In his first collection of new poems since receiving the Nobel Prize in 1980, Milosz has changed the very idea of what a book of poetry can be. He combines verse, prose poems, prose jottings, pensees, quotations, translations, and even fragments from personal letters into the shape of a writer's notebook. Under the surface of these multiple forms, a deeper unity appears. Whether Milosz meditates on sexuality, language, the problems of belief, urban street life, or the mysterious annihilating power of time, his central theme is the desire to confront the ecstatic experience of life on earth. The volume also includes poems of Walt Whitman and D.H. Lawrence which Milosz translated into Polish. ISBN 0-88001-098-3 : $17.95.
#1 NEW YORK TIMES BESTSELLER • “The Uninhabitable Earth hits you like a comet, with an overflow of insanely lyrical prose about our pending Armageddon.”—Andrew Solomon, author of The Noonday Demon NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New Yorker • The New York Times Book Review • Time • NPR • The Economist • The Paris Review • Toronto Star • GQ • The Times Literary Supplement • The New York Public Library • Kirkus Reviews It is worse, much worse, than you think. If your anxiety about global warming is dominated by fears of sea-level rise, you are barely scratching the surface of what terrors are possible—food shortages, refugee emergencies, climate wars and economic devastation. An “epoch-defining book” (The Guardian) and “this generation’s Silent Spring” (The Washington Post), The Uninhabitable Earth is both a travelogue of the near future and a meditation on how that future will look to those living through it—the ways that warming promises to transform global politics, the meaning of technology and nature in the modern world, the sustainability of capitalism and the trajectory of human progress. The Uninhabitable Earth is also an impassioned call to action. For just as the world was brought to the brink of catastrophe within the span of a lifetime, the responsibility to avoid it now belongs to a single generation—today’s. LONGLISTED FOR THE PEN/E.O. WILSON LITERARY SCIENCE WRITING AWARD “The Uninhabitable Earth is the most terrifying book I have ever read. Its subject is climate change, and its method is scientific, but its mode is Old Testament. The book is a meticulously documented, white-knuckled tour through the cascading catastrophes that will soon engulf our warming planet.”—Farhad Manjoo, The New York Times “Riveting. . . . Some readers will find Mr. Wallace-Wells’s outline of possible futures alarmist. He is indeed alarmed. You should be, too.”—The Economist “Potent and evocative. . . . Wallace-Wells has resolved to offer something other than the standard narrative of climate change. . . . He avoids the ‘eerily banal language of climatology’ in favor of lush, rolling prose.”—Jennifer Szalai, The New York Times “The book has potential to be this generation’s Silent Spring.”—The Washington Post “The Uninhabitable Earth, which has become a best seller, taps into the underlying emotion of the day: fear. . . . I encourage people to read this book.”—Alan Weisman, The New York Review of Books
Czesław Miłosz (1911-2004) felt that part of his role as a poet and critic was to bear witness to bloodshed and terror as well as to beauty. He survived the Soviet invasion of his beloved Lithuania, escaped to Nazi-occupied Warsaw where he joined the Socialist resistance, then witnessed the Holocaust and the razing of the Warsaw Ghetto. After persecution and censorship triggered his defection in 1951, he found not relief but the anguish of solitude and obscurity. In the years of loneliness and labor, Miłosz continued writing poems and essays, learning to love his privacy and preoccupations and enjoying the devotion of his students at the University of California, Berkeley. International fame came like lightning when Miłosz won the 1980 Nobel Prize for Literature. Czesław Miłosz: Conversations collects pieces from a wide range of sources over twenty-five years and includes an unpublished interview between Miłosz and his friend and fellow Nobel Laureate poet Joseph Brodsky. This volume acquaints us with a man whose work, life, and thought defy easy characterization. He is a sensualist with a scholar's penchant for history, as likely to celebrate Heraclitus as the hooks on a woman's corset. He is a devout but doubting Catholic, and a thinker tinged with a heretical sensibility. Cynthia L. Haven is a literary critic for the San Francisco Chronicle and a regular contributor to the Washington Post Book World, the Times Literary Supplement, and the Los Angeles Times Book Review. Her work also has been published in Civilization, the Georgia Review, the Kenyon Review, and the Cortland Review.
