"Twentieth-Century Pattern Design combines photographs - including many newly published images - with soundly researched text, creating an essential resource for enthusiasts and historians of modern design. The book also serves as a creative sourcebook for students and designers, inspiring new flights of fancy in pattern design."--Jacket.
Pattern design flourished throughout the 20th century. From Art Nouveau at the end of the 19th century to computer-generated digital images at the turn of the Millennium, each new generation had their own distinctive approach to pattern design. Tracing the creative cross-fertilization between fashion and interiors, this invaluable book provides a chronological account of the development of pattern design. Highlighting the decisive trends that emerged in each decade, the book draws attention to the achievements of progressive manufacturers and ground-breaking designers, charting the emergence of a series of pattern design superpowers in various countries at different moments in time. From Anni Albers at the Bauhaus in the 1920s and Lucienne Day for Heal's in the 1950s, to Maija Isola for Marimekko in the 1960s, this book combines stunning photographs with informative text to inspire new flights of creativity in pattern design.
Pantone, the worldwide color authority, invites you on a rich visual tour of 100 transformative years. From the Pale Gold (15-0927 TPX) and Almost Mauve (12-2103 TPX) of the 1900 Universal Exposition in Paris to the Rust (18-1248 TPX) and Midnight Navy (19-4110 TPX) of the countdown to the Millennium, the 20th century brimmed with color. Longtime Pantone collaborators and color gurus Leatrice Eiseman and Keith Recker identify more than 200 touchstone works of art, products, d cor, and fashion, and carefully match them with 80 different official PANTONE color palettes to reveal the trends, radical shifts, and resurgences of various hues. This vibrant volume takes the social temperature of our recent history with the panache that is uniquely Pantone.
This innovative volume is the first to provide the design student, practitioner, and educator with an invaluable comprehensive reference of visual and narrative material that illustrates and evaluates the unique and important history surrounding graphic design and architecture. Graphic Design and Architecture, A 20th Century History closely examines the relationship between typography, image, symbolism, and the built environment by exploring principal themes, major technological developments, important manufacturers, and pioneering designers over the last 100 years. It is a complete resource that belongs on every designer’s bookshelf.
Governing by Design offers a unique perspective on twentieth-century architectural history. It disputes the primacy placed on individuals in the design and planning process and instead looks to the larger influences of politics, culture, economics, and globalization to uncover the roots of how our built environment evolves. In these chapters, historians offer their analysis on design as a vehicle for power and as a mediator of social currents. Power is defined through a variety of forms: modernization, obsolescence, technology, capital, ergonomics, biopolitics, and others. The chapters explore the diffusion of power through the establishment of norms and networks that frame human conduct, action, identity, and design. They follow design as it functions through the body, in the home, and at the state and international level. Overall, Aggregate views the intersection of architecture with the human need for what Foucault termed "governmentality"—societal rules, structures, repetition, and protocols—as a way to provide security and tame risk. Here, the conjunction of power and the power of design reinforces governmentality and infuses a sense of social permanence despite the exceedingly fluid nature of societies and the disintegration of cultural memory in the modern era.
160 border designs in many different sizes, most based on classical originals, from five of the most outstanding American graphic artists of the 20th Century. A splendid resource for commercial artists, book designers and illustrators, and a book all enthusiasts of classic design will enjoy.
Vogue is the leading international fashion magazine. With this book, ex-Vogue writer Linda Watson examines the evolution of fashion, from Parisian haute couture, the improvisation of the war years, to the New Look, psychedelia and punk.
This substantially revised edition of Lewis Blackwell's classic study provides an up-to-date, decade-by-decade analysis of the issues that have shaped the history and development of typographic design. The book provides an informed and accessible guide to the typography of the twentieth century and the key questions that are shaping contemporary graphic practice. Subjects include the arrival of mass production, the development of the grid, the arrival of new media forms, and the role the launch of the Macintosh played in fostering a new generation of designers enfranchised by digital technology. Beyond the twentieth century, the digital sphere has grown exponentially, placing typographic decisions in the hands of ever more users of computers, smartphones, e-readers, and tablets. Blackwell discusses the strains this has placed on type, the fresh questions it has asked, and the way the forms of letters are evolving in response.
"From architects and product designers to textile artists and digital innovators, Women Design profiles 27 of the most influential female designers from the twentieth century to the present day, showcasing their finest work and celebrating their enduring influence on design throughout history has been profoundly shaped and enhanced by the creativity of women; as shapers, designers, patrons and educators. But in a narrative that tends towards the promotion of their male counterparts, their contributions are all too often overlooked. Women Design rediscovers and revels in the work of such influential figures as Eileen Gray, Lora Lamm and Lella Vignelli, while shining a spotlight on modern-day trailblazers such as Kazuyo Sejima, Hella Jongerius and Neri Oxman"--Publisher's description.
Americans began the twentieth century standing in Europe's sartorial shadow, yet ended by outfitting the world in blue jeans, T-shirts and sneakers. How did this come about? What changes in American culture were reflected in fashion? What role did popular culture play?This important overview of American fashion in the twentieth century considers how Americans went from imitating British and French fashion to developing their own sense of style. It examines such influences on dress as class, jazz and hip hop, war, the space race, movies, television and sports. Further, the book shows how gender, psychology, advertising, public policy, shifting family values, the American design movement and expertise in mass production profoundly influenced an American style that has been exported across the globe. From New York City's Bohemians to Hollywood's stars, Twentieth-Century American Fashion reveals the continuing importance of clothing to American identity and individual experience.
