In Victorian England, Dr. Courtine is invited to spend the days before Christmas with a friend from his youth. Courtine finds himself drawn into a haunting world of avarice, skullduggery, and exceptional evil stemming from a 200-year-old murder.
The human body is the locus of meaning, personhood, and our sense of the possibility of sanctity. The desecration of the human corpse is a matter of universal revulsion, taboo in virtually all human cultures. Not least for this reason, the unburied corpse quickly becomes a focal point of political salience, on the one hand seeming to express the contempt of state power toward the basic claims of human dignity—while on the other hand simultaneously bringing into question the very legitimacy of that power. In Unburied Bodies: Subversive Corpses and the Authority of the Dead, James Martel surveys the power of the body left unburied to motivate resistance, to bring forth a radically new form of agency, and to undercut the authority claims made by state power. Ranging across time and space from the battlefields of ancient Thebes to the streets of Ferguson, Missouri, and taking in perspectives from such writers as Sophocles, Machiavelli, Walter Benjamin, Hannah Arendt, James Baldwin, Judith Butler, Thomas Lacqueur, and Bonnie Honig, Martel asks why the presence of the abandoned corpse can be seen by both authorities and protesters as a source of power, and how those who have been abandoned or marginalized by structures of authority can find in a lifeless body fellow accomplices in their aspirations for dignity and humanity.
Is Sunny Finnel a prophet, or is it a trick thats being played on her and her family? Who is the destroyer of worlds, and why is she the chosen one to defeat him? Sunny Finnel is a twelve-year-old girl from North Carolina that has the challenge of finding an individual named The Selfless Man so they can save all reality. There are a few surprises though, and the villain might not be who he is described to be in the dubious quantum-soul prophecy. Join Sunny, Arn, Jake, and Betty Finnel as they fearlessly oppose the will of very evil entities to bring back order to our world.
According to the accounts of two white officers, on the evening of November 20, 1872, Corporal Daniel Talliafero, of the segregated Black 9th cavalry, was shot to death by an officer’s wife while attempting to break into her sleeping apartment at the military post of Fort Davis, Texas. Historians writing about Black soldiers serving in the West have long accepted the account without question, retelling the story of Daniel Talliafero, the thwarted “rapist.” In Unburied Lives Wilkie takes a different approach, demonstrating how we can “listen” to stories found in things neglected, ignored, or disparaged—documents not consulted, architecture not studied, material traces preserved in the dirt. With a focus on Fort Davis, Wilkie brings attention to the Black enlisted men and non-commissioned officers. In her archaeological accounting, Wilkie explores the complexities of post life, racialized relationships, Black masculinity, and citizenship while also exposing the structures and practices of military life that successfully obscured these men’s stories for so long.
*Selected as One of the Best Books of the 21st Century by The New York Times * WINNER of the NATIONAL BOOK AWARD and A NEW YORK TIMES TOP 10 BEST BOOK OF THE YEAR A finalist for the Kirkus Prize, Andrew Carnegie Medal, Aspen Words Literary Prize, and a New York Times bestseller, this majestic, stirring, and widely praised novel from two-time National Book Award winner Jesmyn Ward, the story of a family on a journey through rural Mississippi, is a “tour de force” (O, The Oprah Magazine) and a timeless work of fiction that is destined to become a classic. Jesmyn Ward’s historic second National Book Award–winner is “perfectly poised for the moment” (The New York Times), an intimate portrait of three generations of a family and an epic tale of hope and struggle. “Ward’s writing throbs with life, grief, and love… this book is the kind that makes you ache to return to it” (Buzzfeed). Jojo is thirteen years old and trying to understand what it means to be a man. He doesn’t lack in fathers to study, chief among them his Black grandfather, Pop. But there are other men who complicate his understanding: his absent White father, Michael, who is being released from prison; his absent White grandfather, Big Joseph, who won’t acknowledge his existence; and the memories of his dead uncle, Given, who died as a teenager. His mother, Leonie, is an inconsistent presence in his and his toddler sister’s lives. She is an imperfect mother in constant conflict with herself and those around her. She is Black and her children’s father is White. She wants to be a better mother but can’t put her children above her own needs, especially her drug use. Simultaneously tormented and comforted by visions of her dead brother, which only come to her when she’s high, Leonie is embattled in ways that reflect the brutal reality of her circumstances. When the children’s father is released from prison, Leonie packs her kids and a friend into her car and drives north to the heart of Mississippi and Parchman Farm, the State Penitentiary. At Parchman, there is another thirteen-year-old boy, the ghost of a dead inmate who carries all of the ugly history of the South with him in his wandering. He too has something to teach Jojo about fathers and sons, about legacies, about violence, about love. Rich with Ward’s distinctive, lyrical language, Sing, Unburied, Sing is a majestic and unforgettable family story and “an odyssey through rural Mississippi’s past and present” (The Philadelphia Inquirer).
Unburied wrath is a brief compilation of anthologies about family love grief loss abuse and rage A suicide notes that led to a final suicide letter from someone's point of view. Unburied wrath takes readers to see the vile side of every family, and how heavy a wrath could do in the our hearts and how rage and darkness could not be taken with us under our grave.
