Graphic Novel. Celebrate a senses-shattering 70 years of Marvel Comics with this fitting tribute to the storied history of the House of Ideas! This keepsake edition showcases the creative evolution of the Marvel Universe like never before by collecting the single best story from each of the past seven decades - as chosen by the True Believers themselves, the mighty Marvel fans! Collecting 10 of the best stories from the past 70 years, as chosen by the industry's top creators, plus the 70th Anniversary issue of Marvel Spotlight.
Graphic Novel. Presenting 12 celebratory specials commemorating 70 years of Marvel! Watch a scrawny kid from Brooklyn named Steve Rogers shows the world that you don't need a super-soldier serum to be a hero. And it's the year 1940, and thanks to policewoman Betty Dean, the young Namor the Sub-Mariner has momentarily halted his jihad against the surface world. Find out if the Human Torch can learn to tap into the human side of the Torch, or must he sacrifice himself to save the people he has sworn to protect? All this plus much, much more!
Collects All Select Comics #1, All Winners Comics #1, Usa Comics #1 Marvel Mystery Comics #1, Captain America Comics #1, Mystic Comics #1, Young Allies Comics #1, Miss America Comics #1, Sub-Mariner Comics #1, Human Torch Comics #1 And Daring Mystery Comics #1. Presenting 11 celebratory specials commemorating 70 years of Marvel! Watch a scrawny kid from Brooklyn named Steve Rogers show the world that you don't need a super-soldier serum to be a hero. And it's the year 1940, and thanks to policewoman Betty Dean, the young Namor the Sub-Mariner has momentarily halted his jihad against the surface world. Find out if the Human Torch can learn to tap into the human side of the Torch, or must he sacrifice himself to save the people he has sworn to protect? All this plus much, much more! Collecting all the 70th anniversary specials!
This book explores how the heroes and villains of popular comic books—and the creators of these icons of our culture—reflect the American experience out of which they sprang, and how they have achieved relevance by adapting to, and perhaps influencing, the evolving American character. Multiple generations have thrilled to the exploits of the heroes and villains of American comic books. These imaginary characters permeate our culture—even Americans who have never read a comic book grasp what the most well-known examples represent. But these comic book characters, and their creators, do more than simply thrill: they make us consider who we are and who we aspire to be. Icons of the American Comic Book: From Captain America to Wonder Woman contains 100 entries that provide historical background, explore the impact of the comic-book character on American culture, and summarize what is iconic about the subject of the entry. Each entry also lists essential works, suggests further readings, and contains at least one sidebar that provides entertaining and often quirky insight not covered in the main entry. This two-volume work examines fascinating subjects, such as how the superhero concept embodied the essence of American culture in the 1930s; and the ways in which comic book icons have evolved to reflect changing circumstances, values, and attitudes regarding cultural diversity. The book's coverage extends beyond just characters, as it also includes entries devoted to creators, publishers, titles, and even comic book related phenomena that have had enduring significance.
James "Bucky" Barnes has led many lives. Once he was Captain America's partner Bucky, a proud member of the Invaders, a founder of the original Young Allies. Now he is Captain America, the Sentinel of Liberty, and when an old enemy suddenly reappears, Jim must re-open the last, unsolved case of the Young Allies--to stop a menace that threatens the world! Roger Stern travels from World War II with Nick Dragotta to the modern age with Marco Santucci to tell a time-tossed epic tale of high adventue!
This carefully crafted ebook is formatted for your eReader with a functional and detailed table of contents. Captain America: Civil War is a 2016 American superhero film based on the Marvel Comics character Captain America, produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures. It is the sequel to 2011's Captain America: The First Avenger and 2014's Captain America: The Winter Soldier, and the thirteenth film of the Marvel Cinematic Universe (MCU). The film is directed by Anthony and Joe Russo, with a screenplay by Christopher Markus & Stephen McFeely, and features an ensemble cast, including Chris Evans, Robert Downey Jr., Scarlett Johansson, Sebastian Stan, Anthony Mackie, Don Cheadle, Jeremy Renner, Chadwick Boseman, Paul Bettany, Elizabeth Olsen, Paul Rudd, Emily VanCamp, Tom Holland, Frank Grillo, William Hurt, and Daniel Brühl. In Captain America: Civil War, disagreement over international oversight of the Avengers fractures them into opposing factions—one led by Steve Rogers and the other by Tony Stark. This book has been derived from Wikipedia: it contains the entire text of the title Wikipedia article + the entire text of all the 634 related (linked) Wikipedia articles to the title article. This book does not contain illustrations.
