Melancholic Modalities
Melancholic Modalities

Author: Denise Gill

Publisher: Oxford University Press

Published: 2017-05-01

Total Pages: 289

ISBN-13: 0190495022

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Today, teachers and performers of Turkish classical music intentionally cultivate melancholies, despite these affects being typically dismissed as remnants of the Ottoman Empire. Melancholic Modalities is the first in-depth historical and ethnographic study of the practices socialized by musicians who enthusiastically teach and perform a present-day genre substantially rooted in the musics of the Ottoman court and elite Mevlevi Sufi lodges. Author Denise Gill analyzes how melancholic music-making emerges as pleasurable, spiritually redeeming, and healing for both the listener and performer. Focusing on the diverse practices of musicians who deploy and circulate melancholy in sound, Gill interrogates the constitutive elements of these musicians' modalities in the context of emergent neoliberalism, secularism, political Islamism, Sufi devotionals, and the politics of psychological health in Turkey today. In an essential contribution to the study of ethnomusicology and psychology, Gill develops rhizomatic analyses to allow for musicians' multiple interpretations to be heard. Melancholic Modalities uncovers how emotion and musical meaning are connected, and how melancholy is articulated in the world of Turkish classical musicians. With her innovative concept of "bi-aurality," Gill's book forges new possibilities for the historical and ethnographic analyses of musics and ideologies of listening for music scholars.

The Ottoman Tanbûr
The Ottoman Tanbûr

Author: Hans de Zeeuw

Publisher: Archaeopress Publishing Ltd

Published: 2022-06-09

Total Pages: 144

ISBN-13: 1803271078

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Tanbûrs are long-necked lute-like instruments played in the art, Sûfî, and folk musical traditions along the Silk Road and beyond. This book provides a detailed study of the history of the tanbûr, its role in Ottoman music, construction and playing technique.

Representations of the Orient in Western Music
Representations of the Orient in Western Music

Author: Nasser Al-Taee

Publisher: Routledge

Published: 2017-07-05

Total Pages: 336

ISBN-13: 1351551418

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This book focuses on the cultural, political and religious representations of the Orient in Western music. Dr Nasser Al-Taee traces several threads in a vast repertoire of musical representations, concentrating primarily on the images of violence and sensuality. Al-Taee argues that these prevailing traits are not only the residual manifestation of the Ottoman threat to Western Europe, but also the continuation of a long and complex history of fear and fascination towards the Orient and its Islamic religion. In addition to analyses of musical works, Al-Taee draws on travel accounts, paintings, biographies, and political events to engage with important issues such as gender, race, and religious differences that may have contributed to the variously complex images of the Orient in Western music. The study extends the range of Orientalism to cover eighteenth-century Austria, nineteenth-century Russia, and twentieth-century America. The book challenges those scholars who do not see Orientalism as problematic and tend to ignore the role of musical representations in shaping the image of the Other within a wider interdisciplinary study of knowledge and power.

Music of the Ottoman Court
Music of the Ottoman Court

Author: Walter Feldman

Publisher: BRILL

Published: 2023-12-18

Total Pages: 587

ISBN-13: 9004531262

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Between 1600 and 1750 Ottoman Turkish music differentiated itself from an older Persianate art music and developed the genres antecedent to modern Turkish art music. Based on a translation of Demetrius Cantemir’s seminal “Book of the Science of Music” from the early eighteenth century, this work is the first to bring together contemporaneous notations, musical treatises, literary sources, travellers’ accounts and iconography. These present a synthetic picture of the emergence of Ottoman composed and improvised instrumental music. A detailed comparison of items in the notated Collections of Cantemir and of Bobowski—from fifty years earlier—together with relevant treatises, reveal key aspects of modality, melodic progression and rhythmic structures.

The Orient in Music - Music of the Orient
The Orient in Music - Music of the Orient

Author: Małgorzata Grajter

Publisher: Cambridge Scholars Publishing

Published: 2018-04-18

Total Pages: 239

ISBN-13: 1527510263

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“OM”, a fundamental meditation sound present in the cultures of Buddhism, is a syllable full of philosophical and transcendental meanings. The category of the Orient, as contrasted, antithetical and complementary to the Occident (West) and its culture, appears to be one of the most interesting and long-lasting issues discussed in the humanities. European fascination with Oriental cultures has found multifaceted manifestations in science, art, fashion and beliefs. Music, as an important element of cultural communication, has always been well suited for transitions and inspirations. The relationship between the Orient and Western music encompasses a wide and fascinating scope of problems, a field of various multidimensional influences which brings an opportunity not only to study particular questions, but also to search for universal and fundamental values. This collection of essays is a result of an International Conference titled “OM: Orient in Music – Music of the Orient”, held at the Grażyna and Kiejstut Academy of Music in Łódź, Poland, in March 2016. The volume provides insight into the many ways in which the music of the East and West can be understood and treated by both Western and Eastern scholars.

The Poet and the World
The Poet and the World

Author: Joachim Yeshaya

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2019-07-08

Total Pages: 348

ISBN-13: 3110599236

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A collection of seventeen essays on pre-modern Hebrew poetry in honor of Wout van Bekkum. The articles in this volume all seek to examine how the religious, cultural, and social context in which the poet functioned impacted on and is visible, either explicitly or more elliptically, in their poetical oeuvre. For this purposes a broad understanding of "world" has been accepted, including both the natural world and the constructed one (society, culture, language) as well as the spiritual and emotional world. History, a pillar of the man-made constructed world, has been used to determine the boundaries: from Late Antiquity to the Middle Ages, and—in instances where the topic connects to older traditions—to Early Modern Judaism, i.e. pre-modern Hebrew (and Aramaic) poetry. The articles in this volume, in the breadth of their temporal and spatial range and their multiplicity of approaches and methodologies, highlight the richness of contemporary scholarship on Hebrew poetry. The volume invites the reader to engage with this astonishing body of poetry, while providing a glimpse into the world of the payṭanim, and the cultures and societies from which they drew their ininspiration and to which they made such important contributions.