Life in an eighteenth-century one-room schoolhouse might be different from today-but like any other pair of siblings, brothers Peter and John Paul get up to plenty of mischief! Readers follow the two as they work with birch-bark paper and hornbooks, play tricks on each other, get in trouble, and celebrate when John Paul learns to read and write. Verla Kay's trademark short and evocative verse and S. D. Schindler's lively art add humor and character to the classic schoolhouse scenes, and readers will love discovering the differences-and similarities- to their own school days.
NEW YORK TIMES BESTSELLER • “A fascinating look at how consumers perceive logos, ads, commercials, brands, and products.”—Time How much do we know about why we buy? What truly influences our decisions in today’s message-cluttered world? In Buyology, Martin Lindstrom presents the astonishing findings from his groundbreaking three-year, seven-million-dollar neuromarketing study—a cutting-edge experiment that peered inside the brains of 2,000 volunteers from all around the world as they encountered various ads, logos, commercials, brands, and products. His startling results shatter much of what we have long believed about what captures our interest—and drives us to buy. Among the questions he explores: • Does sex actually sell? • Does subliminal advertising still surround us? • Can “cool” brands trigger our mating instincts? • Can our other senses—smell, touch, and sound—be aroused when we see a product? Buyology is a fascinating and shocking journey into the mind of today's consumer that will captivate anyone who's been seduced—or turned off—by marketers' relentless attempts to win our loyalty, our money, and our minds.
Describes the manual, Bibliographic Formats and Standards, 2nd. ed., a revised guide to machine-readable cataloging records in the WorldCat. Describes conventions. Describes and provides an example of input standards tables. Addresses revisions of the manual as well as ordering and distribution. Includes acknowledgements. Provides a link to the table of contents.
Now available in a deluxe keepsake edition! A Time Best YA Book of All Time (2021) Run away to the Metropolitan Museum of Art with E. L. Konigsburg’s beloved classic and Newbery Medal–winning novel From the Mixed-Up Files of Mrs. Basil E. Frankweiler. When Claudia decided to run away, she planned very carefully. She would be gone just long enough to teach her parents a lesson in Claudia appreciation. And she would go in comfort-she would live at the Metropolitan Museum of Art. She saved her money, and she invited her brother Jamie to go, mostly because be was a miser and would have money. Claudia was a good organizer and Jamie bad some ideas, too; so the two took up residence at the museum right on schedule. But once the fun of settling in was over, Claudia had two unexpected problems: She felt just the same, and she wanted to feel different; and she found a statue at the Museum so beautiful she could not go home until she bad discovered its maker, a question that baffled the experts, too. The former owner of the statue was Mrs. Basil E. Frankweiler. Without her—well, without her, Claudia might never have found a way to go home.
Sylvester the donkey finds a magic pebble and unthinkingly wishes himself a rock when frightened by a lion. Although safe from the lion, Sylvester cannot hold the pebble to wish himself into a donkey again. Caldecott Medal winner. Full-color illustrations.
Of Isaiah' prophetic writings, the resurrected Lord taught, "Search these things diligently; for great are the words of Isaiah" (3 Nephi 32:1). Yet no chapters in the Book of Mormon are more difficult to understand than the Isaiah passages quoted by Nephi, Jacob, Abinadi, and Christ himself. The 17 essays in Isaiah in the Book of Mormon take a variety of approaches in seeking to help readers make the most of Isaiah's teachings. The contributing scholars draw on the Book of Mormon prophets as knowledgeable guides, examining how and why those ancient writers used and interpreted Isaiah's prophetic teachings. They explain Nephi's keys for understanding the great prophet, use historical and linguistic information to clarify his meanings, examine recurring themes, and reflect on the influence of these texts on ancient and modern saints.
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I Carry My Mother is a book-length cycle of poems that explores a daughter's journey through her mother's illness and death. From diagnosis through yahrtzeit (one-year anniversary), the narrator grapples with what it means to lose a mother. The poems, written in a variety of forms (sonnet, pantoum, villanelle, sestina, terza rima, haiku, and others) are finely crafted, completely accessible, and full of startling, poignant, and powerful imagery. These poems will resonant with all who have lost a parent, relative, spouse, friend, or anyone whom they dearly love. In a passionate book, Lesléa Newman chronicles her mother's dying and the phases of her own grieving. She fuses an unsparing realism with lyrical intensity, in honest, direct, clear language, in mostly rhymed stanzas. The pages seem to tremble with an accurate description of changing emotional states, all born of the closeness, humor, and love in the mother-daughter relationship. -Naomi Replansky, author of The Dangerous World and Collected Poems. After the introductory poem I thought 'oh dear, I'm going to cry my way through the whole thing.' And then, the exquisite first-rate poetry-using forms like triolet and rondeau-took me to a much deeper place than tears can possibly reveal. This is a very beautiful book. -Judy Grahn, author of A Simple Revolution: The Making of an Activist Poet. Throughout her long career, Lesléa Newman has distinguished herself by diving deep into the essentials of life and delivering them with a light touch. The poems in her new collection, I Carry My Mother, are both light and dark. They are small rituals that draw us closer to the child within, revealing the complex love between a vivacious mother and an independent daughter. Each verse is a spiritual chant; each line is a lyric glistening with grief. -Jewelle Gomez, author ofThe Gilda Stories and Oral Tradition. Using forms inspired by poets ranging from Wallace Stevens to Dr. Seuss, from Sir Philip Sidney to Elizabeth Bishop, Lesléa Newman's heartfelt poems are a loving tribute to her mother. The poems move back and forth between precise images of her mother in life-"her tiny feet/Her toenails painted candy-apple red," -and images of her mother as she dies-"a tiny, mottled lump of clay." I Carry My Mother allows us to look into a deeply personal portrait of a mother and daughter who are so much alike that when the daughter looks into the mirror, "my mother stares back." In the dedication, Newman writes, "may her memory be a blessing." These poems evoke and preserve those memories, showing how love lives on after death. -Ellen Bass, author ofLike a Beggar and The Human Line
In the preceding pages, I have tried to show how a historical-critical view of the Book of Mormon illuminates some of its more interesting problems. Many questions remain, and many problems have yet to be discovered and analyzed. I myself have questions about the Book of Mormon's origins that I cannot yet answer. However, that fact does not diminish the certainty of my conclusion that the Book of Mormon is a modern text.
