Meg and her siblings have been sent to the English countryside for the summer to stay with elderly relatives. The children are looking forward to exploring the ancient mansion and perhaps discovering a musty old attic or two filled with treasure, but never in their wildest dreams did they expect to find themselves in the middle of a fairy war. When Rowan pledges to fight for the beautiful fairy queen, Meg is desperate to save her brother. But the Midsummer War is far more than a battle between mythic creatures: Everything that lives depends on it. How can Meg choose between family and the fate of the very land itself?
Only a few weeks ago, Meg Morgan and her siblings went to England for the holidays—and found themselves in the middle of a fairy war. Now the war is over, but the battle for control of the fairies has just begun. A mysterious painter named Gwidion appears at the Rookery, ready to give the children art lessons. But his real plans are far more sinister: He means to destroy the Guardian of the Green Hill, the woman who keeps the peace between fairies and humans. Meg knows nothing of the evil artist's plans, but she is beginning to understand that she might be the only one who can become Guardian when her great-great aunt's time is over. Yet Meg is just a girl—surely she has plenty of time before she must decide whether she wants to take on such an enormous role. Then someone she loves is stolen by fairies, and no one but Meg can get him back. . . .
Join #1 New York Times bestselling author Jan Karon on a trip to Mitford—a southern village of local characters so heartwarming and hilarious you'll wish you lived right next door. At last, Mitford's rector and lifelong bachelor, Father Tim, has married his talented and vivacious neighbor, Cynthia. Now, of course, they must face love's challenges: new sleeping arrangements for Father Tim's sofa-sized dog, Cynthia's urge to decorate the rectory Italian-villa-style, and the growing pains of the thrown-away boy who's become like a son to the rector. Add a life-changing camping trip, the arrival of the town's first policewoman, and a new computer that requires the patience of a saint, and you know you're in for another engrossing visit to Mitford—the little town that readers everywhere love to call home.
In Michigan's Upper Peninsula, a dangerous rescue effort draws the ears and eyes of the entire country. A two-and-a-half-year-old girl has fallen down a mine shaft—"the only sound is an astonished tiny intake of breath from Ursula as she goes down, like a penny into the slot of a bank, disappeared, gone." It is as if all hope for life on the planet is bound up in the rescue of this little girl, the first and only child of a young woman of Finnish extraction and her Chinese-American husband. One TV viewer following the action notes that the Wong family lives in a decrepit mobile home and wonders why all this time and money is being "wasted on that half-breed trailer-trash kid." In response, the novel takes a breathtaking leap back in time to visit Ursula's most remarkable ancestors: a third-century-B.C. Chinese alchemist; an orphaned playmate of a seventeenth-century Swedish queen; Professor Alabaster Wong, a Chautauqua troupe lecturer (on exotic Chinese topics) traveling the Midwest at the end of the nineteenth century; her great-great-grandfather Jake Maki, who died at twenty-nine in a Michigan iron mine cave-in; and others whose richness and history are contained in the induplicable DNA of just one person—little Ursula Wong. Ursula's story echoes those of her ancestors, many of whom so narrowly escaped not being born that her very existence—like ours—comes to seem a miracle. Ambitious and accomplished, Ursula, Under is, most of all, wonderfully entertaining—a daring saga of culture, history, and heredity.
Bond is an adventuresome Tuxedo cat who one day finds something new in his living room, a Big Green Hill. Bond decides to climb the Big Green Hill all alone while his Daddy is not home. As Bond discovers that climbing alone can be scary, he also soon discovers that the Big Green Hill is not a hill at all, it's a green couch. Daddy encourages Bond to climb the couch only when he is around to catch Bond if he falls. Bond and the Big Green Hill is filled with imagination and moralistic endings that will capture the hearts of children and parents everywhere.
