Trio No. 2 in E-flat Major, Opus 100

Trio No. 2 in E-flat Major, Opus 100

Author: Franz Schubert

Publisher: Alfred Music

Published: 1999-08-26

Total Pages: 96

ISBN-13: 9781457487415

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Expertly arranged Trio for Piano, Violin, and Cello by Franz Schubert from the Kalmus Edition series. This Trio is from the Classical and Romantic eras.


Six great piano trios, opp. 1, 70, and 97

Six great piano trios, opp. 1, 70, and 97

Author: Ludwig van Beethoven

Publisher: Courier Corporation

Published: 1987-01-01

Total Pages: 210

ISBN-13: 0486253988

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This definitive Breitkopf & Härtel edition of Beethoven's most performed and recorded piano trios includes the Ghost (Op. 70, No. 1) and the Archduke (Op. 97). Features lay-flat sewn binding.


The Critical Reception of Beethoven's Compositions by His German Contemporaries

The Critical Reception of Beethoven's Compositions by His German Contemporaries

Author: Wayne M. Senner

Publisher: U of Nebraska Press

Published: 1999-05-25

Total Pages: 296

ISBN-13: 9780803212503

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Compiled here are reviews, reports, notes, and essays found in German-language periodicals published between 1783 and 1830. The documents are translated into English with copious notes and annotations, an introductory essay, and indexes of names, subjects, and works. This volume contains a general section and documents on specific opus numbers up to opus 54, with musical examples redrawn from the original publications. ø The collection brings to light contemporary perceptions of Beethoven?s music, including matters such as audience, setting, facilities, orchestra, instruments, and performers as well as the relationship of Beethoven?s music to theoretical and critical ideas of the eighteenth and nineteenth centuries. These documents, most of which appear in English for the first time, present a wide spectrum of insights into the perceptions that Beethoven?s contemporaries had of his monumental music.


Schubert's Beethoven Project

Schubert's Beethoven Project

Author: John M. Gingerich

Publisher: Cambridge University Press

Published: 2014-05-22

Total Pages: 446

ISBN-13: 1139952080

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Why couldn't Schubert get his 'great' C-Major Symphony performed? Why was he the first composer to consistently write four movements for his piano sonatas? Since neither Schubert's nor Beethoven's piano sonatas were ever performed in public, who did hear them? Addressing these questions and many others, John M. Gingerich provides a new understanding of Schubert's career and his relationship to Beethoven. Placing the genres of string quartet, symphony, and piano sonata within the cultural context of the 1820s, the book examines how Schubert was building on Beethoven's legacy. Gingerich brings new understandings of how Schubert tried to shape his career to bear on new hermeneutic readings of the works from 1824 to 1828 that share musical and extra-musical pre-occupations, centering on the 'Death and the Maiden' Quartet and the Cello Quintet, as well as on analyses of the A-minor Quartet, the Octet, and of the 'great' C-Major Symphony.


38 Waltzes, Ländler and Ecossaises D.145 (Op.18) - For Solo Piano (1823)

38 Waltzes, Ländler and Ecossaises D.145 (Op.18) - For Solo Piano (1823)

Author: Franz Schubert

Publisher: Read Books Ltd

Published: 2020-09-17

Total Pages: 18

ISBN-13: 1528765095

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Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.