Edited by Fanny Waterman and Marion Harewood. Fifty graded duets for the young pianist with a more advanced player. Valuable for sight-reading, fun to perform.
Perhaps the best collection of elementary duets ever written. Ideally suited for use with The Music Tree, Part B and Part C. The parts are of nearly equal difficulty so that the duets may be experienced by two elementary pianists.
The thrill of making music with a friend or teacher is captured in this new series of duets. Written for pianists at the intermediate level, the pieces in this collection are designed to help students progress technically and musically. A variety of keys, styles, meters, and tempos are featured. Both primo and secondo parts are equal in difficulty. Titles: * Dramatic Dance * Lakeside Dreams * Pelican Rag * Sea Voyage * Song of Autumn * Too Cool * A Winter Tale. "This book is a 'must have' if you incorporate ensemble music in your studio! Excellent recital music!" - Progressions magazine "These are pieces to appeal to all ages. The complete series contains a wealth of collaborative musical experience and could well provide colorful material for an entire recital on its own." --Clavier Companion
Jam-packed with age-appropriate piano pieces, off-the-bench activities, and game-based learning, WunderKeys Primer Piano Book 2 reinforces keyboard awareness and note reading in an environment carefully crafted to meet the physical capabilities of young piano students. The book's engaging illustrations, hilarious dialogue, and step-by-step scaffolding approach combine to create the resource that piano teachers, piano parents, and piano students have been waiting for. In WunderKeys Primer Piano Book 2, students will continue an exploration of the keyboard, build hand strength and coordination, identify notes on the grand staff using guide notes, explore stepping and skipping on the staff and the keyboard, use finger-number clues to identify starting positions, read rhythmic notation, strengthen aural awareness and begin to acquire confidence playing "out of position" WunderKeys Primer Piano Book 2 is the second in a series of three primer piano books. WunderKeys Primer Piano Book 3 is coming soon!
(Faber Piano Adventures ). Written for ages 5 and 6, My First Piano Adventure captures the child's playful spirit. Fun-filled songs, rhythm games and technique activities develop beginning keyboard skills. Three distinguishing features of the Lesson Book A make it unique and effective for the young 5-6 year old beginner. 1. A strong focus on technique embedded in the book through playful technique games, chants, and carefully-composed pieces that gently lead the child into pianistic motions. 2. An outstanding CD for the young student to listen, sing, tap, and play along with at the piano. The orchestrated songs on the CD feature children singing the lyrics, which has great appeal to the 5-6 year old beginner. The CD becomes a ready-made practice partner that guides the student and parent for all the pieces and activities in the books. 3. The fanciful art features five multi-cultural children who are also learning to play. These friends at the piano introduce basic rhythms, white key names, and a variety of white and black-key songs that span classical, folk, and blues. Young students will listen, sing, create, and play more musically with Nancy and Randall Faber s My First Piano Adventure, Lesson Book A. The Lesson Book introduces directional pre-reading, elementary music theory and technique with engaging songs, games, and creative discovery at the keyboard. Young students will enjoy the multi-cultural "friends at the piano" who introduce white-key names, basic rhythms, and a variety of songs which span classical, folk, and blues. Ear-training and eye-training are also part of the curriculum. The Fabers' instructional theory "ACE" - Analysis, Creativity, and Expression, guides the pedagogy of My First Piano Adventure. Analysis leads to understanding, creativity leads to self-discovery, and expression develops personal artistry. The CD for this book offers a unique listening experience with outstanding orchestrations and vocals. The recordings demonstrate a key principle of the course: when children listen, sing, tap, and move to their piano music, they play more musically. View Helpful Introductory Videos Here
In At the Piano: Interviews with 21st-Century Pianists, Caroline Benser explores the kaleidoscopic world of twenty-first-century pianism through a series of extended interviews with eight major pianists: Leif Ove Andsnes, Jonathan Biss, Simone Dinnerstein, Marc-André Hamelin, Stephen Hough, Steven Osborne, Yevgeny Sudbin, and Yuja Wang. The pianists represented here are not only a virtuosos on their instrument, renowned for their renditions of classic works by Bach, Beethoven, Liszt, Debussy, and Bartók, they are also dedicated to advancing pianism, commissioning and performing works by living composers as well as revisiting and re-exploring musical possibilities neglected by their predecessors. Interviewees talk with Benser about such matters as their first experiences at the piano, the critical role played by their earliest teachers, the literature they play, the instruments they prefer, the meaning of musicianship to them, and the joys and difficulties of a professional career doing what they love. Teachers, students, and amateur pianists alike will learn about new and lesser-known piano literature; newly developed instruments that have extended the range of the keyboard; the phenomenal rise of pianists in such countries as China; and new research on pianists' injuries and healthy playing. At the Piano is written not only for the specialist and non-specialist pianist but also for all musicians and general music lovers.
Lindeman, a musicologist, traces and defines the historical development of the concerto form as it passed from Mozart to succeeding generations. He then assesses Beethoven's contributions, and examines the classical model of the form in the early 19th century by overviewing several early romantic composers' works. Subsequent chapters analyze and assess the responses of five precursers of Schumann, whose work offers a synthesis of radical experiments and traditional tenets. He concludes by suggesting that concertos of Lizst offer a road into further developments of the genre in the second half of the century. Illustrated with bandw portraits of composers and excerpts from musical scores. Annotation copyrighted by Book News, Inc., Portland, OR
This historical survey focuses on music for piano solo but also includes important compositions for piano duet and two pianos. Scholarly yet readable, it covers the entire repertoire from the Renaissance to the late 20th century and incorporates a bibliography of 1 100 sources for further study.