Upanishads are prime portions of the Vedas, They are the foundational theological discourses of Hindu traditions called Vedanta or the conclusion of the Vedas. Upanishad 9 in English rhyme comprises of the Narayan Upanishad, Hayagriva Upanishad, Jabala Upanishad, Katharudra Upanishad, Kshurika Upanishad, Dattatreya Upanishad, Nrisimha Poorva Tapaniya Upanishad, Nrisimha Uttara Tapaniya, Kaushitaki Brahman Upanishad, Kaivalya Upanishad, Kundika Upanishad, Hamsa Upanishad, Tarasara Upanishad, Tripura Upanishad, and the Sarabha Upanishad written in English rhyme with the original Sanskrit text.
Presents a culmination of Vedic thought and contains the essence of the original Vedantic teachings. This work imparts sublime truths about the nature and destiny of mankind revealed by sages and seers during informal discussions with disciples and spiritual seekers.
The ancient Vedic literature, the foundation of the whole literature of India, which has been handed down in that country in an unbroken succession from the earliest times within the recollection of man to the present day, became known for the first time beyond the frontiers of India through the Upanishads. The Upanishads were translated from Sanskrit into Persian by, or, it may be, for Dârâ Shukoh, the eldest son of Shâh Jehân, an enlightened prince, who openly professed the liberal religious tenets of the great Emperor Akbar, and even wrote a book intended to reconcile the religious doctrines of Hindus and Mohammedans. He seems first to have heard of the Upanishads during his stay in Kashmir in 1640. He afterwards invited several Pandits from Benares to Delhi, who were to assist him in the work of translation. The translation was finished in 1657. Three years after the accomplishment of this work, in 1659, the prince was put to death by his brother Aurangzib1, in reality, no doubt, because he was the eldest son and legitimate successor of Shâh Jehân, but under the pretext that he was an infidel, and dangerous to the established religion of the empire. When the Upanishads had once been translated from Sanskrit into Persian, at that time the most widely read language of the East and understood likewise by many European scholars, they became generally accessible to all who took an interest in the religious literature of India. It is true that under Akbar's reign (1556-1586) similar translations had been prepared1, but neither those nor the translations of Dârâ Shukoh attracted the attention of European scholars till the year 1775. In that year Anquetil Duperron, the famous traveller and discoverer of the Zend-avesta, received one MS. of the Persian translation of the Upanishads, sent to him by M. Gentil, the French resident at the court of Shuja ud daula, and brought to France by M. Bernier. After receiving another MS., Anquetil Duperron collated the two, and translated the Persian translation into French (not published), and into Latin.
The Upanishads: one of three new editions of the books in Eknath Easwaran's Classics of Indian Spirituality series You are what your deep driving desire is. As your desire is, so is your will. As your will is, so is your deed. As your deed is, so is your destiny. - Brihadaranyaka Upanishad (IV.4.5) Over two thousand years ago, the sages of India embarked on an extraordinary experiment. While others were exploring the external world, they turned inward - to explore consciousness itself. In the changing flow of human thought, they asked, is there anything that remains the same? They found that there is indeed a changeless Reality underlying the ebb and flow of life. Their discoveries are an expression of what Aldous Huxley called the Perennial Philosophy, the wellspring of all religious faith that assures us that God-realization is within human reach. The Upanishads are the sages' wisdom, given in intense sessions of spiritual instruction in ashrams, in family gatherings, in a royal court, in the kingdom of Death himself. And Easwaran shows how these teachings are just as relevant to us now as they ever were centuries ago.
This new translation of The Upanishads is at once delightfully simple and rigorously learned, providing today’s readers with an accurate, accessible rendering of the core work of ancient Indian philosophy. The Upanishads are often considered the most important literature from ancient India. Yet many academic translators fail to capture the work’s philosophical and spiritual subtlety, while others convey its poetry at the cost of literal meaning. This new translation by Vernon Katz and Thomas Egenes fills the need for an Upanishads that is clear, simple, and insightful – yet remains faithful to the original Sanskrit. As Western Sanskrit scholars who have spent their lives immersed in meditative practice, Katz and Egenes offer a unique perspective in penetrating the depths of Eastern wisdom and expressing these insights in modern yet poetic language. Their historical introduction is suited to newcomers and experienced readers alike, providing the perfect entry to this unparalleled work.
Upanishads are prime portions of the Vedas, They are the foundational theological discourses of Hindu traditions called Vedanta or the conclusion of the Vedas. Upanishad 11 in English rhyme comprises of the Sandilya Upanishad, Sannyasa Upanishad, Para-Brahma Upanishad, Paramahamsa Upanishad, Pranagnihotra Upanishad, Paramahamsa Parivrajaka Upanishad, Turiyatita Avadhuta Upanishad, Sarasvati-Rahasya Upanishad, Satyayaniya Upanishad, Savitri Upanishad Sita Upanishad, Skanda Upanishad, and the Subala Upanishad written in English rhyme with the original Sanskrit text.
