Truest Fan is a story for anyone who wants to be their best, bring out the best in others, and live with greater purpose and impact. It distills ways of thinking, acting, and doing so you can perform at your highest level while encouraging others to do the same. You will follow the journey of seven characters who each convey lessons you can put into practice in your business as well as in life. Just as in baseball, before you reach the major leagues, you need to develop success habits... daily rituals and routines in which you engage to reach your biggest goals. This book helps focus your attention on what matters most in your life-be it a spouse, business, colleagues, or kids. Many people lose years of their life because of the intensity of urgent to-do's and the distractions we all face. Truest Fan strips back this facade. It helps you consider what your life would be like if you were purposely living each day as your own Truest Fan. Think about it... What would your life be like if you were to swing for the fences in each relationship, each project, and each goal?It might amaze you to find that you would begin to win more games. And along the way you would enjoy the journey a whole lot more!
Having learned the secret magics of the world Down Under, the Devereaux warlocks know how to plunge their enemies into a nightmare realm of the Dreamtime. To save her loved ones, Holly Cathers, the strongest Cathers witch, must enter the Dreamtime and battle with demons. Original.
"Democracy is both an obvious and dubious idea. Here's why democracy is an obvious idea: For most of history, most governments divided people into the few who rule and the many who obey. The few then used the state to advance their own private interests at the expense of the many. Rulers were less like noble protectors appointed by God and more like intestinal parasites. The obvious solution is to eliminate the distinction between those who rule and those who obey. Make every citizen both a ruler and a subject of that rule. This ensures government promotes everyone's interests. Thus, democracy is the best form of government. It's too bad it took most of civilized history to realize this-and too bad that the world isn't more democratic than it is. Here's why democracy is a dubious idea. Government decisions are high stakes. It decides matters of war and peace, prosperity and poverty, freedom or oppression. Yet we let incompetent people steer the ship of state. Most voters are ignorant and process what little information they have in biased and irrational ways. They fall prey to propaganda and demagogues. They are conformists and don't even try to vote their interests. Democracy is the political equivalent of drunk driving. Thus, democracy is a defective form of government. Democracy is a method by which the masses shoot themselves in their feet. Philosophy students often start essays by writing, "Since the dawn of time, humanity has pondered..." In this case, these arguments and concerns are old, if not dawn-of-time old. We find laypeople, pundits, social scientists, and philosophers making these two arguments today. But in ancient Athens, Socrates, Plato, and Aristotle said similar things"--
A dazzling exploration of American culture—from high pop to highbrow—by acclaimed music authority, cultural historian, and biographer Anthony Heilbut, author of the now classic The Gospel Sound (“Definitive” —Rolling Stone), Exiled in Paradise, and Thomas Mann (“Electric”—Harold Brodkey). In The Fan Who Knew Too Much, Heilbut writes about art and obsession, from country blues singers and male sopranos to European intellectuals and the originators of radio soap opera—figures transfixed and transformed who helped to change the American cultural landscape. Heilbut writes about Aretha Franklin, the longest-lasting female star of our time, who changed performing for women of all races. He writes about Aretha’s evolution as a singer and performer (she came out of the tradition of Mahalia Jackson); before Aretha, there were only two blues-singing gospel women—Dinah Washington, who told it like it was, and Sister Rosetta Tharpe, who specialized, like Aretha, in ambivalence, erotic gospel, and holy blues. We see the influence of Aretha’s father, C. L. Franklin, famous pastor of Detroit’s New Bethel Baptist Church. Franklin’s albums preached a theology of liberation and racial pride that sold millions and helped prepare the way for Martin Luther King Jr. Reverend Franklin was considered royalty and, Heilbut writes, it was inevitable that his daughter would become the Queen of Soul. In “The Children and Their Secret Closet,” Heilbut writes about gays in the Pentecostal church, the black church’s rock and shield for more than a hundred years, its