"Type Lore is intended to supply the main facts regarding the development of types. It seeks to aid comprehension and remembrance by an ostensible discussion of the present day's most popular faces of type, which, considered in the order that their ancestors came upon the scene, serve as a background for relating the leading facts of typographical lore." -foreword.
While drawing in class to avoid listening to a story from his painfully boring teacher at Stagwood School, 12-year old Cal sees a frog staring at him through the window. Odder than that is the fact that this frog happens to be wearing glasses.Cal and his best friend, the tactless but loyal Soy, learn that the frog (who prefers the name Deli) has sought them out for a reason. When a school administrator named Ream reveals himself to be a dragon, the boys discover that fairytales are real, and that there is magic afoot in Stagwood. With Ream on their tail, the trio must unearth a powerful tool protected by riddles and rile (the magic that fuels nightmares) to save the fate of all fairytales past. Their only means on conveyance, Cal's now-flying bed, takes them on a journey beyond the home of the fairies (a cloud floating somewhere over Iceland) to set things right. But, before Cal can defeat Ream and his kidnapped army of fairies, he has to deal with Soy's knack for arguing with magical creatures, discover the truth about Deli's identity, and earn his place as the hero of the story.The Guardians of Lore is a middle grade novel that centers around two life-long friends, infusing humor and fantasy-based riddles into a modern fairytale. This is an exceptionally written intriguing piece of work that enthuses and imbues curiosity in young readers to discover the unknown with a spirit of adventure. Ideally, this is a book for children who enjoy folklore, mythical creatures and fairy tales.
Kathryn Ambrose offers a new approach to the Woman Question in mid- to late-nineteenth-century English, German and Russian literature. Using a methodological framework based on feminist theory and post-structuralism, she provides a re-vision of canonical texts (such as Jane Eyre, Wuthering Heights, Middlemarch, Effi Briest, Fathers and Children and Anna Karenina) alongside lesser-known works by Emily and Charlotte Brontë, George Eliot, Theodor Storm, Theodor Fontane, Ivan Turgenev and Leo Tolstoy. Her exploration of the semiotics of barriers – as opposed to the established approach of the semiotics of space – makes for a rewarding reading of this period of literature and establishes new cross-cultural and literary connections between the three countries.
This is the first examination of the sophisticated typographic capabilities of Indesign CS and CS2. It covers in detail new type-related features, such as Sequential Styles, Import Word Styles, and Anchored Objects. It gives clear, engaging explanations of the why and the how of good typography. Whether you're a graphics pros migrating from InDesign's long-entrenched competitor QuarkXPress or a hobbyists producing fancy invites and book-length projects, you'll appreciate this guide's finely tuned focus on everything typographic.Realizing that to take full advantage of InDesign's typographic tools, you must understand the principles guiding their use, author Nigel French addresses both the whys and the hows of good typography. Using examples & tips, Nigel provides an overview of InDesign's type features, including the Paragraph Composer, optical kerning, and its support for OpenType fonts. Starting with character formats and then moving through paragraph formats, styles & effects, and layouts, you'll have gained the skills they need to produce beautiful type by the end of the volume.
A compact and charming history of the classic Enlightenment font by the New York Times best-selling author of Just My Type. When Baskerville was first created in 1757, there was concern that it would damage readers’ eyes with its combination of thin and thick strokes and tapering serifs. Yet 250 years later, it remains one of the most commonly used typefaces in books of all kinds. As best-selling author Simon Garfield tells it, the tale of this elegant typeface is one of painstaking dedication. The font’s creator, John Baskerville, was a maverick lacquer maker and master printer who made it his life’s mission to achieve the font’s perfection. His efforts culminated in his magnificent Bible, acclaimed as the finest ever made. Garfield explores why Baskerville’s own body was dug up and buried many times before finally being allowed to rest in peace, and examines his legacy through the work of his wife, Sarah Baskerville—one of the first powerful women in the printing world—and the archivists and enthusiasts working to preserve the font’s original steel punches today.
Encyclopedic in its coverage, this one-of-a-kind reference is ideal for students, scholars, and others who need reliable, up-to-date information on folk and fairy tales, past and present. Folktales and fairy tales have long played an important role in cultures around the world. They pass customs and lore from generation to generation, provide insights into the peoples who created them, and offer inspiration to creative artists working in media that now include television, film, manga, photography, and computer games. This second, expanded edition of an award-winning reference will help students and teachers as well as storytellers, writers, and creative artists delve into this enchanting world and keep pace with its past and its many new facets. Alphabetically organized and global in scope, the work is the only multivolume reference in English to offer encyclopedic coverage of this subject matter. The four-volume collection covers national, cultural, regional, and linguistic traditions from around the world as well as motifs, themes, characters, and tale types. Writers and illustrators are included as are filmmakers and composers—and, of course, the tales themselves. The expert entries within volumes 1 through 3 are based on the latest research and developments while the contents of volume 4 comprises tales and texts. While most books either present readers with tales from certain countries or cultures or with thematic entries, this encyclopedia stands alone in that it does both, making it a truly unique, one-stop resource.
When Alexander the Great died in 323 BC without a chosen successor he left behind a huge empire and ushered in a turbulent period, as his generals fought for control of vast territories. The time of the Successors (Diadochi) is usually defined as beginning in 323 BC and ending with the deaths of the last two Successors in 281 BC. This is a major publication devoted to the Successors and contains eighteen papers reflecting current research. Several papers attempt to unravel the source history of the very limited remaining narrative accounts, and add additional materials through cuneiform and Byzantine texts. Specific historical issues addressed include the role of so-called royal flatterers and whether or not Alexander's old guard did continue to serve into their sixties and seventies. Three papers reflect the recent conscious effort by many to break away from the Hellenocentric view of the predominantly Greek sources, by examining the role of the conquered, specifically the prominent roles played by Iranians in the administration and military of Alexander and his Successors, pockets of Iranian resistance which eventually blossomed into Hellenistic kingdoms ruled by sovereigns proclaiming their direct connection to an Iranian past and a continuation of Iranian influence through an examination of the roles played by certain of the Diadochis Iranian wives. The papers in the final section analyze the use of varying forms of propaganda. These include the use of the concept of Freedom of the Greeks as a means of manipulating opinion in the Greek world; how Ptolemy used a snake cult associated with the foundation of Alexandria in Egypt to link his kingship with that of Alexander; and the employment of elephant images to advertise the authority of particular rulers.