Two Sonatas (G Major and E Minor)
Author: Carl Philipp Emanuel Bach
Publisher: Alfred Music
Published:
Total Pages: 28
ISBN-13: 9781457479939
DOWNLOAD EBOOKA duet for Flute and Basso Continuo, composed by Carl Philipp Emanuel Bach.
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Author: Carl Philipp Emanuel Bach
Publisher: Alfred Music
Published:
Total Pages: 28
ISBN-13: 9781457479939
DOWNLOAD EBOOKA duet for Flute and Basso Continuo, composed by Carl Philipp Emanuel Bach.
Author: Nicola Francesco Haym
Publisher: A-R Editions, Inc.
Published: 2002-01-01
Total Pages: 106
ISBN-13: 0895795043
DOWNLOAD EBOOKAuthor: Oscar Thompson
Publisher:
Published: 1975
Total Pages: 2506
ISBN-13:
DOWNLOAD EBOOKAuthor: Nicola Francesco Haym
Publisher: A-R Editions, Inc.
Published: 2002-01-01
Total Pages: 122
ISBN-13: 0895795035
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1867
Total Pages: 716
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1893
Total Pages: 322
ISBN-13:
DOWNLOAD EBOOKAuthor: James Hepokoski
Publisher: Oxford University Press
Published: 2011-02-11
Total Pages: 692
ISBN-13: 0199890234
DOWNLOAD EBOOKElements of Sonata Theory is a comprehensive, richly detailed rethinking of the basic principles of sonata form in the decades around 1800. This foundational study draws upon the joint strengths of current music history and music theory to outline a new, up-to-date paradigm for understanding the compositional choices found in the instrumental works of Haydn, Mozart, Beethoven, and their contemporaries: sonatas, chamber music, symphonies, overtures, and concertos. In so doing, it also lays out the indispensable groundwork for anyone wishing to confront the later adaptations and deformations of these basic structures in the nineteenth and earlier twentieth centuries. Combining insightful music analysis, contemporary genre theory, and provocative hermeneutic turns, the book brims over with original ideas, bold and fresh ways of awakening the potential meanings within a familiar musical repertory. Sonata Theory grasps individual compositions-and each of the individual moments within them-as creative dialogues with an implicit conceptual background of flexible, ever-changing historical norms and patterns. These norms may be recreated as constellations "compositional defaults," any of which, however, may be stretched, strained, or overridden altogether for individualized structural or expressive purposes. This book maps out the terrain of that conceptual background, against which what actually happens-or does not happen-in any given piece may be assessed and measured. The Elements guides the reader through the standard (and less-than-standard) formatting possibilities within each compositional space in sonata form, while also emphasizing the fundamental role played by processes of large-scale circularity, or "rotation," in the crucially important ordering of musical modules over an entire movement. The book also illuminates new ways of understanding codas and introductions, of confronting the generating processes of minor-mode sonatas, and of grasping the arcs of multimovement cycles as wholes. Its final chapters provide individual studies of alternative sonata types, including "binary" sonata structures, sonata-rondos, and the "first-movement form" of Mozart's concertos.
Author: James Pellerite
Publisher: Alfred Music
Published: 1963
Total Pages: 438
ISBN-13: 9781457427978
DOWNLOAD EBOOKRevised 3rd edition. An annotated list of solos, graded method materials, reference reading, flute ensembles, music for alto flute, piccolo and bass flute. Over 3,500 entries, representing more than 1,700 composers and authors. Used throughout the world by flutists, artists, teachers, libraries and music dealers.
Author: Joseph Kerman
Publisher: Univ of California Press
Published: 2024-03-29
Total Pages: 440
ISBN-13: 0520311663
DOWNLOAD EBOOKMost of the essays in this book were solicited for the tenth anniversary of the journal 19th Century Music, which has sought to encourage innovative writing about music--musicological, theoretical, and/or critical writing--since its founding in 1977. We invited former contributors and some others to submit articles on the general question of the relations between nineteenth-century music and music of the early twentieth century. Responses to our invitation were published in two special issues in the spring and summer of 1987. The breadth and scope of these articles, and their collective cogency, sparked the idea of reissuing them under a single cover, as a book. --From the Preface This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1990.
Author: Timothy Cutler
Publisher: Routledge
Published: 2019-02-04
Total Pages: 314
ISBN-13: 1351069152
DOWNLOAD EBOOKFor students learning the principles of music theory, it can often seem as though the tradition of tonal harmony is governed by immutable rules that define which chords, tones, and intervals can be used where. Yet even within the classical canon, there are innumerable examples of composers diverging from these foundational "rules." Drawing on examples from composers including J.S. Bach, Mozart, Beethoven, Schubert, Mendelssohn, Chopin, Brahms, and more, Bending the Rules of Music Theory seeks to take readers beyond the basics of music theory and help them to understand the inherent flexibility in the system of tonal music. Chapters explore the use of different rule-breaking elements in practice and why they work, introducing students to a more nuanced understanding of music theory.