THE STORIES: ACROBATS. Two acrobats go valiantly through the complexities of their routine, smiling toothily, bowing on cue, and, all the while, conducting a sotto voce but lacerating marital spat. He threatens to drop her, she vows to leave him--bu
TWO PLAYS ABOUT ISRAEL/PALESTINE "Arthur Milner's plays are always smart, engaging and contemporary. Milner is a man of his times who never talks down to his audience, even as he courts and incites strong reactions. We forgive him, though because he entertains us with clever and funny characters. He seems incapable of writing a character without a sense of humour." -Patrick McDonald MASADA "theatre stripped to its essence...a challenging piece of work...factually fascinating and a skillful piece of writing...driven by a powerful and frightening logic." -Jill Lawless, Now Magazine "one of the greatest examples of artistic moral courage I've ever witnessed...leads its audience onto very slippery moral ground and leaves the viewer to grope for his or her own answers...Writing and stagin Masada was an act of moral courage." -Brian Gorman, Ottawa Sun FACTS> "riveting...Milner has dared tackle one of the most difficult and explosive political questions on earth...a strong will, a confident pen, clear thinking, a well-informed human being, and a writer passionately engaged...This is a powerful play." -Alvina Ruprecht, Capital Critics Circle "Facts is a stimulating and provocative piece of theatre which delivers a fascinating political and philosophical debate without reducing the characters to talking heads." -Jamie Portman, Postmedia News
What is a homeland and when does it become a national territory? Why have so many people been willing to die for such places throughout the twentieth century? What is the essence of the Promised Land? Following the acclaimed and controversial The Invention of the Jewish People, Shlomo Sand examines the mysterious sacred land that has become the site of the longest-running national struggle of the twentieth and twenty-first centuries. The Invention of the Land of Israel deconstructs the age-old legends surrounding the Holy Land and the prejudices that continue to suffocate it. Sand’s account dissects the concept of “historical right” and tracks the creation of the modern concept of the “Land of Israel” by nineteenth-century Evangelical Protestants and Jewish Zionists. This invention, he argues, not only facilitated the colonization of the Middle East and the establishment of the State of Israel; it is also threatening the existence of the Jewish state today.
THE STORY: The setting is a classroom where an eager young teacher is about to tackle her first assignment--teaching basic English to a group of new citizens, not one of whom speaks the same language as another. Included are an excitable Italian, an
THE STORY: In Martin Gottfried's words: The story is about two rats. One has control over a rich hunting ground in New York City and the other has come down from Greenwich, Connecticut, looking for an in. The power rat is reluctant to let anybody into his domain but his visitor is convincing and talks his way in, until an infant child makes his appearance. Then the country rat wants his bite, the city rat is revealed as kindhearted and they fight over the screaming baby. It is a hideously powerful conclusion to a fascinating and comic play. The play's fascination, though, is more with its treatment of rats as souls. Mr. Horovitz is not simply dealing with sewer rats in the city. He is also dealing with people-rats in their conniving for position (a subject which he has artfully treated before). The play moves from very funny parallels with social status to very grisly parallels with greed. It is superb and Horovitz has quickly established himself as a playwright of smooth technique, serious intent and great imagination.
THE STORY: The scene is the wastepaper processing plant in a blue-collar Massachusetts town. Two workmen, Archie and George, are drinking beer and swapping stories, mostly about their apparently extensive sexual conquests. Archie mentions that Marg
A Little Piece Of Ground will help young readers understand more about one of the worst conflicts afflicting our world today. Written by Elizabeth Laird, one of Great Britain’s best-known young adult authors, A Little Piece Of Ground explores the human cost of the occupation of Palestinian lands through the eyes of a young boy. Twelve-year-old Karim Aboudi and his family are trapped in their Ramallah home by a strict curfew. In response to a Palestinian suicide bombing, the Israeli military subjects the West Bank town to a virtual siege. Meanwhile, Karim, trapped at home with his teenage brother and fearful parents, longs to play football with his friends. When the curfew ends, he and his friend discover an unused patch of ground that’s the perfect site for a football pitch. Nearby, an old car hidden intact under bulldozed building makes a brilliant den. But in this city there’s constant danger, even for schoolboys. And when Israeli soldiers find Karim outside during the next curfew, it seems impossible that he will survive. This powerful book fills a substantial gap in existing young adult literature on the Middle East. With 23,000 copies already sold in the United Kingdom and Canada, this book is sure to find a wide audience among young adult readers in the United States.