Collecting Destroyer (2009) #1-5; Usa Comics 70th Anniversary Special; And Material From Mystic Comics (1940) #6, Midnight Sons Unlimited #9 And Marvel Comics Presents (1988) #156. For sixty years, Keen Marlowe has been a super hero, taking down bad guys, fighting the good fight. But it's about to come crashing to an end. See, Marlowe is dying - maybe today, maybe tomorrow, the only question is when. But Marlowe isn't about to go quietly into the night. Before he goes, he intends to leave the world a safer place for his family. And if that means hunting down - and murdering - every super-villain he can, so be it. They don't call him "Destroyer" for nothing.
The ultimate compendium to everyone’s favorite participants in the eternal battle between good and evil! Profiles of more than 1,000 mythic superheroes, icons, and their place in popular culture. Superhuman strength. Virtual invulnerability. Motivated to defend the world from criminals and madmen. Possessing a secret identity. And they even have fashion sense—they look great in long underwear and catsuits. These are the traits that define the quintessential superhero. Their appeal and media presence has never been greater, but what makes them tick? their strengths? weaknesses? secret identities and arch-enemies? The Superhero Book: The Ultimate Encyclopedia of Comic-Book Icons and Hollywood Heroes is the comprehensive guide to all those characters whose impossible feats have graced the pages of comic books for the past one hundred years. From the Golden and Silver Ages to the Bronze and Modern Ages, the best-loved and most historically significant superheroes—mainstream and counterculture, famous and forgotten, best and worst—are all here: The Avengers Batman and Robin Captain America Superman Wonder Woman Captain Marvel Spider-Man The Incredibles The Green Lantern Iron Man Catwoman Wolverine Aquaman Hellboy Elektra Spawn The Punisher Teen Titans The Justice League The Fantastic Four and hundreds of others. Unique in bringing together characters from Marvel, DC, and Dark Horse, as well as smaller independent houses, The Superhero Book covers the best-loved and historically significant superheroes across all mediums and guises, from comic book, movie, television, and graphic novels. With many photos and illustrations this fun, fact-filled tome is richly illustrated. A bibliography and extensive index add to its usefulness. It is the ultimate A-to-Z compendium of everyone's favorite superheroes, anti-heroes and their sidekicks, villains, love interests, superpowers, and modus operandi.
This volume offers a critical exploration of the many ways in which transcodification acts at the intersection of literature, art, history, and social and cultural artifacts to foster instances of recognition in the US. Recognition covers a wealth of meanings: from the mere acknowledgement of existence, validity or legality, or appreciation of something as valuable, to the identification of something as known or familiar. Accordingly, this volume deals with different struggles for recognition. One focus of the volume is the assessment of artistic achievement in relation to a so-called original, with essays concerned with cultural codes and with the role that translation, adaptation, and cross-cultural encounters have played in US artistic and literary productions. A second, parallel, strand focuses on the fight for political and social inclusion, or on the dynamics beneath the recognition of group and gender identities, to explore how activism and artistic/literary productions challenge received identity boundaries and accepted social and cultural hierarchies. Bringing together recognition and transcodification/transculturality, the book deconstructs crystalized and codified categories and celebrates the crossing of boundaries.
Winner of the Popular Culture Association's Ray and Pat Browne Award for Best Book in Popular or American Culture In the 1940s and ’50s, comic books were some of the most popular—and most unfiltered—entertainment in the United States. Publishers sold hundreds of millions of copies a year of violent, racist, and luridly sexual comics to Americans of all ages until a 1954 Senate investigation led to a censorship code that nearly destroyed the industry. But this was far from the first time the US government actively involved itself with comics—it was simply the most dramatic manifestation of a long, strange relationship between high-level policy makers and a medium that even artists and writers often dismissed as a creative sewer. In Pulp Empire, Paul S. Hirsch uncovers the gripping untold story of how the US government both attacked and appropriated comic books to help wage World War II and the Cold War, promote official—and clandestine—foreign policy and deflect global critiques of American racism. As Hirsch details, during World War II—and the concurrent golden age of comic books—government agencies worked directly with comic book publishers to stoke hatred for the Axis powers while simultaneously attempting to dispel racial tensions at home. Later, as the Cold War defense industry ballooned—and as comic book sales reached historic heights—the government again turned to the medium, this time trying to win hearts and minds in the decolonizing world through cartoon propaganda. Hirsch’s groundbreaking research weaves together a wealth of previously classified material, including secret wartime records, official legislative documents, and caches of personal papers. His book explores the uneasy contradiction of how comics were both vital expressions of American freedom and unsettling glimpses into the national id—scourged and repressed on the one hand and deployed as official propaganda on the other. Pulp Empire is a riveting illumination of underexplored chapters in the histories of comic books, foreign policy, and race.