Have you wished that you knew things about your parents or grandparents when they were still with you? Now that they have passed, you have some memories but what if they had left you their thoughts, penned down with thought and care so that you would always have their advice and memories to cherish for generations? Have you ever considered taking the time to sit down with your parents and to write down all the many memories that meant so much to them or jot down those special tidbits of advice that they always have been so good to use that is their lifes experience perfected with time? This book is simply a format that lends itself to be a guide for one to simply jot down their thoughts on many subjects, just a paragraph at time. There are many given topics to write about, and then there are topics that one may select and choose to write about. Some topics are just ones memories or feelings that they had about special events or people. Some topics are how-to tips on their personal experience dealing with certain situations (gardening tips, fix-it tips, etc.). What an HONOR it is when your children ask for your advice! What love one feels when a child, grandchild, or loved-one receives a personal hand-written bit of memories, expressing their personal emotions, felt during special events! Included is an expanded Family Tree that can easily be used to show not only your blood relatives but also the step relatives or adopted family members. Book Preview Available at the Author's Website: www.catherinetorrez.com
An edgy police thriller from the creator of the Barney Thomson series.A psychopath walks the streets of Glasgow, selecting his first victim. He sees his ex-girlfriend everywhere, and he will have her back.When a woman is savagely murdered, her body stabbed over a hundred times, the police know from the nature of the crime that the killer will strike again. DCI Bloonsbury, the once-feted detective, is put in charge of the investigation, but as the killer begins to hit much closer to home and an old police conspiracy starts to unravel, Bloonsbury slides further into morose alcoholic depression. In the middle of it all is Detective Sergeant Thomas Hutton, juggling divorce, deception, alcohol, murdered colleagues, and Dylan. He could use a break but the dead will not rest and the past will not be buried until he can catch the latest serial killer to haunt the streets of his city. Also by Douglas Lindsay featuring DS Thomas Hutton, A Plague Of Crows, and coming in October 2014, The Blood That Stains Your Hands"I thoroughly enjoyed Plague Of Crows. It's another superb example of Scottish crime noir. There are a number of elements to highlight. The writing is excellent. Sharp, fast paced, gripping." - Crime Fiction Lover"An excellent, well written story that will appeal to readers of gritty, down to earth crime / noir" - Big Al's Books And Pals"The brilliant and totally entertaining aspect of this novel is the characters, their shenanigans and their humour. Lindsay is funny ... and he writes about real folk like you and me who are just as confused, jealous, broken, greedy and damaged as we are." - I Meant To Read That"Douglas Lindsay is a fine Scottish export that should be hailed in the same way as whisky, Rankin, haggis, tartan and those Jimmy hats that you can pick up from the Royal Mile. Super stuff." - Sea Minor"I was at once cringing at the horror of the murders and then laughing from Hutton's interactions with the finer sex. It takes a talented author to pull off such a seamless switch of gears and Douglas Lindsay is just that." - Just A Guy Who Likes To Read"If you like very dark and disturbing fiction, that is superbly written and beautifully addictive, then this one is definitely for you. Extremely highly recommended." - Old Dogs And New Tricks Douglas Lindsay is the author of 13 novels, including The Unburied Dead (DS Hutton series), We Are The Hanged Man (DCI Jericho), the surreal thriller Being For The Benefit of Mr Kite! and The Long Midnight Of Barney Thomson (the Legend of Barney Thomson series), now a major movie starring Robert Carlyle and Emma Thompson.
Today, almost a generation has passed since the Iran–Iraq war and the memory of it is set to diminish with each passing generation. The following questions emerge. Can we say that the gradual disappearance of war’s memory means that, increasingly, Iranians will see the Iran–Iraq war solely as an historical event? How can we defend or reject this idea? Today, with which elements and values should we look at the Iran–Iraq war memorials and ceremonies? To what extent will war museums and materials culture be influenced by these new values? In the period during and immediately after the Iran–Iraq war (1980-88), national bereavement and commemoration of martyrs was neither apparent in common state policy nor a social need. Even at the turn of the 21st century, anyone walking through Iranian cities, many of which had been the main scene of the bloody massacre and direct targets of the Iraqi Republican Guard, will have found traces of the terrible, almost unimaginable, human losses. However, today’s Iranians can see modern war memorials and monuments in many parts of the urban and rural landscape. Yet, at the same time, the changing landscape has separated Iranians from such remnants of the violence. It can be argued that many people, in their wish to look forward to a more hopeful future, do not wish to be reminded of this period in Iranian history. This book was originally published as a special issue of Visual Anthropology.
Yan is on top of the world. School's almost out for summer, he's about to have a new baby sister, and he's going to be spending his vacation making a zombie movie with his best friend Nico. But on his way home from school, he finds himself in the wrong place at the wrong time, and before he knows it, his life is slipping away... Things are no longer smelling rosy now that Yan's pushing up daisies. But for some reason, Yan's soul isn't going anywhere: his body may be rotting, but his mind is clear, and once out of his grave, Yan is determined to be reunited with his family. He may be falling apart, but he isn't about to let that happen to them!