The first book to investigate Jane Austen's popular significance today, Everybody's Jane considers why Austen matters to amateur readers, how they make use of her novels, what they gain from visiting places associated with her, and why they create works of fiction and nonfiction inspired by her novels and life.The voices of everyday readers emerge from both published and unpublished sources, including interviews conducted with literary tourists and archival research into the founding of the Jane Austen Society of North America and the exceptional Austen collection of Alberta Hirshheimer Burke of Baltimore.Additional topics include new Austen portraits; portrayals of Austen, and of Austen fans, in film and fiction; and hybrid works that infuse Austen's writings with horror, erotica, or explicit Christianity.Everybody's Jane will appeal to all those who care about Austen and will change how we think about the importance of literature and reading today.
“A liberating read that will cause you to act in your own best interests and the best interests of everyone working within your sphere of influence.” —John Hoover, New York Times–bestselling author of How to Work for an Idiot The number one reason cited in exit interviews for an employee quitting is “my manager.” This can be for multiple reasons—including one that many managers and executives aren’t even aware of: Today’s employees simply don’t respond to the old hands-on, militaristic management styles. They are highly independent, individual professionals with their own fully developed ideas. Leaders and managers who try to micromanage them will inevitably confront widespread disgruntlement, absenteeism, and turnover . . . and increase their own and their employees’ stress levels. The Hands-Off Manager offers a new vision for all managers. With stories, examples, and activities for the reader to practice, this book shows any manager—new or seasoned—how to coach and mentor employees rather than hover over their shoulders and goad them into action. In this system, each employee’s strength is honored and honed in a climate of partnership and mutual goal-setting—a powerful ingredient for organizational growth and success.
The Bible states that we should praise God for how wonderful and majestic he is. And we should. But is is possible that the God of the Universe desires to praise us? Could our awesome Creator actually want to praise his creation? During this six-week small-group Bible study, you'll explore Jesus' parable of the three servants in Matthew 25, and discover how to live well-invested life on this earth-one worthy of "heaven's praise." As we learn to carefully and humbly follow Jesus' teachings, God will respond with the praise he desires to give us. With God's help and grace, we'll honor and serve our Lord all the days and hours we have left on this earch, so that we can one day hear God say, "Well done!" So put your eyes toward heaven, and take the next steps towrad getting there!
This is the third book in the critically acclaimed Two Guys series by Steve Chandler and Terrence Hill. This time the two guys take on their biggest challenge yet-Jane Austen. Follow their wild and often hilarious exchanges as they fly through Pride and Prejudice and the darker, more complex Mansfield Park. Often veering off into the worlds of music, sports, and history, both of these accomplished writers draw upon their lifelong friendships and shared childhood memories to give dimension to their deeply personal responses to Jane Austen's writing. These same zany digressions and non sequiturs were widely hailed in their first two books in this series, Two Guys Read Moby-Dick and Two Guys Read the Obituaries. Terrence Hill and Steve Chandler share their humorous and touching commentaries and debates with their readers in a way unlike any other, a testimony to their 53-year friendship.
In this Pulitzer Prize-winning classic, a convicted killer becomes the first prisoner to be executed in the United States. The Executioner's Song follows the true story of cold-blooded murderer Gary Gilmore, who, after being tried and convicted, insisted on being executed for his crimes. To do so, he fought a system intent on keeping him alive long after it sentenced him to death. Norman Mailer tells Gilmore's story with impressive authority and compassion. The Executioner's Song is a trip down the wrong side of the tracks, right into the heart of American loneliness and violence–it is impossible to put down and difficult to forget.
Like Everything I Really Needed to Know, I Learned in Kindergarten, or Tuesdays with Morrie, Obit is a wise and deeply moving book that illuminates the human condition. For ten years, Jim Sheeler has scoured Colorado looking for subjects whose stories he will tell for the last time. Most are unknowns, but that doesn't mean they're nobodies. Their obituaries are sometimes humorous, sometimes heartbreaking, and chock full of life lessons as taught by the people we all pass on the street every day. And thanks to Sheeler's brilliant and compassionate prose, it's not too late to meet them.
From an acclaimed "master of suspense"(New York Times Book Review) comes a thriller in which Thorn must confront an assassin whose victims and methods are taken directly from the script of a popular TV show April Moss writes obituaries for the Miami Herald. Her son, Sawyer, also a writer, has been scripting a cable TV series called "Miami Ops" and has been using his mother's work as a central element of the show's storyline. In "Miami Ops," a serial killer is using obituaries published in the local paper as a blueprint for selecting his next victims. But midway through the season, a copycat appears off-screen, a real-life killer who is using the same strategy to select victims. When this serial killer crosses paths with the reclusive Thorn, he has no choice but to leave his sanctuary in Key Largo and join forces with a young policewoman from Oklahoma who is investigating the murders. In addition to the show's head writer, April's other son, Sawyer's twin brother, works on "Miami Ops" as the lead actor. Could one of them be involved in the killings? Or are they orchestrated by the director of the TV series, an aging mogul who badly needs a hit? And what about the female star of the show, a deliciously strange young woman who seems willing to do anything to promote her career. Thorn walks into this hotbed of entertainment business intrigue totally unprepared for the life-altering shocker he's about to face. This loner from Key Largo has brought down his share of killers, but he's never confronted one that was his own flesh and blood. With the pacing of a thriller, and the lyrical prose for which Hall is renowned, this story pits Thorn against a killer—or killers—whose motives are as elusive as their identities.
The New York Times 100 Notable Books of 2020 Time Magazine's 100 Must-Read Books of 2020 NPR's Best Books of 2020 National Book Award in Poetry, Longlist Frank Sanchez Book Award After her mother died, poet Victoria Chang refused to write elegies. Rather, she distilled her grief during a feverish two weeks by writing scores of poetic obituaries for all she lost in the world. In Obit, Chang writes of “the way memory gets up after someone has died and starts walking.” These poems reinvent the form of newspaper obituary to both name what has died (“civility,” “language,” “the future,” “Mother’s blue dress”) and the cultural impact of death on the living. Whereas elegy attempts to immortalize the dead, an obituary expresses loss, and the love for the dead becomes a conduit for self-expression. In this unflinching and lyrical book, Chang meets her grief and creates a powerful testament for the living. "When you lose someone you love, the world doesn’t stop to let you mourn. Nor does it allow you to linger as you learn to live with a gaping hole in your heart. Indeed, this daily indifference to being left behind epitomizes the unique pain of grieving. Victoria Chang captures this visceral, heart-stopping ache in Obit, the book of poetry she wrote after the death of her mother. Although Chang initially balked at writing an obituary, she soon found herself writing eulogies for the small losses that preceded and followed her mother’s death, each one an ode to her mother’s life and influence. Chang also thoughtfully examines how she will be remembered by her own children in time."—Time Magazine