In 1834, Richard Henry Dana Jr. left the comforts of Boston for the hardships and abuses of the most exploited segment of the American working class. Dana’s account of his passage around Cape Horn to California, and back, is a remarkable portrait of the seagoing life: the day-to-day routines and conversations, the sailors who manned the ship, the brutality of incompetent officers, and the style of life in the newly emerging coastal towns of California. As Thomas Philbrick discusses in his introduction, the public’s sympathy for the plight of mariners, which was aroused by the book, eventually faded, but Two Years Before the Mast forever changed readers’ romanticized perceptions of life at sea and inaugurated a lasting tradition of realism and concern for human values.
Two Years Before the Mast By Richard Henry Dana Two Years Before the Mast is a book by the American author Richard Henry Dana, Jr., written after a two-year sea voyage starting in 1834 and published in 1840. While at Harvard College, Dana had an attack of the measles which affected his vision. Thinking it might help his sight, Dana, rather than going on a Grand Tour as most of his fellow classmates traditionally did (and unable to afford it anyway) and being something of a non-conformist, left Harvard to enlist as a common sailor on a voyage around Cape Horn on the brig Pilgrim. He returned to Massachusetts two years later aboard the Alert (which left California sooner than the Pilgrim). He kept a diary throughout the voyage, and, after returning, he wrote a recognized American classic, Two Years Before the Mast, published in 1840, the same year of his admission to the bar. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience. Two Years Before the Mast, Two Years Before the Mast pdf, Two Years Before the Mast book, Richard Henry Dana books, Richard Henry Dan
In its expanded third edition, this definitive work on Classics Illustrated explores the enduring series of comic-book adaptations of literary masterpieces in even greater depth, with twice the number of color plates as in the second edition. Drawing on interviews, correspondence, fanzines, and archival research, the book covers in full detail the work of the artists, editors, scriptwriters, and publishers who contributed to the success of the "World's Finest Juvenile Publication." Many previously unpublished reproductions of original art are included, along with new chapters covering editor Meyer Kaplan, art director L.B. Cole, and artist John Parker; additional information on contributions from Black artists and scriptwriters such as Matt Baker, Ezra Jackson, George D. Lipscomb, and Lorenz Graham; and a complete issue-by-issue listing of significant international series.
A war that started under questionable pretexts. A president who is convinced of his country’s might and right. A military and political stalemate with United States troops occupying a foreign land against a stubborn and deadly insurgency. The time is the 1840s. The enemy is Mexico. And the war is one of the least known and most important in both Mexican and United States history—a war that really began much earlier and whose consequences still echo today. Acclaimed historian David A. Clary presents this epic struggle for a continent for the first time from both sides, using original Mexican and North American sources. To Mexico, the yanqui illegals pouring into her territories of Texas and California threatened Mexican sovereignty and security. To North Americans, they manifested their destiny to rule the continent. Two nations, each raising an eagle as her standard, blustered and blundered into a war because no one on either side was brave enough to resist the march into it. In Eagles and Empire, Clary draws vivid portraits of the period’s most fascinating characters, from the cold-eyed, stubborn United States president James K. Polk to Mexico’s flamboyant and corrupt general-president-dictator Antonio López de Santa Anna; from the legendary and ruthless explorer John Charles Frémont and his guide Kit Carson to the “Angel of Monterey” and the “Boy Heroes” of Chapultepec; from future presidents such as Benito Juárez and Zachary Taylor to soldiers who became famous in both the Mexican and North American civil wars that soon followed. Here also are the Irish Soldiers of Mexico and the Yankee sailors of two squadrons, hero-bandits and fighting Indians of both nations, guerrilleros and Texas Rangers, and some amazing women soldiers. From the fall of the Alamo and harrowing marches of thousands of miles in the wilderness to the bloody, dramatic conquest of Mexico City and the insurgency that continued to resist, this is a riveting narrative history that weaves together events on the front lines—where Indian raids, guerrilla attacks, and atrocities were matched by stunning acts of heroism and sacrifice—with battles on two home fronts—political backstabbing, civil uprisings, and battle lines between Union and Confederacy and Mexican Federalists and Centralists already being drawn. The definitive account of a defining war, Eagles and Empire is page-turning history—a book not to be missed.
A significant expansion of the critically acclaimed first edition, Classics Illustrated: A Cultural History, 2d ed., carries the story of the Kanter family's series of comics-style adaptations of literary masterpieces from 1941 into the 21st century. This book features additional material on the 70-year history of Classics Illustrated and the careers and contributions of such artists as Alex A. Blum, Lou Cameron, George Evans, Henry C. Kiefer, Gray Morrow, Rudolph Palais, and Louis Zansky. New chapters cover the recent Jack Lake and Papercutz revivals of the series, the evolution of Classics collecting, and the unsung role of William Kanter in advancing the fortunes of his father Albert's worldwide enterprise. Enhancing the lively account of the growth of "the World's Finest Juvenile Publication" are new interviews and correspondence with editor Helene Lecar, publicist Eleanor Lidofsky, artist Mort Kunstler, and the founder's grandson John "Buzz" Kanter. Detailed appendices provide artist attributions, issue contents and, for the principal Classics Illustrated-related series, a listing of each printing identified by month, year, and highest reorder number. New U.S., Canadian and British series have been added. More than 300 illustrations--most of them new to this edition--include photographs of artists and production staff, comic-book covers and interiors, and a substantial number of original cover paintings and line drawings.
"Made in California is divided into five twenty-year sections, each including a narrative essay discussing the history of that era and highlighting topics relevant to its visual culture."--BOOK JACKET.
