Unvarnished Tales

Unvarnished Tales

Author: William Mackay

Publisher: Good Press

Published: 2019-12-06

Total Pages: 118

ISBN-13:

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"Unvarnished Tales" by William Mackay is a collection of 21 tales. This volume contains the fascinating stories: A Queer Quest, The Sawdust Man's Curse, Lord Lundy's Snuff-box, "One Was Rent And Left To Die," The Grigsby Living, Res Est Sacra Miser, Mr. Grey, The Prodigal's Return, A Philanthropic "Masher," A Dishonoured Bill, A Man Of Genius, A Dignified Dipsomaniac, "Old Boots," A Missing Heiress, Teddy Martin's Brief, Bluebeard's Cupboard, True To Poll, John Philp, Master Carpenter, Pictures On The Line, The Devil's Playthings, and Love And A Diary.


The Unvarnished Truth

The Unvarnished Truth

Author: Ann Fabian

Publisher: Univ of California Press

Published: 2000-01-03

Total Pages: 271

ISBN-13: 0520928032

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The practice of selling one's tale of woe to make a buck has long been a part of American culture. The Unvarnished Truth: Personal Narratives in Nineteenth-Century America is a powerful cultural history of how ordinary Americans crafted and sold their stories of hardship and calamity during the nineteenth century. Ann Fabian examines the tales of beggars, convicts, ex-slaves, prisoners of the Confederacy, and others to explore cultural authority, truth-telling, and the nature of print media as the country was shifting to a market economy. This well-crafted book describes the fascinating controversies surrounding these little-read tales and returns them to the social worlds where they were produced. Drawing on an enormous number of personal narratives—accounts of mostly poor, suffering, and often uneducated Americans—The Unvarnished Truth analyzes a long-ignored tradition in popular literature. Historians have treated the spread of literacy and the growth of print culture as a chapter in the democratization of refinement, but these tales suggest that this was not always the case. Producing stories that purported to be the plain, unvarnished truth, poor men and women edged their way onto the cultural stage, using storytelling strategies far older than those relying on a Renaissance sense of refinement and polish. This book introduces a unique collection of tales to explore the nature of truth, authenticity, and representation.


The Art of Political Fiction in Hamilton, Edgeworth, and Owenson

The Art of Political Fiction in Hamilton, Edgeworth, and Owenson

Author: Susan B. Egenolf

Publisher: Routledge

Published: 2017-11-30

Total Pages: 323

ISBN-13: 1351147706

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Even as Romantic-period authors asserted the importance of telling the unvarnished truth, novelists were deploying narrative glossing in particularly sophisticated forms. The author examines the artistic craft and political engagement of three major women novelists-Elizabeth Hamilton, Maria Edgeworth, and Sydney Owenson-whose self-conscious use of glosses facilitated their critiques of politics and society. All three writers employed devices such as prefaces and editorial notes, as well as alternative media, especially painting and drama, to comment on the narrative. The effect of these disparate media, the author argues, is to call the reader's attention away from the narrative itself. That is, such glossing or 'varnishing' creates narrative ruptures that offer the reader a glimpse of the process of fictional structuring and often reveal the novel's indebtedness to a particular historical moment. In spite, or perhaps because, of their being gendered feminine in eighteenth-century rhetorical commentary, therefore, these glosses allow women writers to participate in 'masculine' discussions outside the conventional domestic sphere. Informed by a wide range of archival texts and examples from the visual arts, and highlighting the 1798 Irish Rebellion as a major event in Irish and British Romantic writing, the author's study offers a new interdisciplinary reading of gendered and political responses to key events in the history of Romanticism.


Between the Summit and the Sea

Between the Summit and the Sea

Author: Alfred H. Siemens

Publisher: UBC Press

Published: 2011-11-01

Total Pages: 256

ISBN-13: 0774843004

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For some time now, there has been a great deal of concerned reflection on the ways in which the tropical lowlands of the Americas have been perceived and exploited. This book addresses this concern. It is also something of an appreciation of tropical lowlands, as they emerge along one particular road, gathered from the accounts of early nineteenth-century observers. Aerial reconnaissance has shown that many wetlands in the lowlands which these travellers crossed are patterned with the remains of prehispanic platforms and canals, an old and effective system for the cultivation of wetlands. These show particularly clearly in the pastures of modern ranches -- a very different land use, and yet perhaps governed by similar constraints. The pastures are dotted with palms which eloquently indicate repeated burning and long use and scored by drainage ditches cut according to contemporary practice, thus giving evidence of both ancient and modern use. The travellers' accounts throw light on this juxtaposition. Early nineteenth-century visitors to Mexico usually entered the country at Veracruz and proceeded inland along the Jalapa road. Their impressions of the surrounding landscape have long been relied upon for a contemporary interpretation of this region. They produced a rich literature which reveals a great deal about what the European and North American travellers thought about the tropics. The reader is taken along the Veracruz-Jalapa road up to the summit of the pass and on to the central tableland and allowed to see the coastal landscape take shape from the commentary, step by step -- detailed and coloured by predisposition, the 'objective' landscape often aggrandized and misperceived. The accounts are not benign; they are tinged with an evaluation of tropical lowlands that unfortunately persisted and proved prejudicial to actual development here and elsewhere. In this book, Alfred Siemens brings together a wide array of commentary to coalesce as though it were a piece of landscape theatre, always with the recognition that the fascinating and at times entertaining observations carry venom.


George Crabbe

George Crabbe

Author: Arthur Pollard

Publisher: Routledge

Published: 2003-09-01

Total Pages: 506

ISBN-13: 1134782438

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The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The carefully selected sources range from landmark essays in the history of criticism to journalism and contemporary opinion, and little published documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects. The Collected Critical Heritage set will be available as a set of 68 volumes and the series will also be available in mini sets selected by period (in slipcase boxes) and as individual volumes.