Trio No. 4 in C Major, K. 548

Trio No. 4 in C Major, K. 548

Author: Wolfgang Amadeus Mozart

Publisher: Alfred Music

Published: 1999-08-26

Total Pages: 44

ISBN-13: 9781457487354

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Composed by Wolfgang Amadeus Mozart, this trio is written for Violin, Cello, and Piano.


Complete Piano Trios: Sheet

Complete Piano Trios: Sheet

Author:

Publisher: Edition Peters

Published: 2022-05

Total Pages: 256

ISBN-13:

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The classic Hermann/Grümmer Edition Peters volume of Mozart's complete Piano Trios, including works for Violin or Clarinet, with Cello and Piano. Edition contains piano score and individual instrumental parts: Clarinet Trio in E flat major, K498 Kegelstatt-Trio Divertimento (Piano Trio) in B flat, K254 Piano Trio No. 1 in G major, K496 Piano Trio No. 3 in B flat major, K502 Piano Trio No. 4 in E major K542 Piano Trio No. 5 in C major, K548 Piano Trio No. 6 in G major K564


Keys to the Drama

Keys to the Drama

Author: Gordon Sly

Publisher: Routledge

Published: 2016-04-22

Total Pages: 264

ISBN-13: 1317109236

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Sonata form is fundamentally a dramatic structure that creates, manipulates, and ultimately satisfies expectation. It engages its audience by inviting prediction, association, and interpretation. That sonata form was the chief vehicle of dramatic instrumental music for nearly 200 years is due to the power, the universality, and the tonal and stylistic adaptability of its conception. This book presents nine studies whose central focus is sonata form. Their diversity attests both to the manifold analytical approaches to which the form responds, and to the vast range of musical possibility within the form's exemplars. At the same time, common compositional issues, analytical methods, and overarching perspectives on the essential nature of the form weave their way through the volume. Several of the essays approach the musical structure directly as drama, casting the work as an expression of its composer's engagement with an idea or principle that is dynamic and at times intensely difficult. Others concentrate their attention on a composer's use of "motive," which typically takes the form of a simple melodic span that shapes the musical architecture through an interdependent series of structural levels. Integrating these motivic threads within the musical fabric often warrants departures from formal norms in other areas. Analyses that seek to understand works with anomalous formal qualities-whether engendered by a motivic component or not-have a prominent place in the volume. Among these, accounts of idiosyncratic tonal discourse that threatens to undermine the unfolding of form-defining qualities or events are central.


Rudolf Serkin

Rudolf Serkin

Author: Stephen Lehmann

Publisher:

Published: 2003

Total Pages: 361

ISBN-13: 0195130464

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This book is the first biography of 20th-century pianist Rudolf Serkin, providing a narrative of Serkin's life with emphasis on his European roots and the impact of his move to America. Based on his personal papers and correspondence, as well as extensive interviews with friends, family, and colleagues, the authors focus on three key aspects of Serkin's work, particularly as it unfolded in America: his art and career as a pianist, his activities as a pedagogue, including his long association with the Curtis Institute in Philadelphia, and his key role in institutionalizing a redefinition of musical values in America through his work as artistic director of the Marlboro Music School and Festival in Vermont. A candid and colorful blend of narrative and interviews, it offers a probing look into the life and character of this very private man and powerful musical personality.


Notes

Notes

Author: Music Library Association

Publisher:

Published: 1956

Total Pages: 688

ISBN-13:

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The Art of Musical Phrasing in the Eighteenth Century

The Art of Musical Phrasing in the Eighteenth Century

Author: Stephanie Vial

Publisher: University Rochester Press

Published: 2008

Total Pages: 382

ISBN-13: 9781580460347

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This book is the collection of papers that came out of an interdisciplinary symposium held in the spring of 1991 in the Republic of San Marino. The conference "Effects of War on Society" was planned as the first in a series aimed ultimately at placing in perspective the sociocultural variables that make outbreaks of war probable, and delineating for researchers and policy makers alike some important steps that can be taken to control these variables. This is Volume 1 of a series entitled "Studies on the Nature of War", which the University of Rochester Press has been publishing from Volume 2 (War and Ethnicity: Global Connections and Local Violence (1997)). after much demand, we are now distributing this book on behalf of the conference organizers, The Center for Interdisciplinary Research on Social Stress, in San Marino.