20th Century Decorative Arts
Author: Sotheby's (Firm)
Publisher:
Published: 1995
Total Pages: 430
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Sotheby's (Firm)
Publisher:
Published: 1995
Total Pages: 430
ISBN-13:
DOWNLOAD EBOOKAuthor: Arnold Wright
Publisher: Asian Educational Services
Published: 1999
Total Pages: 928
ISBN-13: 9788120613355
DOWNLOAD EBOOKChiefly covers the 19th-20th centuries.
Author: Sotheby Parke Bernet & Co
Publisher:
Published: 1978
Total Pages: 78
ISBN-13:
DOWNLOAD EBOOKAuthor: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
Published: 2010
Total Pages: 274
ISBN-13: 1588393666
DOWNLOAD EBOOKThe authors, Danielle Kisluk-Grosheide and Jeffrey Munger, are curators in the Metropolitan Museum's Department of European Sculpture and Decorative Arts. They oversaw the recent reinstallation of the Wrightsman Galleries --Book Jacket.
Author:
Publisher:
Published: 1992-06-08
Total Pages: 110
ISBN-13:
DOWNLOAD EBOOKNew York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Author: Gillian Wilson
Publisher: Getty Publications
Published: 1983
Total Pages: 118
ISBN-13: 089236050X
DOWNLOAD EBOOKJ. Paul Getty began to collect French decorative arts in the 1930s and continued to do so until his death in 1976. The Museum’s collection has continued to grow since then at a rapid pace and contains over three hundred individual pieces at the time this book is published. This volume illustrates fifty of them. The selection represents a cross section of the collection, which covers the period from approximately 1660 to 1800. In the eighteenth century it became fashionable in Parisian society to decorate the interiors of houses with Far Eastern materials such as lacquer and porcelain. This taste was catered to by the marchands-merciers, members of a guild who combined the functions of the modern interior decorator, the antique dealer, and the picture dealer. These men devised highly ingenious settings for Far Eastern porcelains to adapt their exotic character to the French interiors of the period. Information about them and their clientele has been used in cataloguing the Getty Museum’s collection of mounted oriental porcelain, which is large and of high quality. This book is not a catalogue, nor is it a mere picture book or checklist. Each piece has been chosen because it represents a particular aspect of the crafts involved in the production of objects that were made by Parisian craftsmen for the crown, the nobility, and the rich bourgeoisie. The pieces are arranged in chronological order. Translations of the French archival extracts, an index, and a concise bibliography have been provided.
Author: Briggs Brothers
Publisher:
Published: 1902
Total Pages: 286
ISBN-13:
DOWNLOAD EBOOKAuthor: Ms Audrey Wang
Publisher: Ashgate Publishing, Ltd.
Published: 2012-07-01
Total Pages: 285
ISBN-13: 1409455459
DOWNLOAD EBOOKChinese Antiquities: An Introduction to the Art Market provides an essential guide to the growing market for Chinese antiquities, encompassing all sectors of the market, from Classical Chinese paintings and calligraphy to ceramics, jade, bronze and ritual sculpture. Aimed at current and aspiring collectors, investors and galleries interested in Chinese antiquities, the book sets out to demystify the process of buying and selling in the Asian context, highlighting Asia-specific issues that market-players might encounter and making this category of art more accessible to newcomers to the market.
Author: Janice Helland
Publisher: Routledge
Published: 2019-01-15
Total Pages: 234
ISBN-13: 1351761188
DOWNLOAD EBOOKThis title was first published in 2002. To date, studies explaining decorative practice in the early modernist period have largely overlooked the work of women artists. For the most part, studies have focused on the denigration of decorative work by leading male artists, frequently dismissed as fashionably feminine. With few exceptions, women have been cast as consumers rather than producers. The first book to examine the decorative strategies of late nineteenth- and early twentieth-century women artists, Women Artists and the Decorative Arts concentrates in particular on women artists who turned to fashion, interior design and artisanal production as ways of critically engaging various aspects of modernity. Women artists and designers played a vital role in developing a broad spectrum of modernist forms. In these essays new light is shed on the practice of such well-known women artists as May Morris, Clarice Cliff, Natacha Rambova, Eileen Gray and Florine Stettheimer, whose decorative practices are linked with a number of fascinating but lesser known figures such as Phoebe Traquair, Mary Watts, Gluck and Laura Nagy.