Secrets from the past emerge in the present--and the consequences are unexpected for these two couples. YESTERDAY'S ECHOES Tragedy had befallen Rosie when she was a vulnerable sixteen-year-old--and Jake Lucas had witnessed the entire thing. Since then Rosie has built a successful career, not allowing anyone near the woman behind the cheerful face she shows to the world. But Jake has entered her life again, and he isn't about to let her forget the past. MASTER OF PLEASURE Sasha walked away from handsome millionaire Gabriel Calbrini to marry another--and he's never forgiven her. Now widowed, Sasha is shocked when Gabriel is named heir to her late husband's wealth and guardian to her two sons. But Sasha won't surrender. There's far too much at stake--especially the one thing that Gabriel must never know....
A mistress of medieval romance. --RT Reviews A Dangerous Game As Lady Justina Wincott's brutal guardian, Viscount Biddeford promises any disobedience from her will cost her son dearly. A pawn in his games of court treachery, the beautiful widow is forced to tempt secrets from his enemies and seduce allegiance from his friends. Yet even Biddeford's wrath won't make Justina sully the only man of honor she's ever known. . . Sir Synclair has earned his honor in blood and muck. War taught him the way to victory is rarely clean--but the passion Justina sparks in him is not to be ignored. Never mind the predators who crave her beauty, or Biddeford's ruthless wiles; he will have her as his wife. And yet if he is to wed Justina, his fiercest battle may be with the lady herself. . . Praise for the Novels of Mary Wine "A wonderful summer read." --RT Reviews on My Fair Highlander "Readers. . .will be glued to the passion, humor, escapades, and court intrigue till the very last page." --Publishers Weekly on Improper Seduction, starred review
What are the sources—and the effects—of the pleasurable feeling of power that genre gives us? What happens to that power when conventionality tips into parody? In this book, Lauryl Tucker explores the connection between genre parody and queerness in twentieth-century British fiction. Teasing out the parodic sensibility of writers including Virginia Woolf, Elizabeth Bowen, Sam Selvon, Dorothy Sayers, Stella Gibbons, and Zadie Smith, Unexpected Pleasures offers an innovative reading of works that seem to excessively obey the rules of genre. By oversupplying the pleasurable sense of knowledge and the illusion of predictive power that genre confers, these works play with readerly expectation in order to expose and queer a broader set of assumptions about desire, resolution, and futurity. Unexpected Pleasures expands on a burgeoning critical interest in genre as an interpretive tool, and further diversifies the archive and methodology of queer critique. Gathering a surprising group of writers together, it reveals new throughlines between middlebrow and highbrow, and among modernist, mid-century, and contemporary literature. This book will interest scholars of modernist and contemporary British literature, as well as readers interested in narrative and queer theory.
What are the sources - and the effects - of the pleasurable feeling of power that genre gives us? What happens to that power when conventionality tips into parody? In this book, Lauryl Tucker explores the connection between genre parody and queerness in twentieth-century British fiction. Teasing out the parodic sensibility of writers including Virginia Woolf, Elizabeth Bowen, Sam Selvon, Dorothy Sayers, Stella Gibbons, and Zadie Smith, Unexpected Pleasures offers an innovative reading of works that seem to excessively obey the rules of genre. By oversupplying the pleasurable sense of knowledge and the illusion of predictive power that genre confers, these works play with readerly expectation in order to expose and queer a broader set of assumptions about desire, resolution, and futurity. Unexpected Pleasures expands on a burgeoning critical interest in genre as an interpretive tool, and further diversifies the archive and methodology of queer critique. Gathering a surprising group of writers together, it reveals new throughlines between middlebrow and highbrow, and among modernist, mid-century, and contemporary literature. This book will interest scholars of modernist and contemporary British literature, as well as readers interested in narrative and queer theory.
The acclaimed author of What's Worth Knowing reveals the truth about aging: Old age often offers a richer, better, and more self-assured life than youth. From our earliest lives, we are told that our youth will be the best time of our lives-that the energy and vitality of youth are the most important qualities a person can possess, and that everything that comes after will be a sad decline. But in reality, says Wendy Lustbader, youth is not the golden era it is often made out to be. For many, it is a time riddled with anxiety, angst, confusion, and the torture of uncertainty. Conversely, the media often feeds us a vision of growing older as a journey of defeat and diminishment. They are dead wrong. As Lustbader counters, "Life gets better as we get older, on all levels except the physical." Life Gets Better is not a precious or whimsical tome on the quirky wisdom of the elderly. Lustbader-who has worked for several decades as a social worker specializing in aging issues-conducted firsthand research with aging and elderly people in all walks of life, and she found that they overwhelmingly spoke of the mental and emotional richness they have drawn from aging. Lustbader discovered that rather than experiencing a decline from youth, aging people were happier, more courageous, and more interested in being true to their inner selves than were young people. Life Gets Better examines through first-person stories, as well as Lustbader's own observations, how a lifetime of lessons learned can yield one of the most personally and emotionally fruitful periods of anyone's life. As an eighty-six-year-old who contributed her story to the book noted, "For me, being old is the reward for outlasting all the big and little problems that happen to all of us along life's pathway." The collected stories in Life Gets Better provide a hopeful corrective to the fear of aging aggressively instilled in us by the media. Don't dread the future: The best years of our lives just may be ahead.
Smell is the most emotional and evocative of our senses: it can bring back memories faster and with more immediacy than a photograph – so why is it so little understood? Armed with a hungry curiosity and a willingness to self-experiment, author Barney Shaw goes in search of the hidden meanings of smells. Using plain words to describe what he finds, he investigates the chemistry, psychology, history and future of this underappreciated sense. Journeying around boatyards, perfume shops and memories, Shaw opens your nose to the world, breaking down "chords" of smells into their component notes and through them revealing new ways of understanding the spaces through which we move. An investigation into the biology, psychology and history of smell, and a search for effective ways to put into words scents that we instantly relate to, but find strangely ineffable, THE SMELL OF FRESH RAIN includes a 200-entry thesaurus of succinct descriptions of common smells.
Why do women become lesbians in later life? After interviewing almost a hundred women for an academic project, Dr. Tamsin Wilton realised their extraordinary stories should be shared with the real world. In this title, she brings together the most moving and fascinating of her interviews, together with essays on the conclusions she reached from her study.