There are some things which cannot be learned quickly, and time, which is all we have, must be paid heavily for their acquiring. They are the very simplest things, and because it takes a man's life to know them the little new that each man gets from life is very costly and the only heritage he has to leave. In the winter of 1933, Ernest Hemingway and his wife Pauline set out on a two-month safari in the big-game country of East Africa, camping out on the great Serengeti Plain at the foot of magnificent Mount Kilimanjaro. “I had quite a trip,” the author told his friend Philip Percival, with characteristic understatement. Green Hills of Africa is Hemingway's account of that expedition, of what it taught him about Africa and himself. Richly evocative of the region's natural beauty, tremendously alive to its character, culture, and customs, and pregnant with a hard-won wisdom gained from the extraordinary situations it describes, it is widely held to be one of the twentieth century's classic travelogues.
When her beloved country, Chile, is taken over by a militaristic, sadistic government, Celeste is sent to America for her safety and her parents must go into hiding before they "disappear."
At first glance, the U.S. decision to escalate the war in Vietnam in the mid-1960s, China's position on North Korea's nuclear program in the late 1990s and early 2000s, and the EU resolution to lift what remained of the arms embargo against Libya in the mid-2000s would appear to share little in common. Yet each of these seemingly unconnected and far-reaching foreign policy decisions resulted at least in part from the exercise of a unique kind of coercion, one predicated on the intentional creation, manipulation, and exploitation of real or threatened mass population movements. In Weapons of Mass Migration, Kelly M. Greenhill offers the first systematic examination of this widely deployed but largely unrecognized instrument of state influence. She shows both how often this unorthodox brand of coercion has been attempted (more than fifty times in the last half century) and how successful it has been (well over half the time). She also tackles the questions of who employs this policy tool, to what ends, and how and why it ever works. Coercers aim to affect target states' behavior by exploiting the existence of competing political interests and groups, Greenhill argues, and by manipulating the costs or risks imposed on target state populations. This "coercion by punishment" strategy can be effected in two ways: the first relies on straightforward threats to overwhelm a target's capacity to accommodate a refugee or migrant influx; the second, on a kind of norms-enhanced political blackmail that exploits the existence of legal and normative commitments to those fleeing violence, persecution, or privation. The theory is further illustrated and tested in a variety of case studies from Europe, East Asia, and North America. To help potential targets better respond to—and protect themselves against—this kind of unconventional predation, Weapons of Mass Migration also offers practicable policy recommendations for scholars, government officials, and anyone concerned about the true victims of this kind of coercion—the displaced themselves.
*The hilarious new novel from Abbi Waxman - I WAS TOLD IT WOULD GET EASIER - is available now* Abbi Waxman's charming novel follows introvert and bookworm Nina Hill as she discovers if real life can ever live up to fiction... Shortlisted for the Comedy Women In Print Prize, this novel is perfect for fans of Lucy Diamond and Maria Semple. 'GORGEOUS' Marian Keyes 'Like a big slab of your favourite cake in book form' Libby Page, author of The Lido Meet Nina Hill: A young woman supremely confident in her own. . . shell. Nina has her life just as she wants it: a job in a bookstore, an excellent trivia team and a cat named Phil. If she sometimes suspects there might be more to life than reading, she just shrugs and picks up a new book. So when the father she never knew existed dies, leaving behind innumerable sisters, brothers, nieces, and nephews, Nina is horrified. They all live close by! She'll have to Speak. To. Strangers. And if that wasn't enough, Tom, her trivia nemesis, has turned out to be cute, funny and interested in getting to know her... It's time for Nina to turn her own fresh page, and find out if real life can ever live up to fiction. . . Praise for The Bookish Life of Nina Hill... 'Like a conversation with the funniest person you know - just lovely' KATIE FFORDE 'Charmed by its funny loveliness' NINA STIBBE, AUTHOR OF REASONS TO BE CHEERFUL 'Book lovers will absolutely relate' O, THE OPRAH MAGAZINE 'Meet our bookish millennial heroine - a modern-day Elizabeth Bennet' THE WASHINGTON POST 'A quirky, eccentric romance that will charm any bookworm' ENTERTAINMENT WEEKLY 'I hope you're in the mood to be downright delighted, because that's the state you'll find yourself in' POPSUGAR
