Middle school is a life and death experience for Annabel Craven, a girl able to communicate with the spirit world with her phone. From the author of I TEXT DEAD PEOPLE comes the second novel in the Dead Serious series! All Annabel Craven wants is to be normal. But that’s hard to do when ghosts keep texting her. And keeping her secret from her nosy new stepsister isn’t going to be easy. When a ghost girl named Harper begs Anna to help her rejoin the living, Anna warns her that it’s impossible. Once you’re dead, you can’t just start living again . . . or can you? Includes morbidly-cute black-and-white illustrations! "Goosebumps lite, featuring mean girls, machinations, and cell phones with unusual apps." --Booklist
The gripping third instalment in Adam Simcox's supernatural crime DYING SQUAD series. A MISSING DETECTIVE Detective Joe Lazarus is missing. The Dying Squad are on the case, but following reports of his sighting, signs suggest he may have fallen back into his criminal ways. A DEATH IN A NIGHTCLUB A new drug is taking the world by storm. Spook allows the living to see the dead, but its effects are often fatal. The Dying Squad's visit to a Berlin nightclub quickly turns their search into an entirely more sinister case. TWO WORLDS COLLIDE Because the invention of Spook has another purpose. One that's been decades in the planning. Two worlds are on a collision course - the living and the dead's - and the Dying Squad must summon all their investigatory cunning to stop a plot that could change people's (after)lives for ever.
An award-winning exploration of the presence of the dead in the lives of the living A common remedy after suffering the loss of a loved one is to progress through the “stages of grief,” with “acceptance” as the final stage in the process. But is it necessary to leave death behind, to stop dwelling on the dead, to get over the pain? Vinciane Despret thinks not. In her fascinating, elegantly translated book, this influential thinker argues that, in practice, people in all cultures continue to enjoy a lively, inventive, positive relationship with their dead. Through her unique storytelling woven from ethnographic sources and her own family history, Despret assembles accounts of those who have found ways to live their daily lives with their dead. She rejects the idea that one must either subscribe to “complete mourning” (in a sense, to get rid of the dead) or else fall into fantasy and superstition. She explores instead how the dead still play an active, tangible role through those who are living, who might assume their place in a family or in society; continue their labor or art; or thrive from a shared inheritance or an organ donation. This is supported by dreams and voices, novels, television and popular culture, the work of clairvoyants, and the everyday stories and activities of the living. For decades now, in the West, the dead have been discreet and invisible. Today, especially as a result of the Covid-19 pandemic, Despret suggests that perhaps we will be willing to engage with the dead in ways that bring us happiness despite our loss. Despret’s unique method of inquiry makes her book both entertaining and instructive. Our Grateful Dead offers a new, pragmatic approach to social and cultural research and may indeed provide compassionate therapy for those of us coping with death.
When Alana first came to Dr. Shea's office, she claims that her mother is interfering in her life. Which sounds normal, except that her mother is dead. Bit by bit, Alana sees herself taking on the physical characteristics of her mother. But the more Dr. Shea looks into Alana's claims, the more he comes to believe that she might be right after all--and the more he comes to fear for both her life and his own.
Gordon Hall Gerould's 'The Grateful Dead' delves into the theme of death and mourning in literature, examining how various cultures and time periods have depicted these concepts. Written in a scholarly yet accessible manner, the book explores the significance of the 'grateful dead' motif in myths, folklore, and literature, shedding light on its role in shaping narratives surrounding mortality and remembrance. Gerould's comprehensive analysis spans from ancient Greece to modern times, offering readers a rich tapestry of literary examples and cultural insights. His meticulous research and insightful commentary make this book a valuable resource for students and scholars interested in the intersections of literature and mortality. Gordon Hall Gerould, a renowned literary scholar with a focus on folklore and mythology, brings his expertise to 'The Grateful Dead' by delving into how literary representations of death reflect societal attitudes and beliefs. His extensive knowledge and passion for the subject are evident throughout the book, making it a compelling read for anyone interested in exploring the complexities of mortality in literature. I highly recommend 'The Grateful Dead' to readers looking to deepen their understanding of how death is portrayed and perceived in literature. Gerould's meticulous research and engaging writing style make this book a must-read for those interested in folklore, mythology, and the cultural significance of death narratives.
"As if living in a creepy house on cemetery grounds weren't horrible enough, Annabelle accidentally becomes a guide that bridges the gap between the living and the dead with her cell phone. Which means she is pestered by the deceased 24/7. And until she helps them with their absurd unresolved issues and ridiculous requests, no one will be able to rest in peace."--
The Grateful Dead have left us a musical bounty of thirty years and thousands of shows. Now Dead to the Core: An Almanack of the Grateful Dead takes Deadheads through the seasons and years of the Dead's dazzling array of music, with lavish treatment of those "bumper crop" eras from which their most succulent songs and shows and shows can be harvested. It is part reference, part critical companion to the best the Dead have to offer, a work liberally stocked with trivia, lore, humor, and arcana. No Head "farmer" wanting to reap the dankest of the Dead kind will want to be without this essential resource. Includes... Show-a-day seasonal calendars Detailed show reviews from key years Musical and lyrical analyses of the Dead's core tunes Annotated lists of hot versions of key tunes Capsule reviews of shows from throughout the Dead's career Personal anecdotes and observations from Deadheads A guide to the best Dead-related sites on the Internet In-depth essays on the Dead's prime eras ...And much, much more, including the Dead-Dylan connection, the Dead and Garcia's place in the musical universe, the Deadhead pantheon, tour lore...
It's March 1966: not quite the Summer of Love. When Rennie's best friend, rock singer Prax McKenna, is busted for being at two savage crime scenes---one of them backstage at the newly opened Fillmore Auditorium---despite her own problems (her failed marriage and getting established in the rock biz), Rennie sets out to clear her friend's name. But nobody expects what happens next. Especially not Rennie.
