"This complete self-study course in modern Wicca is a treasured classic - an essential and trusted guide that belongs in every witch's library."---Back cover
To Myself is the autobiography of the late nineteenth century French artist Odilon Redon. Composed of his personal notes and journals, which he kept for over sixty years, it is a poignant testament of a self-effacing artist whose life was totally devoted to his self-imposed task. His writings consist of his reflections on being an artist, the creative act, and the struggle to achieve the lofty goals to which the truly committed artist aspires.
Originally released as a bilingual collection in 1989 by Stephen Kessler's Alcatraz Editions, Juan Felipe Herrera wrote the poems of AKRÍLICA starting in 1977, occasioned by the energy and dialogue that he encountered upon meeting writer and co-conspirator Francisco X. Alarcón (1954-2016). Through a new interview included here and through his own Visual Introduction, archival photographs from his travels across the Americas, and new art created in conversation with the collection, Herrera offers a rich set of references, inspirations, and influences that shaped AKRÍLICA while sharing his take on this singular book's place in his development as a poet and multimedia artist. This new edition and new translation of AKRÍLICA arrives now to expand the political and artistic possibilities that form our current horizon. This project is not one of inclusion or recovery. This is a project of retrieval. We steal AKRÍLICA away from literary institutions, away from the discipline of literature as such, and away from traditions of experimental poetics that should hope to claim it. Oriented toward the liveliness of the imagination, committed to fundamentally changing itself in order to meet the moment, AKRÍLICA belongs somewhere else; it belongs in the hands of those finding one another in a gathering that has yet to take place. Edited by Anthony Cody, Carmen Giménez, & Farid Matuk Poetry. Latinx Studies.
Laveder the Purple Cat girl is the owner of a small magic potion shop with problems...many problems. Aside from her store being overrun by poisonous, pygmy elephants, the occasional alien abduction and the devil, a giant magic store chain has decided to move in next door and crush her hopes of ever making a sale. Not to mention that her only employee and faster than the speed of light bunny, Saiko, has the attention span of a chickpea and a disturbing affection for Lavender's enchanted car. Now Lavender must think fast before an over-zealous ex-superhero health inspector shuts her down for good. Will Lavender meet the inspector's demands on time? Where are the poisonous vermin coming from? Will Saiko's love for cars go too far? This publisher is a new client to Diamond Book Distributors!
From U.S. Poet Laureate Juan Felipe Herrera, one of the most prominent Chicano poets writing today, here are poems like sweet music Awarded the Pura Belpré Honor for this book, Herrera writes in both Spanish and English about the joy and laughter and sometimes the confusion of growing up in an upside-down, jumbled-up world—between two cultures, two homes. With a crazy maraca beat, Herrera creates poetry as rich and vibrant as mole de olé and pineapple tamales...an aroma of papaya...a clear soup with strong garlic, so you will grow, not disappear. Herrera's words show us what it means to laugh out loud until it feels like flying. Juan Felipe Herrera's vibrant poems dance across these pages in a dazzling explosion of two languages, English and Spanish. Skillfully crafted, beautiful, joyful, fun, the poems are paired with whimsical black-and-white drawings by Karen Barbour. The resulting collage fills the soul and celebrates a life lived between two cultures. Laughing out loud, I fly, toward the good things, to catch Mamá Lucha on the sidewalk, afterschool, waiting for the green-striped bus, on the side of the neighborhood store, next to almonds, José's tiny wooden mule, the wise boy from San Diego, teeth split apart, like mine in the coppery afternoon . . .
In a variety of narrative voices, poems, and a play, set at different times in history, the author presents a journey to the Maya Lowlands of Chiapas on a quest for his Indio heritage and a vision of the multicultured identity emerging in America, envisioning the disappearance of borders and evoking a fluid American self that needs no fixed identity or location.
Such modern technology as desktop publishing allows people with diverse passions to share their views through small magazines--or "zines". This handy guide to "zines" includes a 400-entry directory, a history of zine publishing, and more. The ultimate creative resource for both readers and publishers alike.
"Take a moment to imagine a geek. A computer geek. Do you see thick glasses and pocket protectors? A face illuminated by a glowing screen, surrounded by empty cans of energy drinks? Bill Gates? Whatever trope comes to mind, it's likely a white or Asian man. As Cassidy Puckett shows in Define Geek, these are not just innocent assumptions. They are tied to underlying ideas about who is "naturally" good at tech, and they keep many would be techies, particularly girls and people of color, from achieving or even pursuing opportunities in tech. But Puckett is not just here to show us that anybody can be good at tech; she tells us how we can get there. Puckett spent six years teaching technology classes to first generation, low-income middle school students in Oakland, California, and during that time, she uncovered five technology learning habits that will set up all young people for success. She shows how to measure and build these habits, and she demonstrates that many teens currently unrepresented in STEM already use these habits; they are more ready for advanced technological skill development than assumptions about instinct might suggest. Redefining "instinct" reframes the goals of STEM education and challenges our stereotypes about "natural" technological ability. Our so-called leaky STEM pipeline is readily addressed by Puckett's five techie habits of mind"--
Herrera provides a fresh and accessible perspective on the crucial human rights issue of immigration through his poetry, prose, and performance. Catch the 187 Express!