Sea turtles, coral reef–dwelling fish, dolphins, and other marine creatures populate these full-page pictures. Lightly printed numbers corresponding to a key offer simple guides to perfect shading and realistic effects.
Get ready for an ocean adventure! Kids ages 4 and up can dive into 30 awesome aquatic scenes with fun and familiar sea creatures like seahorses, dolphins, crabs, fish, octopuses, and many more. An easy-to-follow numbered color key appears on each page to help kids create their very own masterpieces.
A rich history of underwater filmmaking and how it has profoundly influenced the aesthetics of movies and public perception of the oceans In The Underwater Eye, Margaret Cohen tells the fascinating story of how the development of modern diving equipment and movie camera technology has allowed documentary and narrative filmmakers to take human vision into the depths, creating new imagery of the seas and the underwater realm, and expanding the scope of popular imagination. Innovating on the most challenging film set on earth, filmmakers have tapped the emotional power of the underwater environment to forge new visions of horror, tragedy, adventure, beauty, and surrealism, entertaining the public and shaping its perception of ocean reality. Examining works by filmmakers ranging from J. E. Williamson, inventor of the first undersea film technology in 1914, to Wes Anderson, who filmed the underwater scenes of his 2004 The Life Aquatic with Steve Zissou entirely in a pool, The Underwater Eye traces how the radically alien qualities of underwater optics have shaped liquid fantasies for more than a century. Richly illustrated, the book explores documentaries by Jacques Cousteau, Louis Malle, and Hans Hass, art films by Man Ray and Jean Vigo, and popular movies and television shows such as 20,000 Leagues Under the Sea, Creature from the Black Lagoon, Sea Hunt, the Bond films, Jaws, The Abyss, and Titanic. In exploring the cultural impact of underwater filmmaking, the book also asks compelling questions about the role film plays in engaging the public with the remote ocean, a frontline of climate change.
The evidence discovered at underwater crime scenes must be handled with the same attention to proper chain of custody procedures as with any other type of investigation. Improper handling of these scenes can lead to evidence being lost, unrecognizable, destroyed, contaminated, or rendered inadmissible at the time of trial. Updated and expanded, Underwater Forensic Investigation, Second Edition presents a comprehensive approach to the processing of an underwater crime scene and the steps necessary to conduct the operation. The book summarizes the history, physics, and laws applicable to underwater investigations and includes topics such as team formation, roles, deployment, and accountability. Explaining procedures that can make a true difference in the final outcome of water-related incidents, the author also debunks myths associated with submerged evidence. This second edition contains several new chapters on photography, contaminated sites, preservation of evidence, and release of the crime scene, and includes expanded information on death investigation and organizing the dive team. Nearly 100 color illustrations supplement the text. The science of water-related investigations is still in its infancy, and hence, the field needs accurate and useful sources of education. This text will assist law enforcement professionals and those in other areas of public safety in gaining the knowledge that has historically been lacking. The incorporation of the procedures presented will enable those tasked with working these scenes to develop a greater degree of professionalism, objectivity, thoroughness, and accuracy relating to the investigation of water-related incidents—increasing the chance for successful resolution of these difficult cases.
Most cameras are inherently designed to mimic what is seen by the human eye: they have three channels of RGB and can achieve up to around 30 frames per second (FPS). However, some cameras are designed to capture other modalities: some may have the ability to capture spectra from near UV to near IR rather than RGB, polarimetry, different times of light travel, etc. Such modalities are as yet unknown, but they can also collect robust data of the scene they are capturing. This book will focus on the emerging computer vision techniques known as computational imaging. These include capturing, processing and analyzing such modalities for various applications of scene understanding.
Presents results of sea voyages and ocean expeditions performed by Russian seamen from the late 17th century to the present; includes coverage of the most famous expeditions, national and international projects involving Russia, and organizations contributing to research of the world oceans. Appropriate for international oceanographic scientific communities as well as anyone interested in historical Russian marine explorations and the current state of expeditionary research. Inclusion of general information about Russia's marine expeditionary research renders the work particularly useful for students and officers in navigation schools.