Ugandan Music in the Marketing Era

Ugandan Music in the Marketing Era

Author: David G. Pier

Publisher: Springer

Published: 2016-04-29

Total Pages: 214

ISBN-13: 1137546972

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David G. Pier offers an ethnographic study of the Senator Extravaganza traditional dance competition in Uganda, and the performers, marketers, and other actors who were involved in it. Pier illustrates the event as part of a broader moment in Ugandan and African public culture - one in which marketing is playing an increasingly dominant role.


Ugandan Music in the Marketing Era

Ugandan Music in the Marketing Era

Author: David G. Pier

Publisher: Springer

Published: 2016-04-29

Total Pages: 312

ISBN-13: 1137546972

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David G. Pier offers an ethnographic study of the Senator Extravaganza traditional dance competition in Uganda, and the performers, marketers, and other actors who were involved in it. Pier illustrates the event as part of a broader moment in Ugandan and African public culture - one in which marketing is playing an increasingly dominant role.


Ugandan Music in the Marketing Era

Ugandan Music in the Marketing Era

Author: David G. Pier

Publisher: Palgrave Macmillan

Published: 2014-01-14

Total Pages: 205

ISBN-13: 9781349579617

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David G. Pier offers an ethnographic study of the Senator Extravaganza traditional dance competition in Uganda, and the performers, marketers, and other actors who were involved in it. Pier illustrates the event as part of a broader moment in Ugandan and African public culture - one in which marketing is playing an increasingly dominant role.


Uganda

Uganda

Author: Jörg Wiegratz

Publisher: Bloomsbury Publishing

Published: 2018-11-15

Total Pages: 409

ISBN-13: 1786991101

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For the last three decades, Uganda has been one of the fastest growing economies in Africa. Globally praised as an African success story and heavily backed by international financial institutions, development agencies and bilateral donors, the country has become an exemplar of economic and political reform for those who espouse a neoliberal model of development. The neoliberal policies and the resulting restructuring of the country have been accompanied by narratives of progress, prosperity, and modernisation and justified in the name of development. But this self-celebratory narrative, which is critiqued by many in Uganda, masks the disruptive social impact of these reforms and silences the complex and persistent crises resulting from neoliberal transformation. Bringing together a range of leading scholars on the country, this collection represents a timely contribution to the debate around the New Uganda, one which confronts the often sanitised and largely depoliticised accounts of the Museveni government and its proponents. Harnessing a wealth of empirical materials, the contributors offer a critical, multi-disciplinary analysis of the unprecedented political, socio-economic, cultural and ecological transformations brought about by neoliberal capitalist restructuring since the 1980s. The result is the most comprehensive collective study to date of a neoliberal market society in contemporary Africa, offering crucial insights for other countries in the Global South.


Performing Arts and Gender in Postcolonial Western Uganda

Performing Arts and Gender in Postcolonial Western Uganda

Author: Linda Cimardi

Publisher: Boydell & Brewer

Published: 2023

Total Pages: 303

ISBN-13: 1648250327

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Focusing on runyege, the main traditional performance genre of the Banyoro and Batooro people, this book explores the entanglement of traditional music, dance, and theater with gender and postcolonialism in Western Uganda. Drawing on archival research and extensive fieldwork in the regions of Bunyoro and Tooro, Linda Cimardi examines the connection between traditional performing arts and gender in western Uganda. The book focuses on runyege, the main genre of the Banyoro and Batooro people, exploring its different components of singing, instrument playing, dancing, and acting and identifying their complex relationships to gender models and expressions. Today mainly performed at Ugandan school festivals and by semiprofessional ensembles, repertoires like runyege adhere to stage conventions that have developed over several decades. Some of these conventions are powerful devices allowing the actors involved (performers, teachers, students, adjudicators, and audiences) to collectively shape an image of local culture grounded in a gender binary that is perceived as traditional. At the same time, stage conventions are exploited by some performers to negotiate their gender identities and expressions in unconventional ways, thus challenging hegemonic gender models. Moving between analysis of historical recordings, oral accounts, and present-day fieldwork data and experiences, the book engages in a comprehensive analysis of the postcolonial entanglement of arts and gender. Audio and video recordings presented in the book can be accessed on the book's companion website, http: //hdl.handle.net/1802/37373.


Globalization and Socio-Cultural Processes in Contemporary Africa

Globalization and Socio-Cultural Processes in Contemporary Africa

Author: Eunice N. Sahle

Publisher: Springer

Published: 2016-04-29

Total Pages: 287

ISBN-13: 1137519142

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In different but complementary ways, the chapters in this collection provide a deeper understanding of socio-cultural processes in various parts of the African continent. They do so in the context of contemporary mediated processes of globalization, and emphasize the agency of Africans.


