The richly illustrated essays in Turcologica Upsaliensia tell of scholars, travellers, diplomats and collectors who explored the Turkic-speaking world while affiliated with Sweden’s oldest university, at Uppsala, and who enriched the University Library with collections of Turkic cultural heritage objects.
An enlightening, revised edition of the definitive biography on celebrated organist and composer, Dieterich Buxtehude. This book is a new edition of the most comprehensive life-and-works study of the great Baroque-era organist and composer Dieterich Buxtehude (ca. 1637-1707), released to celebrate the tercentenary of the composer's death. Originally published in 1987 and long out of print, Dieterich Buxtehude: Organist in Lübeck is considered by most musicologists to be the definitive biography. It also includes close description of Buxtehude's compositional output, from trio sonatas to the famed Abendmusiken: Buxtehude's yearly oratorio presentations. The young J. S. Bach traveled to Lübeck on foot in 1705 to learn as much as he could from the great master of the organ and of Lutheranchurch music. The revised edition contains new information on the organs that Buxtehude played in Scandinavia and Lübeck, excerpts from the newly available account books from St. Mary's in Lübeck, a discussion of newly discovered sources, including one written by J. S. Bach, an evaluation of recent scholarship on Buxtehude, and an extensive bibliography. Written for both the casual reader and the serious scholar. The accompanying music CD (this material is now provided on a companion website) provides examples of all genres discussed in the book -- vocal works, a trio sonata, harpsichord music, and organ music newly recorded on the North German meantone organ in Gothenburg, Sweden, by a noted specialist in this repertoire, Hans Davidsson, who is professor of organ at the University of Rochester's Eastman School of Music and the founder of the Göteborg Organ Art Center (GOArt). Kerala J.Snyder is Professor Emerita of Musicology, Eastman School of Music (University of Rochester).
Emma Hagström Molin uncovers the history of a most peculiar heritage: seventeenth-century plunder in the form of archival documents, manuscripts and books preserved in Swedish archives and libraries.
The Society of Jesus began a tradition of collecting books and curating those collections at its foundation. These libraries were important to both their European sites and their missions; they helped build a global culture as part of early modern European evangelization. When the Society was suppressed, the Jesuits’ possessions were seized and redistributed, by transfer to other religious orders, confiscation by governments, or sale to individuals. These possessions were rarely returned, and when, in 1814, the Society was restored, the Jesuits had to begin to build new libraries from scratch. Their practices of librarianship, though not their original libraries, left an intellectual legacy which still informs library science today. While there are few European Jesuit universities left, institutions of higher learning administered by the Society of Jesus remain important to the intellectual development of students and communities around the world, supported by large, rich library collections.
This collection of essays engages with a variety of aspects of early modern book culture in the 16th-17th centuries, considered in the Catholic context. The contributions reflect on the engagement of institutions and authorities in the process of book production, bringing to the fore the role of networks in this process; show the book as a tool of resistance to the Protestant Reformation; give insight into the content and design of book collections; showcase textual production in the context of cultural appropriation and shed light on the role of the image in the propagation of Catholicism. Together the sixteen contributions demonstrate the diversity of the Catholic book in its forms and functions, in various social and national contexts.