When David Horovitz emigrated from England to Israel in 1983, it was the fulfillment of a dream. But today, a husband and a father, he is torn between hope and despair, between the desire to make a difference and fear for his family's safety, between staying and going. In this candid and powerful book, Horovitz confronts the heart-wrenching question of whether to continue raising his three children amid the uncertainty and danger that is Israeli daily life. In answering that question he provides us with an often surprising, myth-shattering, and shockingly immediate view of a country perpetually at a crossroads, yet fundamentally different than it was a generation ago. The Israel that Horovitz describes is at once supremely satisfying and unremittingly harsh. It is a land of beauty and spirit, where the Jewish nation has undergone remarkable renewal and a vibrant society is constantly being reshaped. But Horovitz also describes how the unrelenting tension has produced a people that smokes too much, drives too fast, and spends far too much of its time arguing with itself. He makes clear the lasting effects of Yitzhak Rabin's assassination; the increasing incursions by the ultra-Orthodox into the domain of daily life; the anxieties that beset parents as their children approach the age of mandatory military service; and the constant fear of violent attack by fundamentalist extremists. (The book in fact opens, hauntingly, with a description of the aftermath of a bombing just outside a Jerusalem restaurant -- the very place where Horovitz had eaten lunch the day before.) As Americans wrestle with their feelings toward Israel, and as Israel struggles with the question of whether a Jewish state and the principles of democracy are truly compatible, Horovitz illuminates the myriad quotidian experiences -- both good and bad -- that define the country at this volatile time. Here is the moving, mordantly funny, and uncompromising account of one Israeli's life.
2014 Lannan Foundation Cultural Freedom Notable Book Award In Goliath, New York Times bestselling author Max Blumenthal takes us on a journey through the badlands and high roads of Israel-Palestine, painting a startling portrait of Israeli society under the siege of increasingly authoritarian politics as the occupation of the Palestinians deepens. Beginning with the national elections carried out during Israel's war on Gaza in 2008-09, which brought into power the country's most right-wing government to date, Blumenthal tells the story of Israel in the wake of the collapse of the Oslo peace process. As Blumenthal reveals, Israel has become a country where right-wing leaders like Avigdor Lieberman and Bibi Netanyahu are sacrificing democracy on the altar of their power politics; where the loyal opposition largely and passively stands aside and watches the organized assault on civil liberties; where state-funded Orthodox rabbis publish books that provide instructions on how and when to kill Gentiles; where half of Jewish youth declare their refusal to sit in a classroom with an Arab; and where mob violence targets Palestinians and African asylum seekers scapegoated by leading government officials as "demographic threats." Immersing himself like few other journalists inside the world of hardline political leaders and movements, Blumenthal interviews the demagogues and divas in their homes, in the Knesset, and in the watering holes where their young acolytes hang out, and speaks with those political leaders behind the organized assault on civil liberties. As his journey deepens, he painstakingly reports on the occupied Palestinians challenging schemes of demographic separation through unarmed protest. He talks at length to the leaders and youth of Palestinian society inside Israel now targeted by security service dragnets and legislation suppressing their speech, and provides in-depth reporting on the small band of Jewish Israeli dissidents who have shaken off a conformist mindset that permeates the media, schools, and the military. Through his far-ranging travels, Blumenthal illuminates the present by uncovering the ghosts of the past -- the histories of Palestinian neighborhoods and villages now gone and forgotten; how that history has set the stage for the current crisis of Israeli society; and how the Holocaust has been turned into justification for occupation. A brave and unflinching account of the real facts on the ground, Goliath is an unprecedented and compelling work of journalism.