The Routledge Companion to Popular Music and Humor

The Routledge Companion to Popular Music and Humor

Author: Thomas M. Kitts

Publisher: Routledge

Published: 2019-05-07

Total Pages: 422

ISBN-13: 1351266624

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An essential part of human expression, humor plays a role in all forms of art, and humorous and comedic aspects have always been part of popular music. For the first time, The Routledge Companion to Popular Music and Humor draws together scholarship exploring how the element of humor interacts with the artistic and social aspects of the musical experience. Discussing humor in popular music across eras from Tin Pan Alley to the present, and examining the role of humor in different musical genres, case studies of artists, and media forms, this volume is a groundbreaking collection that provides a go-to reference for scholars in music, popular culture, and media studies. While most scholars, when considering humor’s place in popular music, tend to focus on more "literate" forms, the contributors in this collection seek to fill in the gaps by surveying all kinds of humor, critical theories, and popular musics. Across eight parts, the essays in this collection explore topics both highbrow and low, including: Parody and satire Humor in rock and global music Gender, sexuality, and politics The music mockumentary Novelty songs Humor has long been a fixture of the popular music soundscape, whether on stage, in performance, on record, or on film. The Routledge Companion to Popular Music and Humor covers it all, presenting itself as the most comprehensive treatment of the topic to date.


Decolonising State and Society in Uganda

Decolonising State and Society in Uganda

Author: Katherine Bruce-Lockhart

Publisher: Boydell & Brewer

Published: 2022-12-13

Total Pages: 419

ISBN-13: 1847012973

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Decolonization of knowledge has become a major issue in African Studies in recent years, brought to the fore by social movements such as #RhodesMustFall and #BlackLivesMatter. This timely book explores the politics and disputed character of knowledge production in colonial and postcolonial Uganda, where efforts to generate forms of knowledge and solidarity that transcend colonial epistemologies draw on long histories of resistance and refusal. Bringing together scholars from Africa, Europe and North America, the contributors in this volume analyse how knowledge has been created, mobilized, and contested across a wide range of Ugandan contexts. In so doing, they reveal how Ugandans have built, disputed, and reimagined institutions of authority and knowledge production in ways that disrupt the colonial frames that continue to shape scholarly analyses and state structures. From the politics of language and gender in Bakiga naming practices to ways of knowing among the Acholi, the hampering of critical scholarship by militarism and authoritarianism, and debates over the names of streets, lakes, mountains, and other public spaces, this book shows how scholars and a wide range of Ugandan activists are reimagining the politics of knowledge in Ugandan public life.p by militarism and authoritarianism, and debates over the names of streets, lakes, mountains, and other public spaces, this book shows how scholars and a wide range of Ugandan activists are reimagining the politics of knowledge in Ugandan public life.p by militarism and authoritarianism, and debates over the names of streets, lakes, mountains, and other public spaces, this book shows how scholars and a wide range of Ugandan activists are reimagining the politics of knowledge in Ugandan public life.p by militarism and authoritarianism, and debates over the names of streets, lakes, mountains, and other public spaces, this book shows how scholars and a wide range of Ugandan activists are reimagining the politics of knowledge in Ugandan public life.


Popular Music and the Postcolonial

Popular Music and the Postcolonial

Author: Oliver Lovesey

Publisher: Routledge

Published: 2018-08-13

Total Pages: 258

ISBN-13: 0429895038

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Popular Music and the Postcolonial addresses the often-overlooked relationship between the fields of popular music and postcolonial studies, and it has implications for ethnomusicology, cultural and literary studies, history, sociology, and political economy. Popular music in its many forms exploded in popularity, following developments in sound technology and shifting population demographics, in the 1960s, the era of radical agitation against empires in the global south but also within the very heart of Europe. Popular music aided in fostering and documenting such resistance to violent oppression and in liberating the hearts and minds of the colonized. This collection offers a timely intervention in this field, showing popular music’s role in defining or undermining certain colonial and postcolonial nations, in expanding and complicating the domain of postcolonial theorists—including the "founder" of postcolonial studies Edward Said—and in decolonizing the ears of its diverse, sometimes antagonistic, audiences. This book was originally published as a special issue of Popular Music and Society.


Global Faith, Worldly Power

Global Faith, Worldly Power

Author: John Corrigan

Publisher: UNC Press Books

Published: 2022-09-15

Total Pages: 411

ISBN-13: 1469670607

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Assessing the grand American evangelical missionary venture to convert the world, this international group of leading scholars reveals how theological imperatives have intersected with worldly imaginaries from the nineteenth century to the present. Countering the stubborn notion that conservative Protestant groups have steadfastly maintained their distance from governmental and economic affairs, these experts show how believers' ambitious investments in missionizing and humanitarianism have connected with worldly matters of empire, the Cold War, foreign policy, and neoliberalism. They show, too, how evangelicals' international activism redefined the content and the boundaries of the movement itself. As evangelical voices from Africa, Asia, and Latin America became more vocal and assertive, U.S. evangelicals took on more pluralistic, multidirectional identities not only abroad but also back home. Applying this international perspective to the history of American evangelicalism radically changes how we understand the development and influence of evangelicalism, and of globalizing religion more broadly. In addition to a critical introduction and essays by editors John Corrigan, Melani McAlister, and Axel R. Schafer are essays by Lydia Boyd, Emily Conroy-Krutz, Christina Cecelia Davidson, Helen Jin Kim, David C. Kirkpatrick, Candace Lukasik, Sarah Miller-Davenport, Dana L. Robert, Tom Smith, Lauren F. Turek, and Gene Zubovich.