praj·na: transcendental wisdom pa·ra·mi·ta: ferrying over to the other shore; perfection The Heart Sutra and the Diamond Sutra are essential reading for those who practice Buddhism. Over the past thirteen centuries, however, the larger work to which they belong has been available only in Chinese. Now, for the first time, English speakers can access the first twenty fascicles of The Great Prajna Paramita Sutra, regarded as the largest canon in Buddhism. The Great Prajna Paramita Sutra demonstrates how one can become a bodhisattva -- and eventually a Buddha -- transcending self-interest to reach a state of emptiness, selflessness, and nonattachment. Regardless of where you are on the path to enlightenment, you’ll be nourished by the parables and dialogues within.
Andrzej Franaszek’s award-winning biography of Czeslaw Milosz—the great Polish poet and winner of the Nobel Prize in Literature in 1980—offers a rich portrait of the writer and his troubled century, providing context for a larger appreciation of his work. This English-language edition, translated by Aleksandra Parker and Michael Parker, contains a new introduction by the translators, along with historical explanations, maps, and a chronology. Franaszek recounts the poet’s personal odyssey through the events that convulsed twentieth-century Europe: World War I, the Bolshevik revolution, the Nazi invasion and occupation of Poland, and the Soviet Union’s postwar dominance of Eastern Europe. He follows the footsteps of a perpetual outsider who spent much of his unsettled life in Lithuania, Poland, and France, where he sought political asylum. From 1960 to 1999, Milosz lived in the United States before returning to Poland, where he died in 2004. Franaszek traces Milosz’s changing, constantly questioning, often skeptical attitude toward organized religion. In the long term, he concluded that faith performed a positive role, not least as an antidote to the amoral, soulless materialism that afflicts contemporary civilization. Despite years of hardship, alienation, and neglect, Milosz retained a belief in the transformative power of poetry, particularly its capacity to serve as a source of moral resistance and a reservoir of collective hope. Seamus Heaney once said that Milosz’s poetry is irradiated by wisdom. Milosz reveals how that wisdom was tempered by experience even as the poet retained a childlike wonder in a misbegotten world.
Sakyamuni Buddha taught Great Prajna Paramita in sixteen assemblies in four locations over twenty-two years. It was recorded posthumously by his disciples in six hundred fascicles of approximately five million words and is regarded as the largest canon in Buddhism. The Sanskrit original was translated into Chinese by Xuanzang (Hsüan-tsang) during the seventh century (from 660 through 663). This text is now available in English. The Great Prajna Paramita Sutra is important not only because of its extensive teaching, but because it explains what the great bodhisattva, the great bodhisattva path of cultivation, and the great bodhisattva vehicle are. It depicts, manifests, and provides guidance on how one should learn to become a bodhisattva—and eventually a Buddha—transcending self-interest to reach a state of emptiness, selflessness, and nonattachment. Regardless of where you are on the path to enlightenment, you will be nourished by its parables and dialogues.
The essays in this anthology seek to look at the multiple gestures of tradition in relation to our own times and in som doing they have a relevance for the continuing debate on modern and post modern era.
Tracing the paths of Jewish things across time, place, and culture, this collection reveals complex stories of individual and collective struggles to survive.
Nicola Hoggard Creegan offers a compelling examination of the problem of evil in the context of animal suffering, disease, and extinction and the violence of the evolutionary process. Using the parable of the wheat and the tares as a hermeneutical lens for understanding the tragedy and beauty of evolutionary history, she shows how evolutionary theory has deconstructed the primary theodicy of historic Christianity-the Adamic fall-while scientific research on animals has increased appreciation of animal sentience and capacity for suffering. Animal Suffering and the Problem of Evil responds to this new theodic challenge. Hoggard Creegan argues that nature can be understood as an interrelated mix of the perfect and the corrupted: the wheat and the tares. At times the good is glimpsed, but never easily or unequivocally. She then argues that humans are not to blame for all evil because so much evil preceded human becoming. Finally, she demonstrates that faith requires a confidence in the visibility of the work of God in nature, regardless of how infinitely subtle and almost hidden it is, affirming that there are ways of perceiving the evolutionary process beyond that "nature is red in tooth and claw."
