Unlocking Mallarmé
Author: Graham Robb
Publisher: Yale University Press
Published: 1996-01-01
Total Pages: 276
ISBN-13: 0300064861
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Frameworks for Mallarmé
Author: Gayle Zachmann
Publisher: State University of New York Press
Published: 2008-11-05
Total Pages: 227
ISBN-13: 0791477673
DOWNLOAD EBOOKCountering the conventional image of the deliberately obscure "ivory-tower poet," Frameworks for Mallarmé presents Stéphane Mallarmé as a journalist and critic who was actively engaged with the sociocultural and technological shifts of his era. Gayle Zachmann introduces a writer whose aesthetic was profoundly shaped by contemporary innovations in print and visual culture, especially the nascent art of photography. She analyzes the preeminence of the visual in conjunction with Mallarmé's quest for "scientific" language, and convincingly links the poet's production to a nineteenth-century understanding of cognition that is articulated in terms of optical perception. The result is a distinctly modern recuperation of the Horatian doctrine of ut pictura poesis in Mallarmé's poetry and his circumstantial writings.
Mallarmé and Circumstance
Author: Roger Pearson
Publisher: Clarendon Press
Published: 2004
Total Pages: 296
ISBN-13: 9780199266746
DOWNLOAD EBOOKFollowing his Unfolding Mallarme: The Development of a Poetic Art, this book is the second in Roger Pearson's authoritative two-volume study of the work of Stephanie Mallarme (1842-1898), and the first comprehensive study of Mallarme's 'poetry of circumstance' in any language. For Mallarme,in a world without God, the role of the poet is to break the silence with language and to confer upon the contingency of circumstance a therapeutic semblance of formal and semantic pattern. Literature provides a 'translation of silence', 'intimate galas' in which the mysterious drama of the humancondition is performed for and by the reader on the stage of the verse poem, the prose poem, and what Mallarme calls the 'poeme critique'. In Part 1, Pearson examines the prose poems within the context of Mallarme's writing about the theatre. In Part II, he focuses on the 'circumstanzas' - thefamous 'Tombeaux', 'Hommages', 'Eventails', and 'vers de circonstance' - in which Mallarme invests the quotidian with the 'glorious lie' of poetry. In a series of close readings Pearson demonstrates how complex poetic structures, and especially the sonnet, may serve to guide the human search formeaning and shape our anguish in a 'ceremony of the Book.'
Stéphane Mallarmé
Author: Roger Pearson
Publisher: Reaktion Books
Published: 2010-05-15
Total Pages: 226
ISBN-13: 1861897278
DOWNLOAD EBOOKThis concise biography of Stéphane Mallarmé (1842–98) blends an account of the poet’s life with a detailed analysis of his evolving poetic theory and practice. “A poet on this earth must be uniquely a poet,” he declared at the age of twenty-two—but what is a poet’s life and what isa poet’s function? In his poems and prose statements and by the example of his life, Mallarmé provided answers to these questions. In Stéphane Mallarmé, Roger Pearson explores the relationship among Mallarmé’s life, his philosophy, and his writing. To Mallarmé, being a poet consists of a continuous, lifelong investigation of language and its expressive potential. It represents, argues Pearson, a fundamental response to the metaphysical mystery of the human condition and the desire to make sense of it for others. A poet turns everyday banality into prospects of mystery; and a poet, in Mallarmé’s conception, is able to bring all human beings together in heightened awareness and understanding of the “magnificent act of living.” This concise and engaging biography tells the story of a fascinating and utterly unique voice in French poetry, one that was often overshadowed by other Symbolist writers. It is an essential read for students of literature and nineteenth-century France.
Mallarmé and Debussy
Author: Elizabeth McCombie
Publisher: Oxford University Press
Published: 2003
Total Pages: 246
ISBN-13: 9780199266371
DOWNLOAD EBOOKThis book examines afresh the web of similarities and differences between music and poetry using works by Mallarm and Debussy as case studies. It challenges the easy metaphorical impressionism that has characterized much of the scholarly literature to date. Analyzing Mallarm 's vision of a shared musico-poetic aesthetic, Elizabeth McCombie derives a set of performative structural motifs, analytical tools that express our experience of the two arts and their middle ground.
Mallarmé's Ideas in Language
Author: Heather Williams
Publisher: Peter Lang
Published: 2004
Total Pages: 184
ISBN-13: 9783039101627
DOWNLOAD EBOOKIn this book, the author discusses the sheer improbability of Mallarmé's joint concern with concepts, or ideas, on the one hand, and with language as it behaves within the constraints of poetic convention on the other.
