A comprehensive guidebook to urban exploration, a thrilling, mind-expanding hobby that encourages our natural instincts to explore and play in our own environment. Includes everything you need to begin exploring little-known urban spaces like abandoned buildings, rooftops, construction sites, drains, transit and utility tunnels and more. Features chapters on * training * recruiting * preparation * equipping * social engineering and other subjects important to the successful urban explorer.
It is assumed that every inch of the world has been explored and charted; that there is nowhere new to go. But perhaps it is the everyday places around us—the cities we live in—that need to be rediscovered. What does it feel like to find the city’s edge, to explore its forgotten tunnels and scale unfinished skyscrapers high above the metropolis? Explore Everything reclaims the city, recasting it as a place for endless adventure. Plotting expeditions from London, Paris, Berlin, Detroit, Chicago, Las Vegas and Los Angeles, Bradley L. Garrett has evaded urban security in order to experience the city in ways beyond the boundaries of conventional life. He calls it ‘place hacking’: the recoding of closed, secret, hidden and forgotten urban space to make them realms of opportunity. Explore Everything is an account of the author’s escapades with the London Consolidation Crew, an urban exploration collective. The book is also a manifesto, combining philosophy, politics and adventure, on our rights to the city and how to understand the twenty-first century metropolis.
This book analyses a unique leisure world that has been built around a newly emerging phenomenon known as urban exploration; the art of exploring human-made environments which are generally abandoned or hidden from sight of the public eye. Drawing on Michel Foucault’s concept of heterotopia, Bingham provides a detailed and critical investigation of urban exploration as a form of leisure that is about the coming together of drifting performers who, in their celebration of ‘rebellion’ and ‘deviance’, are determined to find a sense of meaning and belonging. The research considers the influence of consumer capitalism on urban explorers, and the wider social, economic and political context that shapes ideas of belonging and identity in the twenty-first century. By doing this, the book analyses urban exploration as an activity that has emerged in a time when human ideas about culture, individuality and community have transformed, and ‘solid’ modernity is gradually disintegrating around us. This multi and interdisciplinary work will appeal to people with an interest in ‘abnormal’ or ‘deviant’ leisure, as well as academics from sociology, anthropology, social geography, leisure studies, cultural studies, sport and recreation and tourism.
In this fascinating glimpse into the world of urban exploration, Moses Gates describes his trespasses in some of the most illustrious cities in the world from Paris to Cairo to Moscow. Also, exclusive to this e-book, are firsthand accounts from the author's fellow travelers and family. Gates is a new breed of adventurer for the 21st century. He thrives on the thrill of seeing what others do not see, let alone even know exists. It all began quite innocuously. After moving to New York City and pursuing graduate studies in Urban Planning, he began unearthing hidden facets of the city—abandoned structures, disused subway stops, incredible rooftop views that belonged to cordoned-off buildings. At first it was about satiating a nagging curiosity; yet the more he experienced and saw, the more his thirst for adventure grew, eventually leading him abroad. In this memoir of his experiences, Gates details his travels through underground canals, sewers, subways, and crypts, in metropolises spanning four continents. In this finely-written book, Gates describes his immersion in the worldwide subculture of urban exploration; how he joined a world of people who create secret art galleries in subway tunnels, break into national monuments for fun, and travel the globe sleeping in centuries-old catacombs and abandoned Soviet relics rather than hotels or bed-and-breakfasts. They push each other further and further—visiting the hidden side of a dozen countries, discovering ancient underground Roman ruins, scaling the Brooklyn, Manhattan, and Williamsburg bridges, partying in tunnels, sneaking into Stonehenge, and even finding themselves under arrest on top of Notre Dame Cathedral. Ultimately, Gates contemplates why he and other urban explorers are so instinctively drawn to these unknown and sometimes forbidden places—even (and for some, especially) when the stakes are high. Hidden Cities will inspire readers to think about the potential for urban exploration available for anyone, anywhere—if they have only the curiosity (and nerve!) to dig below the surface to discover the hidden corners of this world.
The Dead City unearths meanings from such depictions of ruination and decay, looking at representations of both thriving cities and ones which are struggling, abandoned or simply in transition. It reveals that ruination presents a complex opportunity to envision new futures for a city, whether that is by rewriting its past or throwing off old assumptions and proposing radical change. Seen in a certain light, for example, urban ruin and decay are a challenge to capitalist narratives of unbounded progress. They can equally imply that power structures thought to be deeply ingrained are temporary, contingent and even fragile. Examining ruins in Chernobyl, Detroit, London, Manchester and Varosha, this book demonstrates that how we discuss and depict urban decline is intimately connected to the histories, economic forces, power structures and communities of a given city, as well as to conflicting visions for its future.
This book looks at the role nostalgia plays in the radical imagination to offer a new guide to the history and politics of the left. In "Left in the Past", Bonnett re-assesses the place of nostalgia within radical politics and, in doing so, provides a new introduction to the history and politics of the left. Bonnett argues that nostalgia has been a chronic, but repressed, aspect of the socialist imagination. "Left in the Past" is premised on the idea that, in our 'post-socialist era', the relationship between radicalism and a sense of loss, and the ambivalent position of socialism in and against modernity, can be viewed with greater clarity. In Section One of the book, Bonnett shows the centrality and repression of nostalgia in both 19th-century radicalism and anti-colonial radicalism. In Section Two, he explores the consequences of this inheritance by way of 20th century and contemporary studies of revolutionary intellectuals and intellectual culture. Bonnett's unique approach in how to understand the left in an age of post-socialism will make book a needed resource for anyone interested in the history and politics of the left and radicalism.
Locating Imagination in Popular Culture offers a multi-disciplinary account of the ways in which popular culture, tourism and notions of place intertwine in an environment characterized by ongoing processes of globalization, digitization and an increasingly ubiquitous nature of multi-media. Centred around the concept of imagination, the authors demonstrate how popular culture and media are becoming increasingly important in the ways in which places and localities are imagined, and how they also subsequently stimulate a desire to visit the actual places in which people’s favourite stories are set. With examples drawn from around the globe, the book offers a unique study of the role of narratives conveyed through media in stimulating and reflecting desire in tourism. This book will have appeal in a wide variety of academic disciplines, ranging from media and cultural studies to fan- and tourism studies, cultural geography, literary studies and cultural sociology.
