Three old space mining prospectors in their beat-up space ship discover a small pod floating in space. Inside is a tiny girl child, with funny little hooves, a wealth of silver hair growing on her body, and a lump in the middle of her forehead which, as time elapses, grows into a horn. It is a sort of unicorn. When the old prospectors come to sell their ores on the home planet controversy breaks out. Bureaucrats want to put her in a home and cut off her deformity, scientists want to study her and isolate her, and so the old three kidnap her back on their ship and go roaring off round the universe, having adventures, saving her, and finally having her save all the child slaves on a terrible planet called Kezdet. It is space opera at it's best and will be followed by more in the series, no doubt tracing Acorna to her home planet.
"Settle in for a trip to a wonderful half-real, half-imaginary era." — Richard A. Lupoff Mike and Chester, the alien-fighting hippies of The Butterfly Kid, have found their way from New York City to San Francisco — but that's just the first step of their odyssey. When Mike meets the girl of his dreams, he and Chester join her and her circus friends on a quest in search of a lost unicorn. Psychedelic hilarity ensues as they travel through time to encounter Victorian nudists, fire-breathing dragonettes, and live dinosaurs. Touted as a "brain-blowing science-fiction freak out" upon its 1969 publication, The Unicorn Girl is the second book in the Greenwich Village Trilogy, a shared-world scenario written by three different authors, all of whom appear in the books as characters. Dover Publications returns this cosmic adventure to print for the first time in nearly 40 years, along with its predecessor, The Butterfly Kid, and its sequel, The Probability Pad. This edition features an appreciative new Foreword by science-fiction author Richard A. Lupoff.
Through a series of adventures, a unicorn with a broken horn discovers the truth about herself and what it means to be enough... or a NUFF. The mission of the book is to inspire girls everywhere to know that they are enough. Ultimately, The Nuff learns that her confidence is not derived from what she does, but from who she already is.
Marking a dramatic new direction for Jones, a riveting tale set in the Post WWII South, narrated by a Black soldier who returns to Jim Crow and searches for a mythical ideal Set in the early 1950s, this latest novel from Pulitzer Prize and National Book Award finalist Gayl Jones follows the witty but perplexing army veteran Buddy Ray Guy as he embodies the fate of Black soldiers who return, not in glory, but into their Jim Crow communities. A cook and tractor repairman, Buddy was known as Budweiser to his army pals because he’s a wise guy. But underneath that surface, he is a true self-educated intellectual and a classic seeker: looking for religion, looking for meaning, looking for love. As he moves around the south, from his hometown of Lexington, Kentucky, primarily, to his second home of Memphis, Tennessee, he recalls his love affairs in post-war France and encounters with a variety of colorful characters and mythical prototypes: circus barkers, topiary trimmers, landladies who provide shelter and plenty of advice for their all-Black clientele, proto feminists, and bigots. The lead among these characters is, of course, The Unicorn Woman, who exists, but mostly lives in Bud’s private mythology. Jones offers a rich, intriguing exploration of Black (and Indigenous) people in a time and place of frustration, disappointment, and spiritual hope.
“It does what readers ask of a Storyteller: keeps things fast-moving and entertaining. It’s a breezy joy.” — Publishers Weekly “Together, the Sisters Sputnik are the badassest kickass duo since Tank Girl and Jet Girl. If you like your speculative fiction sardonic, weird, sprightly and intelligent, you will love this splendid book.” — Candas Jane Dorsey, author of Black Wine and Ice and Other Stories An odyssey wrapped in a love story, set in a near-future of artificial people The Sisters Sputnik are a time-traveling trio of storytellers-for-hire who are much in demand throughout the multiverse of 2,052 alternate worlds. Each world was created by the detonation of a nuclear bomb in Earth Standard Time, home of the Sisters’ leader, aging comic book creator Debbie Reynolds Biondi, her 20-something apprentice Unicorn Girl, and their pop culture–loving AI, Cassandra. Tales of Earth Standard Time-That-Was, from World Wars to the space race to Hollywood celebrities, have turned the Sisters into storytelling rock stars. In a distant reality where books and music have disappeared, Debbie finds herself in bed with an old Earth Standard Time lover who begs her to tell him a story. Over one long, eventful night, she spins the epic of the Sisters’ adventures in alternate realities, starting with the theft of a book of evil comic strips in a post-pandemic Toronto full of ghost kitchens and robot-worshipping lost children known as junksters, to a disco-era purgatory where synthetic people are sending humans into the past through a reverse-engineered Statue of Liberty, to a version of the 1950s where the Sisters meet a rising star named Frank Sinatra and his girlfriend, the once-and-future Queen of England.
