Critical Perspectives on Wole Soyinka

Critical Perspectives on Wole Soyinka

Author: Wole Soyinka

Publisher: Lynne Rienner Publishers

Published: 1980

Total Pages: 288

ISBN-13: 9780914478492

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Distinguished scholars analyze the plays, poetry, and prose of Wole Smoyinka, winner of the Nobel Prize for literature in 1986. Essays trace his career and place his work in the general context of African literature.


Research on Wole Soyinka

Research on Wole Soyinka

Author: James Gibbs

Publisher: Africa World Press

Published: 1993

Total Pages: 386

ISBN-13: 9780865432192

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A broad introduction to the works of the Nobel Prize-winning Nigerian writer and the varieties of criticism they have elicited. There are many different critical methodologies represented, ranging from those concerned with verbal texture (linguistic, structural, and textual approaches) to those focusing on cultural context (historical, mythological, and comparative studies). Most of the articles were originally published in Research in African Literatures. Annotation copyright by Book News, Inc., Portland, OR


Perspectives on Wole Soyinka

Perspectives on Wole Soyinka

Author:

Publisher: Univ. Press of Mississippi

Published:

Total Pages: 274

ISBN-13: 9781617032530

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Essays that examine the aesthetics and the radical politics of one of Africa's greatest writers


Theatre/Theory/Theatre

Theatre/Theory/Theatre

Author: Daniel Gerould

Publisher: Rowman & Littlefield

Published: 2003-11-01

Total Pages: 523

ISBN-13: 1476848807

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From Aristotle's Poetics to Vaclav Havel, the debate about the nature and function of theatre has been marked by controversy. Daniel Gerould's landmark work, Theatre/Theory/Theatre, collects history's most influential Eastern and Western dramatic theorists – poets, playwrights, directors and philosophers – whose ideas about theatre continue to shape its future. In complete texts and choice excerpts spanning centuries, we see an ongoing dialogue and exchange of ideas between actors and directors like Craig and Meyerhold, and writers such as Nietzsche and Yeats. Each of Gerould's introductory essays shows fascinating insight into both the life and the theory of the author. From Horace to Soyinka, Corneille to Brecht, this is an indispensable compendium of the greatest dramatic theory ever written.


World Encyclopedia of Contemporary Theatre

World Encyclopedia of Contemporary Theatre

Author: Irving Brown (Consulting Bibliographer)

Publisher: Routledge

Published: 2013-10-11

Total Pages: 546

ISBN-13: 1136119000

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An annotated world theatre bibliography documenting significant theatre materials published world wide since 1945, plus an index to key names throughout the six volumes of the series.


Soyinka's Language

Soyinka's Language

Author: Ofoego, Obioma

Publisher: Kwara State University Press

Published: 2018-03-28

Total Pages: 370

ISBN-13: 978539204X

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This book explores in depth the uses of language in Wole Soyinka’s plays, poetry and prose. The author approaches Soyinka’s works through meticulous close readings, giving the writer his due by capturing the complexities, ambiguities, and nuances of his language.


Wole Soyinka and Modern Tragedy

Wole Soyinka and Modern Tragedy

Author: Ketu Katrak

Publisher: Praeger

Published: 1986-06-24

Total Pages: 0

ISBN-13: 0313240744

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The tragic drama of Nigeria's leading playwright, Wole Soyinka, is the focus of this in-depth study. Ketu H. Katrak explores Soyinka's concept of the tragic experience as it relates to Yoruba culture and analyzes the unique features of his theory of tragedy which blends Yoruba traditional drama with Western tragic forms. Opening with a biographical overview of Soyinka's life and career, Katrak addresses the major issues presented by Soyinka in his essay on tragedy, The Fourth Stage. These include the origin of tragic feeling, the components of the tragic experience, and the concretization of these abstract notions in the Yoruba god Ogun. The author demonstrates that it is through these themes and the elements of ritual and myth that Soyinka imparts communal values to his work, ultimately achieving a metaphysical level of expression. Katrak also discusses the element of the death of the protagonist in a number of Soyinka's plays and how it is beneficial for the community. The history of a community, a nation, and mankind, as it appears in other Soyinka plays, is also discussed. Throughout the work, the study of Soyinka's drama is balanced with an analysis of dramatic structure and stagecraft. Included are interviews and discussions with many of Nigeria's academicians, as well as with Soyinka himself.