With its depiction of the downtrodden prostitutes, bootleggers, and hustlers of Perdido Street in the old French Quarter of 1930s New Orleans, "A Walk on the Wild Side" tells, in Algren's own words, "something about the natural toughness of women and men, in that order".
In these frank and often devastating conversations Nelson Algren reveals himself with all the gruff humor, deflating insight, honesty, and critical brilliance that marked his career. Prodded by H. E. F. Donohue, Algren discusses everything from his childhood to his compulsion to write to his relationship with Simone de Beauvoir. The result is a masterful portrait of a rebel and a major American writer.
Brooke Horvath surveys the literary contributions of a writer known as the voice of America’s dispossessed. Horvath offers an introduction to the life and work of the Chicagoan who wrote about the underclass in the Windy City and beyond, bringing to the fore their humanity and aspirations. Examining Algren’s eleven major works, Horvath sets Algren’s evolution as a writer against the backdrop of the nation’s shifting social, political, and economic landscape.
“Easily the best biography of the great Nelson Algren, and an extraordinary book in its own right.” —Blake Bailey, author of Cheever: A Life For a time, Nelson Algren was America’s most famous author, lauded by the likes of Richard Wright and Ernest Hemingway. But at the height of his career, he abandoned fiction and fell into obscurity. Colin Asher’s sublime biography of Algren unravels the enigma of his disappearance, explores the richness of his novels and nonfiction writing, and explains how a rash creative decision may have led his enemies to denounce him to the FBI during the Red Scare. Asher tells Algren’s story in rich, novelistic detail, including his long-term affair with Simone de Beauvoir and the emotional breakdown that nearly cost him his life. Drawing from interviews, archival correspondence, and Algren’s 886-page FBI file, Never a Lovely So Real portrays Algren as a dramatic iconoclast and reclaims him as a towering literary figure.
They met in 1949 when Art was a reporter for Life. Shay followed Algren around with a camera, gathering pictures for a photo-essay piece he was pitching to the magazine. Life didn’t pick up the article, but Shay and Algren became fast friends. Algren gave Shay’s camera entrance into the back-alley world of Division Street, and Shay captured Algren’s poetry on film. They were masters chronicling the same patch of ground with different tools. Chicago’s Nelson Algren is the compilation of hundreds of photos—many recently discovered and published here for the first time—of Nelson Algren over the course of a decade and a deeply moving homage to the writer and his city. Read Algren and you’ll see Shay’s pictures; look at Shay’s photos and you’ll hear Nelson’s words.
The Devil’s Stocking is the story of Ruby Calhoun, a boxer accused of murder in a shadowy world of low-purse fighters, cops, con artists, and bar girls. Chronicling a battle for truth and human dignity which gives way to a larger story of life and death decisions, literary grandmaster Nelson Algren’s last novel is a fitting capstone to a long and brilliant career.
The struggle to write with deep emotion is the subject of this extraordinary book, the previously unpublished credo of one of America's greatest 20th-century writers. "You don't write a novel out of sheer pity any more than you blow a safe out of a vague longing to be rich," writes Nelson Algren in his only longer work of nonfiction, adding: "A certain ruthlessness and a sense of alienation from society is as essential to creative writing as it is to armed robbery." Nonconformity is about 20th-century America: "Never on the earth of man has he lived so tidily as here amidst such psychological disorder." And it is about the trouble writers ask for when they try to describe America: "Our myths are so many, our vision so dim, our self-deception so deep and our smugness so gross that scarcely any way now remains of reporting the American Century except from behind the billboards . . . [where there] are still . . . defeats in which everything is lost [and] victories that fall close enough to the heart to afford living hope." In Nonconformity, Algren identifies the essential nature of the writer's relation to society, drawing examples from Dostoyevsky, Chekhov, Twain, and Fitzgerald, as well as utility infielder Leo Durocher and legendary barkeep Martin Dooley. He shares his deepest beliefs about the state of literature and its role in society, along the way painting a chilling portrait of the early 1950s, Joe McCarthy's heyday, when many American writers were blacklisted and ruined for saying similar things to what Algren is saying here.
Ernest Hemingway once said of Nelson Algren's writing that "you should not read it if you cannot take a punch." The prose poem, Chicago: City on the Make, filled with language that swings and jabs and stuns, lives up to those words. In this sixtieth anniversary edition, Algren presents 120 years of Chicago history through the lens of its "nobodies nobody knows" the tramps, hustlers, aging bar fighters, freed death-row inmates, and anonymous working stiffs who prowl its streets.
"Algren: A Life is a new biography of Chicago writer Nelson Algren, author of The Man with the Golden Arm, A Walk on the Wild Side, Never Come Morning, multiple short stories, and travel essays" --