The vampire has known only evil since he was made, until an unlikely friendship reconnects him with life... Two women mourning two dead mothers tread the boundaries between grief and obsession... A ghoulish spirit haunts a refugee in Renaissance Venice... A healer discovers a dying man with the heart of a dragon on her doorstep... Two boys travel back in time to discover the true nature of Tyrannosaurus rex... A mother vampire, struggling to raise two vampire children in Hollywood, encounters her biggest challenge yet: the PTA. From the ancient Indus Valley to post-apocalyptic California come fourteen tales of love, redemption, and hope...and occasional humor.
In this folkloric examination of mass-produced material culture in the United States, Jeannie Banks Thomas examines the gendered sculptural forms that are among the most visible, including Barbie, Ken, and G.I. Joe dolls; yard figures (gnomes, geese, and flamingos); and cemetery statuary (angels, sports-related images, figures of the Virgin Mary, soldiers, and politicians). Images of females are often emphasized or sexualized, frequently through nudity or partial nudity, whereas those of the male body are not only clothed but also armored in the trappings of action and aggression. Thomas locates these various objects of folk art within a discussion of the post-women's movement discourse on gender. In addition to the items themselves, Thomas explores the stories and behaviors they generate, including legends of the supernatural about cemetery statues, oral narratives of yard artists and accounts of pranks involving yard art, narratives about children's play with Barbie, Ken, and G.I. Joe, and the electronic folklore (or "e-lore") about Barbie that circulates on the Internet.
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
She'd gone from never in a million years to blowing up her afterlife for him. For this feeling. No rules and no shame. They couldn't last, but it didn't matter. They were beautiful, intoxicating, dangerous, and necessary. In a secret afterlife of magical mayhem, Lexy's powers surge, elevating her to the esteemed rank of a Guardian. But as fate weaves its intricate web, she finds herself entangled in a compromising position with her sworn enemy, sparking a wildfire of desire that cannot be ignored. The scorching passion between them sets her Handler ablaze with irrational jealousy, creating combustible emotions. Amidst this tempestuous affair, Lexy struggles to stay true to her duties, torn between the alluring pull of forbidden love and her unwavering commitment to her responsibilities. Love and hate collide, blending into an intoxicating elixir that threatens to consume them all. Betrayal ignites like wildfire, triggering an epic rebellion that could change the course of their world. Lexy faces a choice - will she flip the script of immortality, defying all odds to pursue the heart's desire, or will she merely flip tables, shattering the fragile bonds that tie them together? Join her on this heart-pounding, lusty adventure as laughter, suspense, and passion collide in a symphony of pleasure and pain. Amid the chaos, Lexy embarks on a journey of intimate exploration, where secrets are laid bare, and she discovers the raw essence of her true desires. This riveting, romantic antihero thrill ride will leave you gasping for breath with every turn of the page until the last sentence binds you in its spell, aching for more. Why go through the trouble of domesticating a monster if you don't intend to keep it? He should have left her a Wild Thing in the woods. The information within this universe is not intended for mere mortals. Reading this may inadvertently trigger your Correction. If you show bravery during your demise, the Guardians of the In-between may give you a second chance. You are still reading this, aren't you? You've got this. Read It Now
