In A Taste for Provence, historian Helen Lefkowitz Horowitz digs into this question and spins a wonderfully appealing tale of how Provence became Provence.
Hide in Plain Sight completes Buhle and Wagner's trilogy on the Hollywood blacklist. When the blacklistees were hounded out of Hollywood, some left for television where many worked on children's shows like "Rocky and Bullwinkle." A number wrote adult sitcoms such as The Donna Reed Show, and M*A*S*H while some of them ultimately returned to Hollywood and made great films such as Norma Rae, and Midnight Cowboy. This is a thoughtful look at the rising fear of communism in America and the aftermath of the horror that was the McCarthy period, from two expert historians of the blacklist period.
A Viking statue, a coffee pot, a ghost story, and a controversial cake: What can the things that immigrants treasured tell us about their history? Between 1870 and 1914 almost one-quarter of Iceland’s population migrated to North America, forming enclaves in both the United States and Canada. This book examines the multi-sensory side of the immigrant past through rare photographs, interviews, artefacts, and early recipes. By revealing the hidden histories behind everyday traditions, The Viking Immigrants maps the transformation of Icelandic North American culture over a century and a half.
The First Battle of the Marne produced the so-called Miracle of the Marne, when French and British forces stopped the initial German drive on Paris in 1914. Hundreds of thousands of casualties later, with opposing forces still dug into trench lines, the Germans tried again to push their way to Paris and to victory. The Second Battle of the Marne (July 15 to August 9, 1918) marks the point at which the Allied armies stopped the massive German Ludendorff Offensives and turned to offensive operations themselves. The Germans never again came as close to Paris nor resumed the offensive. The battle was one of the first large multinational battles fought by the Allies since the assumption of supreme command by French general Ferdinand Foch. It marks the only time the French, American, and British forces fought together in one battle. A superb account of the bloody events of those fateful days, this book sheds new light on a critically important 20th-century battle.
This book follows the historical trajectory of African Americans and their relationship with the Mississippi River dating back to the 1700s and ending with Hurricane Katrina and the still-contested Delta landscape. Long touted in literary and historical works, the Mississippi River remains an iconic presence in the American landscape. Whether referred to as "Old Man River" or the "Big Muddy," the Mississippi River represents imageries ranging from the pastoral and Acadian to turbulent and unpredictable. However, these imageries—revealed through the cultural production of artists, writers, poets, musicians, and even filmmakers—did not reflect the experiences of everyone living and working along the river. Missing is a broader discourse of the African American community and the Mississippi River. Through the experiences of African Americans with the Mississippi River, which included narratives of labor (free and enslaved), refuge, floods, and migration, a different history of the river and its environs emerges. The book brings multiple perspectives together to explore this rich history of the Mississippi River through the intersection of race and class with the environment. The text will be of great interest to students and researchers in environmental humanities, including environmental justice studies, ethnic studies, and US and African American history.
An exploration of how gift exchange serves as a critical component in the preservation and perpetuation of one Native American tribe. Upon winning the CMA Book Award, Wedding Clothes and the Osage Community was praised as “a book that transcends its subject matter and helps us all see the possibilities of museum anthropology.” This study of the Osage Nation’s foundational cultural practice begins with an in-depth examination of the Mízhin form of marriage, which bound two extended Osage families together for economic, biologic, and social reasons intended to produce value and community cohesion for the larger society. Swan and Cooley then follow the movement of Osage bridal regalia from the Mízhin form of marriage into the “Paying for the Drum” ceremony of the Osage Ilonshka—a variant of the Plains Grass Dance, which is a nativistic movement that spread throughout the Plains and Prairie regions of the United States in the 1890s. The Ilonshka dance and its associated organization provide a spiritual charter for the survival of the ancient Osage physical divisions, or “districts” as they are called today. Swan and Cooley demonstrate how the process of re-chartering elements of material culture and their associated meanings from one ceremony to another serves as an example of the ways in which the Osage people have adapted their cultural values to changing economic and political conditions. At the core of this historical trajectory is a broad system of Osage social relations predicated on status, reciprocity, and cooperation. Through Osage weddings and the Ilonshka dance the Osage people reinforce and strengthen the social relations that provide a foundation for their respective communities.