Divided Affections

Divided Affections

Author: Carol Burnell

Publisher:

Published: 2007

Total Pages: 594

ISBN-13:

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Maria Hadfield Cosway was a beautiful and talented English artist, who accompanied her husband, the miniature portrait painter, Richard Cosway, to Paris, in 1786, where she was introduced to Thomas Jefferson, then American Envoy to the Court of Versailles. The future President of the United States fell in love with the young Mrs. Cosway the day they met. Their impossible love was immortalised in Jefferson's 4000-word letter, a Dialogue between the Head and the Heart, which marked the beginning of a lifelong correspondence, the record of a touching and unrequited affection. But Maria Cosway's life is not only extraordinary because of her relationship with the American ambassador. She was a celebrity artist, an exceptional musician, a Regency hostess who entertained the Prince of Wales, later an intimate of the Bonapartes, and finally a successful founder of schools. For her pioneering work in women's education, this daughter of an innkeeper was given the title of Baroness by the Austrian emperor Franz I.


Bartók's Viola Concerto

Bartók's Viola Concerto

Author: Donald Maurice

Publisher: Oxford University Press, USA

Published: 2004

Total Pages: 235

ISBN-13: 0195156900

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Tells the intriguing story of Bela Bartok's viola concerto, a work left unfinished at his death in 1945. Drawing on interviews and documents that reveal previously unavailable information, it discusses the commission, the reconstruction by Tibor Serly, events leading up to the premiere, its reception over the second half of the twentieth century, the revisions, and future possibilities.


The Pursuit of Italy

The Pursuit of Italy

Author: David Gilmour

Publisher: Macmillan + ORM

Published: 2011-10-25

Total Pages: 670

ISBN-13: 1466801549

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One of The Economist's Books of the Year A provocative, entertaining account of Italy's diverse riches, its hopes and dreams, its past and present Did Garibaldi do Italy a disservice when he helped its disparate parts achieve unity? Was the goal of political unification a mistake? The question is asked and answered in a number of ways in The Pursuit of Italy, an engaging, original consideration of the many histories that contribute to the brilliance—and weakness—of Italy today. David Gilmour's wonderfully readable exploration of Italian life over the centuries is filled with provocative anecdotes as well as personal observations, and is peopled by the great figures of the Italian past—from Cicero and Virgil to the controversial politicians of the twentieth century. His wise account of the Risorgimento debunks the nationalistic myths that surround it, though he paints a sympathetic portrait of Giuseppe Verdi, a beloved hero of the era. Gilmour shows that the glory of Italy has always lain in its regions, with their distinctive art, civic cultures, identities, and cuisines. Italy's inhabitants identified themselves not as Italians but as Tuscans and Venetians, Sicilians and Lombards, Neapolitans and Genoese. Italy's strength and culture still come from its regions rather than from its misconceived, mishandled notion of a unified nation.


Playing the Viola

Playing the Viola

Author: David Dalton

Publisher: OUP Oxford

Published: 1989-11-30

Total Pages: 259

ISBN-13: 0191039217

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`In all areas of human endeavour, time and again an individual appears who, due to a multitude of personal attributes, elevates his or her field to a hitherto unknown height. Such an individual was William Primrose. His name and the viola are synonymous.' Janos Starker This unique book is the result of a series of conversations with Primrose in the last years before his death in 1982. David Dalton describes how he came to the great artist armed with every question he could think of pertaining to performing on and teaching the viola. The lively dialogue contains a wealth of illuminating advice for the student on the technicalities of playing the viola. It is, however, far more than a technical guide. The two violists discuss the unique position of their instrument - `an instrument without tradition' is Primrose's bald description. They cover the topic of repertoire with fascinating insights into the performance of the great concertos by Bartók and Walton, with which Primrose was so closely associated. Still more invaluable advice emerges from the discussion of Primrose's own experience, on the art of performance, on demeanour on stage, on competitions, on recordings, and on preparing for a career. The book is a tribute to one of the greatest artists of this century.