Truman Capote's In Cold Blood - New Journalism as an Instrument of Social Criticism

Truman Capote's In Cold Blood - New Journalism as an Instrument of Social Criticism

Author: Natalie Lewis

Publisher: GRIN Verlag

Published: 2006-06-02

Total Pages: 34

ISBN-13: 3638507548

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Seminar paper from the year 2004 in the subject American Studies - Culture and Applied Geography, grade: 1,7, Free University of Berlin (JFK), course: American Culture of the Sixties, language: English, abstract: In 1965, one of America's most controversial authors, Truman Capote, published his non-fiction novelIn Cold Blood,an account of the 1959 murder of four members of a Kansas farming family. The work does not only give a broad panoramatic description of the world of the victims and their killers but also captures the image of a society standing on the verge of unknown challenges and threats. The American post-war decade was marked by a stable economy, widespread prosperity, social mobility and conformity. As President Eisenhower pursued the Cold War abroad, American society was concerned with security at home. The young generation of the 1950s conformed to traditional family values; marriage and birth rates reached a record high. Many citizens could now afford to obtain the American dream: a house in the suburbs, at least one car and a television set. The ideal middle class family, as it was epitomized in the media, consisted of a providing father, a cheerful homemaker and mother, and disciplined children. In the 1960s, a climate of rebellion, confrontation and upheaval altered the consensus which had dominated the nation throughout the Eisenhower era. The country suddenly found itself in an ongoing crisis. Social reform movements challenged established traditions and moral values. American culture was profoundly transformed as the 1960s created a more open society in which social structures were questioned, trust in the government dispelled, free expression expanded and counter-cultural life styles emerged. In his novelIn Cold Blood,Capote questioned the essence of American society, its judicial system and the way in which crime and criminals are dealt with. He effectively used the non-fiction novel as an instrument of implicit social criticism. By applying literary techniques to non-fictional material, the author looked beyond the surface of given facts and turned the Clutter case into an allegory of American social life.In Cold Bloodexposed the fragility of American family values and revealed the ambiguity of the American way of life by contrasting middle class affluence with an economic underworld of deprived Americans.


The Bastards are Making it Up!

The Bastards are Making it Up!

Author: Miriam Halfmann

Publisher: Tectum - Der Wissenschaftsverlag

Published: 2010

Total Pages: 108

ISBN-13: 9783828824249

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Journalism is commonly thought of as objective, neutral, unbiased. However, there was a time when these notions were heavily contested - even by reporters themselves. The American 1950s and 1960s were earth-shattering decades in every major respect: socially, politically, and culturally. Changes in these fields shook the nation and triggered events that to many people were extreme to the point they seemed unreal. Desperate times called for desperate measures: Soon, journalists traded their signature style of reporting for a style that read like fiction. They increasingly acknowledged those bizarre times by 'fictionalizing' their works, even producing whole volumes on the events they covered: "New journalism" was born. Miriam Halfmann explores the main works of the two most luminous figures on the scene: Norman Mailer's The Armies of the Night and Truman Capote's In Cold Blood. She contextualizes the novels within a historical and a journalistic framework, and furthermore provides a general introduction to "new journalism." The author takes a close look at the different writing styles as expressed in narrative technique, figurative language, and form. How did these authors cope with an elusive reality? What did their new journalism(s) do to the conventional journalism/literature dichotomy? And, what happened when those bastards were 'making it up'?


In Cold Blood

In Cold Blood

Author: Truman Capote

Publisher: Vintage

Published: 1993

Total Pages: 378

ISBN-13: 9780679745587

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NATIONAL BESTSELLER • The most famous true crime novel of all time "chills the blood and exercises the intelligence" (The New York Review of Books)—and haunted its author long after he finished writing it. On November 15, 1959, in the small town of Holcomb, Kansas, four members of the Clutter family were savagely murdered by blasts from a shotgun held a few inches from their faces. There was no apparent motive for the crime, and there were almost no clues. In one of the first non-fiction novels ever written, Truman Capote reconstructs the murder and the investigation that led to the capture, trial, and execution of the killers, generating both mesmerizing suspense and astonishing empathy. In Cold Blood is a work that transcends its moment, yielding poignant insights into the nature of American violence.


