In the early part of the twentieth century, two extraordinarily forward-thinking Welsh women, Gwendoline and Margaret Davies, amassed a collection of work by the most important names in the Realist, Naturalist, Impressionist, Post-Impressionist, and Fauv
"Published to accompany a traveling exhibition organized by the American Federation of ARts and National Museum Wales, this book features forty-seven stunningly beautiful paintings - many of which are rarely displayed outside of Wales - and eleven important works on paper. Together, they visually track the progression of modern art in Europe - from its beginnings in the romantic naturalism of Turner through Post-Impressionism."-inside jacket.
JMW Turner is one of the greatest artists Britain has ever produced. His watercolours, with their extraordinary effects of shifting light and dramatic skyscapes, are especially highly regarded. For the first time, the secrets of Turner's technique are revealed, allowing present-day watercolourists to learn from his achievements.This book combines unrivalled knowledge of Turner's working methods from Tate curators and conservators with practical advice from some of the world's most respected watercolour experts. Twenty-two thematic exercises are illustrated with Turner's works. Expert contemporary watercolourists explain, step-by-step, how to paint a similar composition, learning from Turner's techniques. Packed with invaluable information, from the materials Turner used to achieve the masterpieces we know and love today, to the modern materials the twenty-first-century watercolour artist will need.Backed by the authority of Tate, the world centre for Turner scholarship, with a glossary of technical terms, this is an invaluable resource both for lovers of Turner's art and of watercolour painting.
William Turner (1775-1851) was simultaneously a romantic and a realist--and yet he transcended both styles. This book opens up Turner's paintings, demonstrating that he was not simply illustrating nature, but that his pictures speak directly to the eye as nature does itself.
When Turner died in 1851, the general view of an artist's late work was one of decline. Indeed, Turner's own painting from 1845 onwards was described as indulgent, eccentric and 'repulsive', and even his devoted champion John Ruskin commented on its 'wholly inferior value'. However, from the early 1900s there was a major reassessment of Turner's later paintings and sketches. Commentators hailed his study of light as a visionary precursor to the ideas of the Impressionists. This continued into the twentieth century, with curatorial choices in some museums presenting Turner's late and unfinished work as distinctly modern. Through a number of key themes and studies into his subject matter, technique and personal activities, this new analysis challenges the historical conceptions of Turner's late style. The idea that as an elderly artist Turner was seen as introverted and detached by the Victorian art world is set against the fact that his paintings from 1835 were some of the most popular, accessible and intellectual that he created. Meanwhile, questioning the notion that Turner's late work articulated a conclusive, radical vision that was heedless of public reaction, the texts explore how Turner had a very firm idea of the workings of the art market at that time. Fully illustrated in colour, and with contributions by some of the foremost Turner scholars, this book breaks new ground in the continuing study of the life and legacy of one of art's greatest masters.
Celebrated as the father of modern art, Paul Cézanne found inspiration in the natural world, but rather than copying beautiful landscapes, he sought to show how people experience nature. In addition to scenes of his native Provence, Cézanne painted memorable still lifes, portraits, and watercolors, experimenting with new techniques in painting that are still in use today. This stunning resource contains many of his greatest works and analyzes his patchwork style and its impact on later artists, including Matisse and Picasso.
In October of 2001, the Australian High Court confirmed aboriginal title to two thousand kilometres of ocean off the north coast. The decision, which was the result of a seven-year court battle, highlighted aboriginal belief that the sea is a gift from the creator to be used for sustenance, spirituality, identity, and community. This evocative study of the people of northern coastal Australia and their sea worlds illuminates the power of human attachment to place. Saltwater People: The Waves of Memory offers a cross-disciplinary approach to native land claims that incorporates historical and contemporary case studies from not only Australia, but also New Zealand, Scandinavia, the US, and Canada. Nonie Sharp discusses various issues of indigenous heritage, including land claims, concepts of public and private property, poverty, and the environment. Despite dispossession, the aboriginals of northern coastal Australia never faltered in their devotion to the sea, illustrating how profoundly such bonds are preserved in memory. Their moving story of surviving and winning a lengthy court battle provides valuable information for all countries dealing with similar issues of rights to tenure and natural resources. Sharp provides the first book-length study of an integrated statement on the many defining qualities of the cultural relationship of aboriginals, non-aboriginals, and the concept of ownership over the sea, and illustrates the wisdom that different traditions can offer one another.
Follows the career of the mid-19th century post-Impressionistic artist, Cezanne, whose work influenced the later Expressionist, Fauvist, and Cubist schools
Platzman's accessible and richly illustrated book examines the stylistic development of Czanne's self-portraits in an effort to understand how the artist saw himself and others. 111 b&w & 82 color illustrations.