Six Lectures on the Recorder and Other Flutes in Relation to Literature
Author: Christopher Welch
Publisher: London ; New York : Oxford University Press
Published: 1911
Total Pages: 488
ISBN-13:
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Author: Christopher Welch
Publisher: London ; New York : Oxford University Press
Published: 1911
Total Pages: 488
ISBN-13:
DOWNLOAD EBOOKAuthor: Calkin and Budd
Publisher:
Published: 1844
Total Pages: 218
ISBN-13:
DOWNLOAD EBOOKAuthor: Johann Joachim Quantz
Publisher:
Published: 1730
Total Pages: 44
ISBN-13:
DOWNLOAD EBOOKAuthor: John Glen
Publisher:
Published: 1900
Total Pages: 308
ISBN-13:
DOWNLOAD EBOOKAuthor: James Duff Brown
Publisher:
Published: 1897
Total Pages: 498
ISBN-13:
DOWNLOAD EBOOKAuthor: Janice Dockendorff Boland
Publisher: Univ of California Press
Published: 1998-06-05
Total Pages: 243
ISBN-13: 0520921275
DOWNLOAD EBOOKThis indispensable manual for present-day players of the one-keyed flute is the first complete method written in modern times. Janice Dockendorff Boland has compiled a manual that can serve as a self-guiding tutor or as a text for a student working with a teacher. Referencing important eighteenth-century sources while also incorporating modern experience, the book includes nearly 100 pages of music drawn from early treatises along with solo flute literature and instructional text and fingering charts. Boland also addresses topics ranging from the basics of choosing a flute and assembling it to more advanced concepts such as tone color and eighteenth-century articulation patterns.
Author: Gerald Gifford
Publisher: Routledge
Published: 2017-11-01
Total Pages: 394
ISBN-13: 1351786121
DOWNLOAD EBOOKThis title was first published in 2002: Burghley House, Stamford, was built between 1555 and 1587 for William Cecil, Lord Burghley, the Lord High Treasurer to Queen Elizabeth I. The library there contains an extensive collection of manuscript and printed music dating from about 1650 to 1850, substantially formed during the latter part of the 18th century by the Ninth Earl of Exeter. The collection is given particular significance by the inclusion of several rare and in some cases apparently unique volumes. This catalogue examines the Burghley House music collection in the light of contemporary documentary evidence. The opening section describes the people who added to the collection and their musical enthusiasms. This approach brings the collection to life and also enables us to appreciate emergent trends in British music history of the period. With each entry fully described and the printed music referenced to RISM or CPM, this catalogue should form a valuable reference source for all scholars of British music from the 17th to the 19th century.
Author: T. Osborne
Publisher:
Published: 1765
Total Pages: 396
ISBN-13:
DOWNLOAD EBOOKAuthor: Colin Timms
Publisher: Taylor & Francis
Published: 2023-12-20
Total Pages: 117
ISBN-13: 1003860079
DOWNLOAD EBOOKThis book establishes the cultural background to the productions of Milton’s Comus that were staged in the 1740s by Baptist Noel, 4th Earl of Gainsborough, at Exton Hall, his country seat in the East Midlands of England. The author reveals that Handel’s visit in 1745 occurred in a richer and fuller context of cultural interests among the Noel family. Most of the music at Exton was selected from existing works by Handel, but the four movements of the finale were new, written by the composer specifically for the occasion. The study is based on receipted bills and other documents in an archival collection of Noel family papers that provide evidence of the Earl’s purchase of books and music and of the musical and theatrical activities undertaken on his Exton estate. The author discusses the Earl’s interests in music, books and theatre, indicating a belief in performance as a valuable and enjoyable experience and as a vehicle for the education of the young. In addition to creating a context for Comus, this book sheds light on cultural life in a mid-eighteenth-century English country house and how the Earl’s productions made a significant contribution to the cultural life of the East Midlands. The book will be of great value to cultural musicologists, historians and Handelians, as the documentation sheds a huge amount of light on a variety of cultural practices in eighteenth-century England.