In Cold Blood

In Cold Blood

Author: Truman Capote

Publisher: Bentang Pustaka

Published: 2007-01-01

Total Pages: 488

ISBN-13: 9789791227094

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Sebuah keluarga pemilik ranch kaya dibunuh secara brutal: ayah, ibu, anak laki-laki dan perempuan. Pembunuhan ini begitu mengguncang karena tampak tidak ada motivasi ekonomi maupun dendam pribadi. Dan, korbannya??keluarga Clutter adalah keluarga yang begitu santun-terpandang dan yang paling tidak mungkin memiliki musuh: sosok keluarga paling ideal yang bisa dicita-citakan oleh masyarakat Holcomb, Texas. Truman Capote ingin menulis sebuah laporan yang lengkap dan kaya tentang tragedi ini. Ia mewawancarai orang pertama yang mendapati pembunuhan ini, orang-orang terdekat korban, detektif yang menyelidiki, hingga perjumpaannya dengan pelaku itu sendiri dan kisah panjang yang melatarbelakangi tindakan nekad di tengah malam itu. Dan Capote memang berhasil menuliskannya secara memuaskan, dari detail psikologis hingga aspek legalitas yang berkenaan dengan hukuman mati??yang menjadi perdebatan tentang layak tidaknya pembunuh keluarga Clutter dihukum mati di tiang gantungan. [Bentang, Novel, Pembunuhan, Indonesia]


Quicklet On Truman Capote's In Cold Blood

Quicklet On Truman Capote's In Cold Blood

Author: Larry Holzwarth

Publisher: Hyperink Inc

Published: 2012-02-05

Total Pages: 64

ISBN-13: 1484007115

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ABOUT THE BOOK Serialized in the New Yorker prior to publication in book form, "In Cold Blood" presents investigative journalism in the form of a novel, effectively combining literature and reporting. The New York Review of Books called it “The best documentary of an American crime ever written...” Other critics have not been so kind, citing fictionalized conversations, invented scenes, and fabricated events. Capote’s narrative contains no footnotes, nor does he cite specific sources for any of the conversations in the book. By the time "In Cold Blood" appeared the end of the story was known. Both murderers had been tried, convicted and executed by hanging. The book’s tremendous success stemmed from Capote’s graphic depiction of the crime as well as his incisive and often empathetic descriptions of the killers. MEET THE AUTHOR Larry Holzwarth is a freelance writer and submarine veteran. A former US Navy systems analyst, he has been a corporate writer on diverse subjects, a professional trainer, recruiter and lecturer. A lifelong student of history, he enjoys reading, camping, hiking and Reds baseball. After traveling extensively he returned to his native midwest where he resides near Cincinnati. EXCERPT FROM THE BOOK Capote paints an image of a bucolic community, basking in the crisp sunshine of a November day as well as in small town American innocence. A prosperous and well respected farmer, admired in his community for his character as well as his family, Herb Clutter is the quintessential American father. Though his wife has been ill, with what would now be called depression, the community rallies around the family with support. Compared to this picture of small town happiness is the sordid world of small time criminals Perry Smith and Richard Hickock. They arrive in Holcomb, Kansas, armed with a bowie knife, a shotgun, and the erroneous information that the Clutter home housed a safe filled with a large amount of cash. They creep in and out of town in one night. In the morning the Clutter’s are found dead, murdered by shotguns blasts delivered with the muzzle inches from each victim’s head. They are discovered by a friend of 16-year-old Nancy Clutter, coming to join her friend for church that Sunday morning. Despite few clues, no hint of a motive, and conflicting theories amongst investigators, Alvin Dewey, lead investigator for the Kansas Bureau of Investigation and personal friend of Herb Clutter, vows to solve the crime. When he does, it is through a combination of luck and the killers’ willingness to blame each other for the crimes. He obtains, through conflicting confessions, enough information to build a case against the pair leading to their trial, conviction, and eventual execution. Buy a copy to continue reading!


In Cold Blood

In Cold Blood

Author: Truman Capote

Publisher: Michael Joseph

Published: 2009

Total Pages: 0

ISBN-13: 9780141043081

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With the publication of this book, Capote permanently ripped through the barrier separating crime reportage from serious literature. As he reconstructs the 1959 murder of a Kansas farm family and the investigation that led to the capture, trial, and execution of the killers, Capote generates suspense and empathy.


