"Kenneth Kays was born in the conservative farm country of southern Illinois. The sixties were in full flower by the time Ken went off to college and discovered a world quite different from the one back home. On campus, drug culture flourished and the Vietnam War had polarized students. College meant a draft exemption, but in spring of 1969 Kays flunked out of school and soon received his draft notification. Denied conscientious objector status, he fled to Canada only to return. Yielding at last to pressure from family and community leaders, he joined up." "In deference to his nonviolent beliefs, the Army assigned him to a medical unit; he refused to carry a weapon. On May 7, 1970, after only seventeen days in Vietnam and just one day after joining a new platoon, the young medic found himself in a ferocious fire fight. Kays' actions at Fire Support Base Maureen would bring him the nation's highest award for military valor. The fighting that night at FSB Maureen was four hours of terrifying chaos. Seven men died. Yet it was just another unheralded skirmish toward the end of a long and fruitless war. Kays returned home with little fanfare and, with other vets, struggled to reconcile his anti-war beliefs and what he and others had done in Vietnam."--BOOK JACKET.
There was a bright moon three feet above his head, and an azure dragon embroidered on his sleeves. Riding a horse with a sword, indulging in unbridled pleasures, roaming the Jianghu with his lover.
The theme of death is an essential component of film narrative, particularly in how it affects the hero. Filmmakers from different cultures and backgrounds have developed distinct yet archetypal perspectives on death and the protagonist's response. Focusing on Western and Japanese period genre films, the author examines the work of John Ford (1894-1973), Akira Kurosawa (1910-1998) and Sergio Leone (1929-1989) and finds similarities regarding death's impact on the hero's sense of morality.
With scandal hot on her heels, acting attorney-general Cynthia Merritt has to get as far out of Atlanta—as fast as she can. Except now she's sentenced to obscurity in Stonewall Hollow for as long as it takes to get her game back. And everyone in the small town acts like Ethan Granger's the law, not her! Sure, Ethan's outreach program for troubled teens is admirable. But she's not about to sentence the rancher's own son to Ethan's care. She won't bend the rules, not even for this sexy single dad. Damn him for making her wish she could stay in his small town forever….
Thom Creed, the gay son of a disowned superhero, finds that he, too, has special powers and is asked to join the very League that rejected his father, and it is there that Thom finds other misfits whom he can finally trust.
Skinner founded his career in "asset protection" on fear. To touch anyone under his protection was to invite destruction. A savagely effective methodology, until Skinner's CIA handlers began to fear him as much as his enemies did and banished him to the hinterlands of the intelligence community. Now, an ornate and evolving cyber-terrorist attack is about to end that long exile. His asset is Jae, a roboticist with a gift for seeing the underlying systems violently shaping a new era of global guerrilla warfare. At the root of it all is a young boy, the innocent seed of a plot grown in the slums of Mumbai. Brought to flower, that plot will tip the balance of world power in a perilous new direction. A combination of Le Carre spycraft with Stephenson techno-philosophy from the novelist hailed by the Washington Post as "the voice of twenty-first century crime fiction," Skinner is Charlie Huston's masterpiece -- a new kind of thriller for a new kind of world.
