The novella, one of the most sophisticated genres of narrative literature, owes its development primarily to German belles lettres. In the present collection, Mr. Steinhauer has assembled a representative sampling that ranges from the Enlightenment to the postwar periods and reveals the scope and flexibility of this art form. Included are Wieland's Love and Friendship Tested, Kleist's Michael Kohlhaas, Chamisso's Peter Schlemihl, Hoffmann's Mademoiselle de Scudery, Keller's Clothes Make the Man, Meyer's Sufferings of a Boy, Mann's The Bajazzo, Fontane's Stine, Hauptmann's Heretic of Soana, Kafka's Hunger Artist, Schnitzler's Fraulein Else, and Bergengruen's Ordeal by Fire.
The novella, one of the most sophisticated genres of narrative literature, owes its development primarily to German belles lettres. In the present collection, Mr. Steinhauer has assembled a representative sampling that ranges from the Enlightenment to the postwar periods and reveals the scope and flexibility of this art form. Included are Wieland's Love and Friendship Tested, Kleist's Michael Kohlhaas, Chamisso's Peter Schlemihl, Hoffmann's Mademoiselle de Scudery, Keller's Clothes Make the Man, Meyer's Sufferings of a Boy, Mann's The Bajazzo, Fontane's Stine, Hauptmann's Heretic of Soana, Kafka's Hunger Artist, Schnitzler's Fraulein Else, and Bergengruen's Ordeal by Fire.
“A valuable aid for students who want to improve their ability to read German as well as for those who would like an overview of short German fiction since the eighteenth century.” William E. Petig, Stanford University
Translations of eight masterpieces by writers who defined the modern German short story. Includes works by Schnitzler, Kleist, Kafka, Mann, Hauptmann, Rilke, Hoffmann, and Brentano.
This book is designed primarily to alleviate the agony that language learning in its early stages entails, when the foreign words in the sentence simply will not combine to make sense. Legions of beginners give up when they could have made it with the aid of a book like this. But for centuries schoolmasters have frowned on this device, calling it dirty names like crib, crutch, pony. But the truth is that highly educated and motivated people have learned to read a foreign language this way. The great German archaeologist Heinrich Schliemann, who knew many ancient and modern languages, acquired them by using Bernardin de Saint-Pierre's Paul et Virginie as a pony. There are many bilingual series, such as the Loeb Classics or the Bollingen series, which have gained high prestige.
AN INTERNATIONAL BESTSELLER Featured in Entertainment Weekly, People, The Millions, and USA TODAY “An unforgettable and resplendent novel which will take its place among the great historical fiction written about World War II.” —Adriana Trigiani, bestselling author of The Shoemaker's Wife A young girl flees Nazi-occupied Germany with her family and best friend, only to discover that the overseas refuge they had been promised is an illusion in this “engrossing and heartbreaking” (Library Journal, starred review) debut novel, perfect for fans of The Nightingale, Lilac Girls, and The Tattooist of Auschwitz. Berlin, 1939. Before everything changed, Hannah Rosenthal lived a charmed life. But now the streets of Berlin are draped in ominous flags; her family’s fine possessions are hauled away; and they are no longer welcome in the places they once considered home. A glimmer of hope appears in the shape of the St. Louis, a transatlantic ocean liner promising Jews safe passage to Cuba. At first, the liner feels like a luxury, but as they travel, the circumstances of war change, and the ship that was to be their salvation seems likely to become their doom. New York, 2014. On her twelfth birthday, Anna Rosen receives a mysterious package from an unknown relative in Cuba, her great-aunt Hannah. Its contents inspire Anna and her mother to travel to Havana to learn the truth about their family’s mysterious and tragic past. Weaving dual time frames, and based on a true story, The German Girl is a beautifully written and deeply poignant story about generations of exiles seeking a place to call home.
A much-needed look at the fiction that was actually read by masses of Germans in the late nineteenth century, and the conditions of its publication and reception. The late nineteenth century was a crucial period for the development of German fiction. Political unification and industrialization were accompanied by the rise of a mass market for German literature, and with it the beginnings ofthe German bestseller.Offering escape, romance, or adventure, as well as insights into the modern world, nineteenth-century bestsellers often captured the imagination of readers well into the twentieth century and beyond. However, many have been neglected by scholars. This volume offers new readings of literary realism by focusing not on the accepted intellectual canon but on commercially successful fiction in its material and social contexts. It investigates bestsellers from writers such as Freytag, Dahn, Jensen, Raabe, Viebig, Stifter, Auerbach, Storm, Möllhausen, Marlitt, Suttner, and Thomas Mann. The contributions examine the aesthetic strategies that made the works sucha success, and writers' attempts to appeal simultaneously on different levels to different readers. Bestselling writers often sought to accommodate the expectations of publishers and the marketplace, while preserving some sense ofartistic integrity. This volume sheds light on the important effect of the mass market on the writing not just of popular works, but of German prose fiction on all levels. Contributors: Christiane Arndt, Caroline Bland, Elizabeth Boa, Anita Bunyan, Katrin Kohl, Todd Kontje, Peter C. Pfeiffer, Nicholas Saul, Benedict Schofield, Ernest Schonfield, Martin Swales, Charlotte Woodford. Charlotte Woodford is Lecturer in German and Directorof Studies in Modern Languages at Selwyn College, University of Cambridge. Benedict Schofield is Senior Lecturer in German and Head of the Department of German at King's College London.
The first full-length study of the main German contributors to the Gothic canon, to each of whom a chapter is devoted, The German Gothic Novel in Anglo-German Perspective is an original historical and comparative study that goes well beyond the necessary review of the evidence to include much new material, many new insights and pieces of analysis, and some fundamental changes of perspective. The book aims to put the record straight in bibliographical and literary historical terms, and to act as a reference guide to facilitate future research, so that anyone working on the German Gothic novel or on Anglo-German interactions in the field of Gothic, will find there references to all the relevant secondary literature. The German Gothic Novel in Anglo-German Perspective is addressed to Germanists, but also to teachers and students of English, American and comparative literature, for there is at present hardly a ‘hotter’ subject than Gothic. The book’s emphasis on the Gothic work of canonical writers should prompt even conservative German Departments to reconsider their attitude to Gothic. Being addressed to scholars and students of German, German quotations are given in German, but English translations are added for the convenience of English and American scholars and students of Gothic, who represent another important section of the books’ target audience.
