More than two hundred illustrations, an illustrated chronology, and critical artistic analysis trace the life of the nineteenth-century British landscape painter, describes the influences on his remarkable work, and attempts to portray his complex and mysterious personality.
The fashionables, they tell me their artistic opinion. They just want to know if a painting is hot. Whether it will gain. And then they criticise anyone who is different, anyone who's not on the 'direct route' to taste. Fuck 'em.Turner, the English romantic landscape artist and 'painter of light', was a man obsessed. Intensely prolific he was heavily reliant on his father, deeply affected by his mother's rejections and isolated from the usual breed of artists.English painting is dead. It's dealers making fortunes out of sentimental dross. Dogs. Cherubs.The Painter by Rebecca Lenkiewicz premiered at the Arcola Theatre, London, in January 2011 in the production which marked the opening of its new premises on Ashton Street.
In the early part of the twentieth century, two extraordinarily forward-thinking Welsh women, Gwendoline and Margaret Davies, amassed a collection of work by the most important names in the Realist, Naturalist, Impressionist, Post-Impressionist, and Fauv
Our Island Story is the "history" of England up to Queen Victoria's Death. Marshall used these stories to tell her children about their homeland, Great Britain. To add to the excitement, she mixed in a bit of myth as well as a few legends.
J.M.W. Turner (1775-1851) was arguably Britain's greatest painter. Through a remarkable amount of groundbreaking research, and by rigorously examining the existing evidence concerning the artist's first 40 years. Eric Shanes has been able to unearth a mass of new information, forge many fresh links and provide a great number of original insights. His own training as a painter has enabled him to bring a profound understanding to the practical side of Turner, and thereby reveal many aspects of the output that have hitherto been overlooked. In order to intensify our grasp of the interrelationship between Turner the man and Turner the painter, this book contains over 450 illustrations that form an integral part of the story. As a consequence, we are able to perceive the exact trajectory of Turner's formative years and early maturity more clearly than ever before. Within a strictly chronological framework, Turner's personal and creative developments are charted in tandem, offering an exploration of his strengths and weaknesses of character, and his intellectual and emotional complexity. Shanes provides an unrivalled account of Turner's creative aims and responses, his imaginative and technical evolution, his poetic aspirations and identifications, his strong sense of duty and his educative ambitions. No less closely scrutinised are Turner's mastery of art-world politics, his wider political outlook, his professional relationships, his sales, financial dealings and investments, his travels, and even the buildings in which he lived and worked. Ultimately, we are shown that, despite his difficulties with verbal communication, Turner possessed one of the sharpest and most dazzling minds in the entire history of art. -- from dust jacket.
Keith Pott Turner is a published Illustrator, composer/musician and poet. He has furthermore worked on many heritage restoration projects and has keenly researched his family history resulting in the discovery of some very notable characters indeed.
Volume 1-35, works. Volume 36-37, letters. Volume 38 provides an extensive bibliography of Ruskin's writings and a catalogue of his drawings, with corrections to earlier volumes in George Allen's Library Edition of the Works of John Ruskin. Volume 39, general index.