Performing Objects and Theatrical Things

Performing Objects and Theatrical Things

Author: Marlis Schweitzer

Publisher: Springer

Published: 2014-08-14

Total Pages: 265

ISBN-13: 1137402458

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This book rethinks historical and contemporary theatre, performance, and cultural events by scrutinizing and theorizing the objects and things that activate stages, venues, environments, and archives.


Unidentified Suburban Object

Unidentified Suburban Object

Author: Mike Jung

Publisher: Scholastic Inc.

Published: 2016-04-26

Total Pages: 202

ISBN-13: 0545782287

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Comic and satirical, but also full of painful truths about being both a bright, sensitive middle schooler, and a so-called "model-minority" in a decidedly NOT-diverse town The next person who compares Chloe Cho with famous violinist Abigail Yang is going to HEAR it. Chloe has just about had it with people not knowing the difference between someone who's Chinese, Japanese, or Korean. She's had it with people thinking that everything she does well -- getting good grades, winning first chair in the orchestra, et CETera -- are because she's ASIAN.Of course, her own parents don't want to have anything to DO with their Korean background. Any time Chloe asks them a question they change the subject. They seem perfectly happy to be the only Asian family in town. It's only when Chloe's with her best friend, Shelly, that she doesn't feel like a total alien. Then a new teacher comes to town: Ms. Lee. She's Korean American, and for the first time Chloe has a person to talk to who seems to understand completely. For Ms. Lee's class, Chloe finally gets to explore her family history. But what she unearths is light-years away from what she expected.


Puppet and Spirit: Ritual, Religion, and Performing Objects

Puppet and Spirit: Ritual, Religion, and Performing Objects

Author: Claudia Orenstein

Publisher: Taylor & Francis

Published: 2024-10-17

Total Pages: 299

ISBN-13: 1040147232

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This anthology of essays, a companion to Puppet and Spirit: Ritual, Religion, and Performing Objects, Volume I, aims to explore the many types of relationships that exist between puppets, broadly speaking, and the immaterial world. The allure of the puppet goes beyond its material presence as, historically and throughout the globe, many uses of puppets and related objects have expressed and capitalized on their posited connections to other realms or ability to serve as vessels or conduits for immaterial presence. The flip side of the puppet’s troubling uncanniness is precisely the possibilities it represents for connecting to discarnate realities. Where do we see such connections in contemporary artistic work in various mediums? How do puppets open avenues for discussion in a world that seems to be increasingly polarized around religious values? How do we describe, analyze, and theorize the present moment? What new questions do puppets address for our times, and how does the puppet’s continued entanglement with these concerns trouble or comfort us? The essays in this book, from scholars and practitioners, provide a range of useful models and critical vocabularies for addressing this aspect of puppet performance, further expanding the growing understanding and appreciation of puppetry generally. This book, along with its companion volume, offers, for the first time, robust coverage of this subject from a diversity of voices, examples, and perspectives.


Unidentified Flying Objects

Unidentified Flying Objects

Author: United States. Congress. House. Committee on Armed Services

Publisher:

Published: 1966

Total Pages: 96

ISBN-13:

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Committee Serial No. 55. Considers sightings of unidentified flying objects, together with U.S. Air Force evaluations of the sightings as part of Project Blue Book.


Performing Objects

Performing Objects

Author: Fiona Kerlogue

Publisher: Horniman Museum Publications

Published: 2004

Total Pages: 208

ISBN-13:

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Eastern Africa is often neglected in surveys of African `art'. Masks and sculpted human figures, which are generally the main focus of interest for historians of African `art', are most notable for their relative rarity when compared with the rich accomplished traditions of the Zaire basin and West Africa. Therefore the question most often posed by sceptics is: `Is there `art' in East Africa?' Although various theories have been put forward as to why, for instance, East African sculptural traditions are apparently `inferior' to those of West and Central Africa there is no evidence, in the end, to suggest that East African peoples are significantly less concerned than other African people with `beauty' (however it is defined) and with appreciation of apt or meaningful form and with creative expression. The real challenge is not to explain why one culture produces more or less in the way of material objects than another, but to establish how particular expressions or forms of creativity relate to their makers' and users' intentions and how they function and are given meaning in particular social contexts.


Unconventional Flying Objects

Unconventional Flying Objects

Author: Hill, Paul R.

Publisher: Hampton Roads Publishing

Published: 2014-06-01

Total Pages: 434

ISBN-13: 1571747133

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Paul Hill was a well-respected NASA scientist when, in the early 1950s, he had a UFO sighting. Soon after, he built the first flying platform and was able to duplicate the UFO's tilt-to-control maneuvers. Official policy, however, prevented him from proclaiming his findings. "I was destined," says Hill, "to be as unidentified as the flying objects." For the next twenty-five years, Hill acted as an unofficial clearinghouse at NASA, collecting and analyzing sightings' reports for physical properties, propulsion possibilities, dynamics, etc. To refute claims that UFOs defy the laws of physics, he had to make "technological sense... of the unconventional object." After his retirement from NASA, Hill finally completed his remarkable analysis. This book, published posthumously, presents his findings that UFOs "obey, not defy, the laws of physics." Vindicating his own sighting and thousands of others, he proves that UFO technology is not only explainable, but attainable.


The Report on Unidentified Flying Objects (Second Edition)

The Report on Unidentified Flying Objects (Second Edition)

Author: Edward Ruppelt

Publisher: Lulu.com

Published: 2006

Total Pages: 288

ISBN-13: 1411664779

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Regardless of whether or not one believes that the study of UFO reports has any merit it is a simple fact that such reports were studied by various elements of the U.S. government, most notably the Air Force. Those interested in learning more about this remarkable bit of military history will find this reprint of Edward Ruppelt's classic insider examination of early Air Force interest in UFO phenomena an invaluable resource. (Captain Edward J. Ruppelt was chief of Project Blue Book from early 1951 until September 1953.) This reprint edition is also notable in that it includes the often overlooked additional three chapters added by Ruppelt for the 1960 second-edition release.


Viral Performance

Viral Performance

Author: Miriam Felton-Dansky

Publisher: Northwestern University Press

Published: 2018-05-15

Total Pages: 337

ISBN-13: 0810137178

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Digital culture has occasioned a seismic shift in the discourse around contagion, transmission, and viral circulation. Yet theater, in the cultural imagination, has always been contagious. Viral Performance proposes the concept of the viral as an essential means of understanding socially engaged and transmedial performance practices since the mid-twentieth century. Its chapters rethink the Living Theatre’s Artaudian revolution through the lens of affect theory, bring fresh attention to General Idea’s media-savvy performances of the 1970s, explore the digital-age provocations of Franco and Eva Mattes and Critical Art Ensemble, and survey the dramaturgies and political stakes of global theatrical networks. Viral performance practices testify to the age-old—and ever renewed—instinct that when people gather, something spreads. Performance, an art form requiring and relying on live contact, renders such spreading visible, raises its stakes, and encodes it in theatrical form. The artists explored here rarely disseminate their ideas or gestures as directly as a viral marketer or a political movement would; rather, they undermine simplified forms of contagion while holding dialogue with the philosophical and popular discourses, old and new, that have surrounded viral culture. Viral Performance argues that the concept of the viral is historically deeper than immediate associations with the contemporary digital landscape might suggest, and far more intimately linked to live performance