true heroes, and among its most faithful members and vivid celebrants. And he explores, as well, the influential role of gays in the white Pentecostal church. In “Somebody Else’s Paradise,” Heilbut writes about the German exiles who fled Hitler—Einstein, Hannah Arendt, Marlene Dietrich, and others—and their long reach into the world of American science, art, politics, and literature. He contemplates the continued relevance of the émigré Joseph Roth, a Galician Jew, who died an impoverished alcoholic and is now considered the peer of Kafka and Thomas Mann. And in “Brave Tomorrows for Bachelor’s Children,” Heilbut explores the evolution of the soap opera. He writes about the form itself and how it catered to social outcasts and have-nots; the writers insisting its values were traditional, conservative; their critics seeing soap operas as the secret saboteurs of traditional marriage—the women as castrating wives; their husbands as emasculated men. Heilbut writes that soaps went beyond melodrama, deep into the perverse and the surreal, domesticating Freud and making sibling rivalry, transference, and Oedipal and Electra complexes the stuff of daily life. And he writes of the “daytime serial’s unwed mother,” Irna Phillips, a Chicago wannabe actress (a Margaret Hamilton of the shtetl) who created radio’s most seminal soap operas—Today’s Children, The Road of Life among them—and for television, As the World Turns, Guiding Light, etc., and who became known as the “queen of the soaps.” Hers, Heilbut writes, was the proud perspective of someone who didn’t fit anywhere, the stray no one loved. The Fan Who Knew Too Much is a revelatory look at some of our American icons and iconic institutions, high, low, and exalted.
HOME ON THE RANCH "Jan Freed writes with spice and flair! An exciting new voice in contemporary romance." —bestselling author Susan Wiggs The H&H Cattle Company, near Gonzales, Texas Scott Hayes—He's the owner. Scott's a hardworking cattleman who's got a reputation with the ladies. Not that he has any time for womanizing these days. Fact is, Scott's putting in twenty-hour stretches, now that H&H is down to one hired hand. And the word around these parts is that H&H is teetering on the edge of bankruptcy. Margaret Winston—When Scott calls her a princess, he doesn't mean it as a compliment! Still, Maggie has a few choice names for Scott, none of them pretty. That's because Maggie knows Scott from the old days and there's bad blood—and a good horse—between them. HOME ON THE RANCH
In the more than sixty-year history of the New York Mets, fans have been treated to countless firsts: the first Met pitcher to record a win at Shea Stadium (Al Jackson), the first Met to hit a homer at Citi Field (David Wright), the first Cy Young Award winner for the Mets (Tom Seaver), the first Met to pitch a no-hitter (Johan Santana), and the first to appear in an All-Star Game in a Mets uniform (Richie Ashburn). The list goes on. In New York Mets Firsts, Brett Topel presents the stories behind the firsts in Mets history in question-and-answer format. More than a mere trivia book, Topel’s collection includes substantive answers to the question of “Who was the first...?” on a variety of topics, many of which will surprise even seasoned fans of the Amazin’s.
Special edition includes the third and fourth books in this captivating series Holly Cathers is not the same person she was almost a year and a half ago. After discovering her connection to an ancient legacy of witches, Holly has accepted her destiny as a descendant of the House of Cahors. She is determined to end an intergenerational feud that has plagued her family for centuries. Holly will have to overcome unworldly obstacles as she battles to protect her loved ones -- including Jer, a member of the rival House of Deveraux and her one true love. A war of magical proportions is being waged, and Holly is at the center of it all. Lives will be lost, and sacrifices will have to be made....
More than a collection of vignettes and stories from garden, grill, and kitchen, The Culinary Plagiarist is a sustained adventure in gustatory delight, an intensely private but candid account of desire and all its objects. Opinionated on the full range of human experience, from fasting to inebriety, from sports to politics, from religion to raunch, it is at once serious, humorous, ironic, reflective, grateful, allusive, and appetitive. Along the way it offers a defense of small-scale, local life, of family, of place, and of “the bread we do not live alone by.” And also the drinks. Don’t forget the drinks. This is a book for people who enjoy being alive, whether in the kitchen, the pasture, the library, the barn, the trout stream, the henhouse (or the doghouse), or the bedroom.
