In The Two Faces of Fear, Ana Villareal provides an in-depth study of how people live in a high-violence environment, drawing on two years of qualitative fieldwork conducted during a violent turf war in her hometown of Monterrey, Mexico. More broadly, Villareal puts forth a new approach to the study of fear and provides tangible evidence of how quickly fear worsens class, gender, race, and urban inequality beyond Mexico and the "war on drugs."
New York Times bestselling author John Saul is a master at writing novels that chill the bones, curdle the blood, and tap into our darkest fears. He creates characters so real that you’ll feel as if they’re friends or family, and throws them into situations so terrifying that you won’t be able to look away until you turn the final page. Now, in Faces of Fear, Saul proves that there’s a fine line between perfection and madness. Fifteen-year-old Alison Shaw may not be beautiful, but she doesn’t really care: She’d much rather read a good book than primp in front of a mirror anyway. But Alison’s gorgeous mother, Risa, knows that beauty can be a key to success and wishes only the best for her daughter, especially when Risa marries a widowed plastic surgeon and moves Alison from Santa Monica to Bel Air. Beauty may be only skin deep, but to the denizens of Bel Air it means the world. Everywhere mother and daughter look, they are surrounded by beautiful people, many of whom have benefited from the skills of Alison’s new stepfather, the charismatic Peter Dunn. Peter is certain he can turn Alison into a vision of loveliness, and Risa–drawn in by his cool confidence–is delighted. Reluctantly, Alison agrees to undergo the first procedure, and her transformation begins. But soon Alison discovers a picture of Peter’s first wife. To Alison’s horror, she notices a resemblance between the image in the photo and the work her stepfather is doing on her. Though Risa refuses to acknowledge the strange similarity, Alison becomes increasingly frightened. Digging further into her stepfather’s murky past, Alison uncovers dark secrets–and even darker motives–and realizes that her worst fears are fast becoming her reality.
A psychopath terrorizes a man and a woman who are left terrified and trapped on the fortieth floor of a deserted office building, with elevator service completely cut off and the security guards murdered. Reissue.
The Two Faces of American Freedom boldly reinterprets the American political tradition from the colonial period to modern times, placing issues of race relations, immigration, and presidentialism in the context of shifting notions of empire and citizenship. Today, while the U.S. enjoys tremendous military and economic power, citizens are increasingly insulated from everyday decision-making. This was not always the case. America, Aziz Rana argues, began as a settler society grounded in an ideal of freedom as the exercise of continuous self-rule—one that joined direct political participation with economic independence. However, this vision of freedom was politically bound to the subordination of marginalized groups, especially slaves, Native Americans, and women. These practices of liberty and exclusion were not separate currents, but rather two sides of the same coin. However, at crucial moments, social movements sought to imagine freedom without either subordination or empire. By the mid-twentieth century, these efforts failed, resulting in the rise of hierarchical state and corporate institutions. This new framework presented national and economic security as society’s guiding commitments and nurtured a continual extension of America’s global reach. Rana envisions a democratic society that revives settler ideals, but combines them with meaningful inclusion for those currently at the margins of American life.
Ghost Face returns like you've never seen or read before. The village of Port Jefferson, Long Island, NY, is rocked by a kidnapping on the Cross Island Ferry that leads to a series of murders that adds to the mystery. Detective Powers and Johnson, led by Detective Lieutenant Cronin, are pressured by national media, the FBI, and the public to solve the related cases before more innocent lives are lost. Things become tense as the detectives' personal lives become complicated as the mystery unwinds in the case that would become known as "The Face of Fear."
"THE ART OF FEAR: A PHOTOGRAPHIC MEMOIR" BY KIMBERLY BUTLER Foreword by NEIL GAIMAN: "[Kimberly Butler] says I'm her muse, but all I ever do is tell her how beautiful and strange her pictures are, and how hard it is for me to get them out of my head" Photojournalist and celebrity photographer Kimberly Butler has published her first book, "The Art of Fear: A Photographic Memoir" publisher Sky Perspectives Publishingan epic poem and story of survival featuring 34 exquisite yet disturbing images - without using Photoshop -- where she faces her fears to reveal the childhood trauma she experienced when,at 8 years old, she was removed from her home and placed in Ottilie Orphanage in Jamaica, New York. The young woman posing in the photographs wearing a gas mask -a metaphor for the protective walls Butler built around her life - is her own daughter, Caitlin, whom she adopted from a Lithuanian orphanage - coincidentally - at the age of 8 years old.The locations for the photographs in this 100-page softcover book (which features a foreword by award-winning author Neil Gaiman) include a collapsed abandoned building, a deserted icy beach during winter, and an empty church and cemetery - each representing the loneliness, isolation, and fear she fought to overcome by using masks to cloak feelings of shame and worthlessness. "I wanted to share my journey to help others," says the award-winning photographer. "Those who are born into circumstances that make life even more difficult than it already is -- whether dueto dysfunctional childhoods or personal demons¿And, of course," Butler adds, "this turns out to be just about everyone to some degree or another."
This book reveals a tale of romance, music, and the tragedies encountered to some of the characters. The way the story is told it will make you smile, cry, and feel sad. It will be hard to put the story down so you might end up reading the entire story at one time. I the author of this story have read it several times and I still cry reading it. I’ve been reminded many times that men don’t cry. If you have a love for music, this is the story to read. If you want to know what real hardships and tragedies are, read the story. You will feel the pains and realize how lucky you are to be the one reading the story and not being the characters in the story. When you read this story, it will bring out some of your hidden feelings you didn’t know you had. This story is shorter then most stories, but it carries a punch. If you are weak, this is not the story for you. Like surprises? Then you must read the story. If you feel a need to cry and can’t get it out, then you must read this story.
Why won't you look in the mirror at midnight? What are you afraid of? Your own face? Or the thought that you might see something more than your own face, something dark and terrible and strange... Award-winning horror writer Graham Masterton brings you a collection of fourteen stories as fourteen mirrors reflecting unimaginable secrets and unknown cruelties. Look closely, and see the tempting face of the girl who refuses to die. Look closer still, and see the greed-filled face of the man who craves the most terrible meal of all, and the ashen-grey faces of the men who returned home long after they were buried and, if you dare, the heart-stopping face of the guardian of the woods.