Truman Capote's Nonfiction Novel "In Cold Blood" and Bennett Miller's Biopic "Capote"

Truman Capote's Nonfiction Novel

Author: Michael Helten

Publisher: GRIN Verlag

Published: 2010-02-03

Total Pages: 105

ISBN-13: 3640526155

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Examination Thesis from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 1, University of Freiburg, language: English, abstract: When In Cold Blood was first published, critics had a hard time categorizing the book. Capote himself held that he had written a "nonfiction novel (Capote in Plimpton 1966: 2)" and that he had thereby created an altogether new genre. In the subtitle, Capote stresses his central claim regarding this new genre, assuring the reader that what she is about to delve into is "a true account of a multiple murder and its consequences (Capote 2000 [1966])." As will be seen in the opening chapter, criticism of In Cold Blood has therefore to a great degree revolved around Capote's and the book's adherence to this assertion of truth. The Shorter Oxford English Dictionary on Historical Principles (SOED) lists as the three first entries under the head word "true" true /tru: / 1 Steadfast in allegiance, loyal; faithful, constant (...). 2 Honest, honourable, upright, virtuous; straightforward, sincere (...). 3 Of a statement, report, etc.: consistent with fact; conforming with reality (...). The following investigation of In Cold Blood and of the biopic based on Capote's work on the book, Bennett Miller's Capote (2005), will proceed along the lines of these three aspects of the definition, questioning Capote's claim of rendering a "true account." The genre chapter and large parts of the ensuing discussion of In Cold Blood will be especially concerned with the definition's third aspect, In Cold Blood's consistency with fact and its conformity with reality. The question will be raised as to whether or not a true account of real events is possible at all, and in what ways Capote and other writers of New Journalism, as the genre is most frequently called today, have tried to achieve such true accounts.


Understanding Truman Capote

Understanding Truman Capote

Author: Thomas Fahy

Publisher: Univ of South Carolina Press

Published: 2014-06-18

Total Pages: 275

ISBN-13: 1611173426

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“Does an admirable job of examining Capote as a writer whose work reflects America of the late 1940s and 1950s more deeply than previously thought.” —Ralph F. Voss, author of Truman Capote and the Legacy of “In Cold Blood” Truman Capote—and his most famous works, In Cold Blood and Breakfast at Tiffany’s—continue to have a powerful hold over the American popular imagination, along with his glamorous lifestyle, which included hobnobbing with the rich and famous and frequenting the most elite nightclubs in Manhattan. In Understanding Truman Capote, Thomas Fahy offers a way to reconsider the author’s place in literary criticism, the canon, and the classroom. By reading Capote’s work in its historical context, Fahy reveals the politics shaping his writing and refutes any notion of Capote as disconnected from the political. Instead this study positions him as a writer deeply engaged with the social anxieties of the postwar years. It also applies a highly interdisciplinary framework to the author’s writing that includes discussions of McCarthyism, the Lavender Scare, automobile culture, juvenile delinquency, suburbia, Beat culture, the early civil rights movement, female sexuality as embodied by celebrities such as Marilyn Monroe, and atomic age anxieties. This new approach to studying Capote will be of interest in the fields of literature, history, film, suburban studies, sociology, gender/sexuality studies, African American literary studies, and American and cultural studies. Capote’s writing captures the isolation, marginalization, and persecution of those who deviated from or failed to achieve white middle-class ideals and highlights the artificiality of mainstream idealizations about American culture. His work reveals the deleterious consequences of nostalgia, the insidious impact of suppression, the dangers of Cold War propaganda, and the importance of equal rights. Ultimately, Capote’s writing reflects a critical engagement with American culture that challenges us to rethink our understanding of the 1940s and 1950s.


Style as Argument

Style as Argument

Author: Chris Anderson

Publisher: SIU Press

Published: 1987

Total Pages: 208

ISBN-13: 9780809313730

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Taking the position that style has a value in its own right, that language forms a major component of the story a nonfiction writer has to tell, Anderson analyzes the work of America's foremost practitioners of New Journalism--Tom Wolfe, Truman Capote, Norman Mailer, and Joan Didion. Anderson does for nonfiction what insightful critics have long been doing for fiction and poetry. His approach is rhetorical, and his message is that the rhetoric of Wolfe, Capote, Mailer, and Didion is a direct response to the problem of trying to convey to a general audience the sublime, inexplicable, or private and intuitive experiences that conventional rhetoric cannot evoke. The emphasis in this book is on style, not genre, and the analysis characterizes the distinctive styles of four American writers, showing how the richness and complexity of their prose discloses an important argument about the value of language itself. Their prose is complex, nuanced, layered, affecting, always aware of itself as style. This self-consciousness, Anderson contends, prepares the reader to regard style as argument, a "tacit but powerful statement about the value of form as form, style as style."