Mock-Epic Poetry from Pope to Heine

Mock-Epic Poetry from Pope to Heine

Author: Ritchie Robertson

Publisher: OUP Oxford

Published: 2009-11-12

Total Pages: 465

ISBN-13: 0191610143

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This is a study of mock-epic poetry in English, French, and German from the 1720s to the 1840s. While mock-heroic poetry is a parodistic counterpart to serious epic, mock-epic poetry starts by parodying epic but moves on to much wider and richer literary explorations; it relies heavily on intertextual allusion to other works, on narratorial irony, on the sympathetic and sometimes libertine presentation of sexual relatons, and on a range of satirical devices. It includes well-known texts (Pope's Dunciad, Byron's Don Juan, Heine's Atta Troll) and others which are little known (Ratschky's Melchior Striregel, Parny's La Guerre des Dieux). It owes a marked debt to Italian romance epic (especially Ariosto). The study places these texts in the literary context of the decline of serious epic, which helped mock epic to flourish, and of the 'Querelle des Anciens et des Modernes' which questioned the authority of Homer's and Virgil's epics; and it relates their substance to contemporary debates about questions of religion and gender.


The Battle Between the Frogs and the Mice

The Battle Between the Frogs and the Mice

Author: A. E. Stallings

Publisher: Paul Dry Books

Published: 2020-04-28

Total Pages: 118

ISBN-13: 1589881427

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"A virtuosic, witty, charming translation of the greatest epic ever written about mice, with wonderful illustrations by Grant Silverstein. Stallings’ elegant rhyming couplets are the perfect choice to honor the mousy Muse."—Emily Wilson, Professor of Classics, University of Pennsylvania From the award-winning poet and translator A. E. Stallings comes a lively new edition of the ancient Greek fable The Battle between the Frogs and the Mice. Originally attributed to Homer, but now thought to have been composed centuries later by an unknown author, The Battle is the tale of a mouse named Crumbsnatcher who is killed by the careless frog King Pufferthroat, sparking a war between the two species. This dark but delightful parable about the foolishness of war is illustrated throughout in striking drawings by Grant Silverstein. The clever introduction is written from the point of view of a mouse who argues that perhaps the unknown author of the fable is not a human after all: “Who better than a mouse, then, to compose our diminutive, though not ridiculous, epic, a mouse born and bred in a library, living off lamp oil, ink, and the occasional nibble of a papyrus, constantly perched on the shoulder of some scholar or scholiast of Homer, perhaps occasionally whispering in his ear? Mouse, we may remember, is only one letter away from Muse.” "[Stallings] couplets . . . have a lively, nimble music that should captivate modern ears . . . Providing an earthy, oboe-like obligato to Ms. Stallings's airs are the illustrations of Grant Silverstein, cross-hatched sketches that multiply like mice on the page . . . The Battle, in which beans are happily worn rather than eaten, still has the power to delight."—Wall Street Journal A. E. Stallings is an American poet who has lived in Athens, Greece since 1999. She studied Classics at the University of Georgia, and later at Oxford University. She has published four collections of poetry, Archaic Smile (which won the 1999 Richard Wilbur Award), Hapax (recipient of the Poets’ Prize), Olives (a finalist for the National Book Critics Circle Award), and Like (a finalist for the Pulitzer Prize in Poetry). Her translation of Lucretius (into rhyming fourteeners), The Nature of Things, was called by Peter Stothard in the TLS “One of the most extraordinary classical translations of recent times.” Grant Silverstein is an American artist who specializes in etchings of a narrative character and in studies of figures, landscapes, and animals. With his wife and two cats, he spends winters holed up in his studio in rural Pennsylvania, where he uses a catch and release system for visiting mice and the occasional frog. Come spring, he ventures forth to display his work at outdoor festivals; he feels fortunate to have made his living this way for forty years. He has illustrated two previous Paul Dry Books titles, Davey McGravy by David Mason and The Verb 'To Bird' by Peter Cashwell.


Ovid As An Epic Poet

Ovid As An Epic Poet

Author: Brooks Otis

Publisher: Cambridge University Press

Published: 2010-06-10

Total Pages: 466

ISBN-13: 9780521143172

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Professor Otis shows that the unity of Ovid's Metamorphoses is not in the linkage but in the order or succession of episodes, motifs and ideas.


The Epic in Film

The Epic in Film

Author: Constantine Santas

Publisher: Rowman & Littlefield

Published: 2008

Total Pages: 258

ISBN-13: 9780742555297

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In The Epic in Film, Constantine Santas argues that "blockbuster" and "artistic" are not mutually exclusive terms and, perhaps more importantly, that epic film is an inherently profound genre in its ability to tap into the dreams and fears of a nation, and sometimes those of the human race. Why do we see dozens and dozens of films based on the King Arthur legend? Why would a presidential hopeful borrow the phrase "Read my lips" from Clint Eastwood's Dirty Harry? Why do war epics proliferate in times of war or national crisis? Why are epics as a whole the most popular movie genre? Whether you love Gone with the Wind and hate Troy, find Akira Kurosawa's films brilliant or marvel over the depth of the Matrix trilogy, if you're a film buff, you will want to read this first book-length treatment of the epic-a wildly popular, infinitely fascinating, and critically underappreciated genre.


John Dryden (1631-1700)

John Dryden (1631-1700)

Author: Claude Julien Rawson

Publisher: University of Delaware Press

Published: 2004

Total Pages: 316

ISBN-13: 9780874138429

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American, British, and Australian scholars of English gathered at Yale University in October 2000 to mark the tercentenary of the British writer's death. Their 14 essays explore such aspects as modernity and exclusion in his The Spanish Fryar, his translation of Juvenal's Sixth Satire, and his Hamlet as an unwritten masterpiece. Distributed by Associated University Presses. Annotation c2004 Book News, Inc., Portland, OR (booknews.com).