World-renowned folklorist Maria Tatar reveals an astonishing but long-buried history of heroines, taking us from Cassandra and Scheherazade to Nancy Drew and Wonder Woman. The Heroine with 1,001 Faces dismantles the cult of warrior heroes, revealing a secret history of heroinism at the very heart of our collective cultural imagination. Maria Tatar, a leading authority on fairy tales and folklore, explores how heroines, rarely wielding a sword and often deprived of a pen, have flown beneath the radar even as they have been bent on redemptive missions. Deploying the domestic crafts and using words as weapons, they have found ways to survive assaults and rescue others from harm, all while repairing the fraying edges in the fabric of their social worlds. Like the tongueless Philomela, who spins the tale of her rape into a tapestry, or Arachne, who portrays the misdeeds of the gods, they have discovered instruments for securing fairness in the storytelling circles where so-called women’s work—spinning, mending, and weaving—is carried out. Tatar challenges the canonical models of heroism in Joseph Campbell’s The Hero with a Thousand Faces, with their male-centric emphases on achieving glory and immortality. Finding the women missing from his account and defining their own heroic trajectories is no easy task, for Campbell created the playbook for Hollywood directors. Audiences around the world have willingly surrendered to the lure of quest narratives and charismatic heroes. Whether in the form of Frodo, Luke Skywalker, or Harry Potter, Campbell’s archetypical hero has dominated more than the box office. In a broad-ranging volume that moves with ease from the local to the global, Tatar demonstrates how our new heroines wear their curiosity as a badge of honor rather than a mark of shame, and how their “mischief making” evidences compassion and concern. From Bluebeard’s wife to Nancy Drew, and from Jane Eyre to Janie Crawford, women have long crafted stories to broadcast offenses in the pursuit of social justice. Girls, too, have now precociously stepped up to the plate, with Hermione Granger, Katniss Everdeen, and Starr Carter as trickster figures enacting their own forms of extrajudicial justice. Their quests may not take the traditional form of a “hero’s journey,” but they reveal the value of courage, defiance, and, above all, care. “By turns dazzling and chilling” (Ruth Franklin), The Heroine with 1,001 Faces creates a luminous arc that takes us from ancient times to the present day. It casts an unusually wide net, expanding the canon and thinking capaciously in global terms, breaking down the boundaries of genre, and displaying a sovereign command of cultural context. This, then, is a historic volume that informs our present and its newfound investment in empathy and social justice like no other work of recent cultural history.
New York Times bestselling author Susan Elizabeth Phillips is back with a delightful novel filled with her sassy wit and dazzling charm. He's a reclusive writer whose imagination creates chilling horror novels. She's a down-on-her-luck actress reduced to staging kids' puppet shows. He knows a dozen ways to kill his characters with his bare hands. She knows a dozen ways to kill an audience with laughs. But she's not laughing now. Annie Hewitt has arrived on Peregrine Island in the middle of a snowstorm and at the end of her resources. She's broke, dispirited, but not quite ready to give up. Her red suitcases hold the puppets she uses to make her living: sensible Dilly, spunky Scamp, and Leo, the baddest of bad guys. Her puppets, the romantic novels she loves, and a little bit of courage are all she has left. Annie couldn't be more ill prepared for what she finds when she reaches Moonraker Cottage or for the man who dwells in Harp House, the mysterious mansion that hovers above the cottage. When she was a teenager, he betrayed her in a way she can never forget or forgive. Now they're trapped together on a frozen island along with a lonely widow, a mute little girl, and townspeople who don't know how to mind their own business. Is he the villain she remembers, or has he changed? Her head says no. Her heart says yes. It's going to be a long, hot winter.
AN INSTANT NEW YORK TIMES BESTSELLER! From the acclaimed, #1 New York Times bestselling author of Make Your Bed—a short, inspirational book about the qualities of true, everyday heroes. THE HERO CODE is Admiral McRaven's ringing tribute to the real, everyday heroes he's met over the years, from battlefields to hospitals to college campuses, who are doing their part to save the world. When Bill McRaven was a young boy growing up in Texas, he dreamed of being a superhero. He longed to put on a cape and use his superpowers to save the earth from destruction. But as he grew older and traveled the world, he found real heroes everywhere he went -- and none of them had superpowers. None of them wore capes or cowls. But they all possessed qualities that gave them the power to help others, to make a difference, to save the world: courage, both physical and moral; humility; a willingness to sacrifice; and a deep sense of integrity. THE HERO CODE is not a cypher, a puzzle, or a secret message. It is a code of conduct; lessons in virtues that can become the foundations of our character as we build a life worthy of honor and respect.
Willow Love has written an action packed book about what happens when two half-sisters, separated and raised by two separate families, lives collide. especially when the half sister is unwanted and hated. Mischief, oldest girl, has fought her way up the ladder in what is now her company. Mischief is beautiful, but vain and selfish. Now her younger half-sister has stepped into her life pretending to be her. The girl wanted to help, but does Mischief see it that way? Just how far will Mischief go to stop her younger accidental rival? Does Mischief hate her half sister enough to commit murder?
