologies and multiple scholarly directions. It is a source of well-informed, analytical and reflective discussions of all the main subjects that photography scholars have been concerned with as well as a rigorous study of the field’s persistent expansion at a time when digital technology regularly boosts our exposure to new and historical photographs alike. Split into five core parts, the Handbook analyzes the field’s histories, theories and research strategies; discusses photography in academic disciplinary and interdisciplinary contexts; draws out the main concerns of photographic scholarship; interrogates photography’s cultural and geopolitical influences; and examines photography’s multiple uses and continued changing faces. Each part begins with an introductory text, giving historical contextualization and scholarly orientation. Featuring the work of international experts, and offering diverse examples, insights and discussions of the field’s rich historiography, the Handbook provides critical guidance to the most recent research in photography studies. This pioneering and comprehensive volume presents a systematic synopsis of the subject that will be an invaluable resource for photography researchers and students from all disciplinary backgrounds in the arts, humanities and social sciences.