Mallarmé and the Poetics of Everyday Life
Author: Hélène Stafford
Publisher: Rodopi
Published: 2000
Total Pages: 250
ISBN-13: 9789042013148
DOWNLOAD EBOOKThis book is concerned with the relocation of the concept of the ordinary within the works of Stéphane Mallarmé (1842-98). It engages with much of Mallarmé's oeuvre, concentrating on the textual features which reveal that, even in his most difficult texts, the ordinary as conceptual tool, as textual matter and as contemporary environment is never dismissed, but re-invented and invested with new and lively meaning. The instability of the concept in the texts, its qualities which range from the threatening to the immensely fertile make it a particularly rewarding area of study, against the background of a critical corpus which has in the past seen Mallarmé's work at best as unconcerned with ordinary life, at worst as irremediably removed from it. Here is presented for the first time a study of a metalanguage which appears surprisingly frequently in the Mallarmé corpus. The complex metaphorisation of the banal in Mallarmé's oeuvre, as well as the ideological discourse of the journalistic writings in their engagement with contemporary life are analysed and contribute to the demonstration of the existence within the corpus of an idealised ordinary world re-invented by the poet.
Meetings with Mallarmé
Author: Michael Temple
Publisher: University of Exeter Press
Published: 1998
Total Pages: 292
ISBN-13: 9780859895620
DOWNLOAD EBOOKIn Meetings with Mallarme, top scholars from the UK and USA have been specially commissioned to explore the significance of Mallarme's influence on some of the major players in French psychoanalysis, music, poetry, philosophy and literary theory.
Mallarmé Wagner: Music and Poetic Language
Author: Heath Lees
Publisher: Routledge
Published: 2017-07-05
Total Pages: 272
ISBN-13: 1351559486
DOWNLOAD EBOOKThis book challenges and replaces the existing view of Mallarm mission to 're-possess' music on behalf of poetic language. Traditionally, this view focused on only the last fifteen years of the poet's life, and sprang from a belief in Mallarm 'sudden awakening' to music during an all-Wagner concert in Paris, in 1885. Professor Heath Lees shows that Mallarm early knowledge and experience of music was much greater than commentators have realized, and that the French poet actually began his writing career with the explicit aim of making music's performance-language of 'effect' the ground of his poetic expression. Integral to the argument is Mallarm reaction to the work and ideas of Richard Wagner, whose impact on France came in two waves: the first broke during the tempestuous 1860s days of the Paris Tannhäuser, while the second arrived in the mid-1880s, and gave birth to the Revue Wagn enne. In refuting the critical literature that focuses on only the second of these waves, Lees shows that Mallarm xhibited a highly informed Wagnerian background during the first wave, and that his grasp of the composer's gestural motives and flexible musical prose led him towards a new kind of self-expressive, gestural rhythm that aimed musically to reinvent poetic language. In support of this, the book examines closely what Wagner 'really' said in the prose works that were becoming known in Paris by the 1860s, in particular, Wagner's important French text, the Lettre sur la musique. It also re-examines Baudelaire's classic Wagner-brochure, and reveals its author's surprisingly firm grasp of Wagner's musico-poetic fusion. In musically informed commentary, Professor Lees surveys the four decades of success and failure that resulted from Mallarm repeated attempts to draw out the musical gestures and resonances of words alone. In the process, he throws new light on many of Mallarm best-known texts, hitherto judged 'difficult' by those who have failed to
Between Baudelaire and Mallarmé
Author: Helen Abbott
Publisher: Routledge
Published: 2016-04-15
Total Pages: 258
ISBN-13: 1317175069
DOWNLOAD EBOOKAs the status of poetry became less and less certain over the course of the nineteenth century, poets such as Baudelaire and Mallarmé began to explore ways to ensure that poetry would not be overtaken by music in the hierarchy of the arts. Helen Abbott examines the verse and prose poetry of these two important poets, together with their critical writings, to address how their attitudes towards the performance practice of poetry influenced the future of both poetry and music. Central to her analysis is the issue of 'voice', a term that remains elusive in spite of its broad application. Acknowledging that voice can be physical, textual and symbolic, Abbott explores the meaning of voice in terms of four categories: (1) rhetoric, specifically the rules governing the deployment of voice in poetry; (2) the human body and its effect on how voice is used in poetry; (3) exchange, that is, the way voices either interact or fail to interact; and (4) music, specifically the question of whether poetry should be sung. Abbott shows how Baudelaire and Mallarmé exploit the complexity and instability of the notion of voice to propose a new aesthetic that situates poetry between conversation and music. Voice thus becomes an important process of interaction and exchange rather than something stable or static; the implications of this for Baudelaire and Mallarmé are profoundly significant, since it maps out the possible future of poetry.
