Trio Sonata in C Major
Author: Georg Philipp Telemann
Publisher: Alfred Music
Published: 1999-08-26
Total Pages: 28
ISBN-13: 9781457480072
DOWNLOAD EBOOKFor 2 flutes and basso continuoso.
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Author: Georg Philipp Telemann
Publisher: Alfred Music
Published: 1999-08-26
Total Pages: 28
ISBN-13: 9781457480072
DOWNLOAD EBOOKFor 2 flutes and basso continuoso.
Author: Chris Woodstra
Publisher: Hal Leonard Corporation
Published: 2005
Total Pages: 1620
ISBN-13: 9780879308650
DOWNLOAD EBOOKOffering comprehensive coverage of classical music, this guide surveys more than eleven thousand albums and presents biographies of five hundred composers and eight hundred performers, as well as twenty-three essays on forms, eras, and genres of classical music. Original.
Author: Beethoven
Publisher: Createspace Independent Publishing Platform
Published: 2018-03-29
Total Pages: 34
ISBN-13: 9781986949293
DOWNLOAD EBOOKSonata no. 3 in C major is one of the first three Beethoven's sonatas (opus 2) written in 1795 and dedicated to Joseph Haydn. This UTEXT edition is based on early original editions, which Beethoven personally supervised. The fingerings are provided by the editor.
Author: Max Reger
Publisher: Alfred Music
Published:
Total Pages: 92
ISBN-13: 9781457470523
DOWNLOAD EBOOKA new Kalmus edition including Reger's two clarinet sonatas. Separate parts included for the clarinet and piano.
Author: Arcangelo Corelli
Publisher: Courier Corporation
Published: 1992-01-01
Total Pages: 354
ISBN-13: 0486272419
DOWNLOAD EBOOKElegant works of great lyric expressiveness that rank among the glories of Baroque music. This volume, reprinted from the standard edition, contains all 48 of the trio sonatas (including the famous chaconne) of Opp. 1, 2, 3 and 4, along with all twelve solo sonatas, Op. 5.
Author: Johann Mattheson
Publisher: Alfred Music
Published: 1999-01-15
Total Pages: 120
ISBN-13: 9781457469749
DOWNLOAD EBOOKKalmus proudly presents this complete collection of the flute sonatas of Johann Matheson. Included are the piano accompaniment and a separate solo flute part in this new cleanly printed edition.
Author: Yoel Greenberg
Publisher: Oxford University Press
Published: 2022-06-10
Total Pages: 265
ISBN-13: 0197526284
DOWNLOAD EBOOKTraditional approaches to musical form have always adopted a top-down perspective whereby a work's form organizes and unifies the individual parts of the work through an overarching logic. How Sonata Forms turns this view on its head, proposing instead that it was the parts that conditioned and enabled the whole. Relying on a corpus of over a thousand works, author Yoel Greenberg illustrates how the elements of sonata form arose independently of one another, with an overarching idea of form only emerging at the tail end of its formative period during the eighteenth century. Appreciation of the bottom-up nature of sonata form's evolution reveals it not as a stable package of features that all serve a common aesthetic or formal goal, but rather as an unstable collection of disparate and sometimes even contradictory common practices. The resolution of these contradictions presents a challenge to composers, rendering form a creative catalyst in itself, rather than as a compositional convenience. More generally, the deeply diachronic perspective of How Sonata Forms offers an alternative to the traditional synchronic outlook that pervades music theory in general and the study of form in particular. Rather than focus on definitions and taxonomies, How Sonata Forms proposes a focus on the motion of the system of form as a whole, suggesting that it is often more productive to appreciate the dynamics of a system than it is to rigorously define its parts.
Author: Johann Christian Bach
Publisher: Alfred Music
Published: 1999-08-26
Total Pages: 24
ISBN-13: 9781457471926
DOWNLOAD EBOOKA Piano Duet for 1 Piano, 4 Hands, composed by Johann Christian Bach.
Author: George B. Stauffer
Publisher: U of Nebraska Press
Published: 1996-01-01
Total Pages: 282
ISBN-13: 9780803210448
DOWNLOAD EBOOKFrom 1727, when Johann Sebastian Bach turned to Bernhard Christoph Breitkopf for a printed text sheet for his "Trauer-Ode" (Cantata 198), to 1787, when Carl Philipp Emanuel Back engaged Bernhard's son, Johann Gottlob Immanuel, to print the last volume of his Clavier-Sonaten für Kenner und Liebhaber, the Bachs and the Breitkopfs enjoyed close professional ties—ties born of the growing trade in the eighteenth century between music composers and music printers. The Breitkopf firm, which began in 1719 as a book-printing operation, gradually became one of the most important publishing houses in central Europe. It owned an extensive inventory of music manuscripts, from which copies could be produced on request; it issued the first music catalogs with printed incipits; it developed one of the first viable methods of printing music from movable type. Bach Perspectives examines the publishing activities of the Breitkopf firm as seen through its commerce with the Bach family. The volume begins with an introductory essay that surveys Breitkopf’s business in Leipzig and the firm’s contribution to the wider world of music publishing. The articles turn to the specific connections between the Bachs and the Breitkopfs, the importance of Breitkopf’s music catalogs, the identification and dating of music manuscripts in Breitkopf’s extensive inventory, and the architecture of the buildings in which the Bach and Breitkopf families lived.