Trio No. 1, Opus 18 in F Major

Trio No. 1, Opus 18 in F Major

Author: Camille Saint-Sa��ns

Publisher: Alfred Music

Published: 1999-08-26

Total Pages: 60

ISBN-13: 9781457487422

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Expertly arranged Trio for Piano, Violin, and Cello by Camille Saint-Sa��ns from the Kalmus Edition series. This Trio is from the Romantic era.


Six great piano trios, opp. 1, 70, and 97

Six great piano trios, opp. 1, 70, and 97

Author: Ludwig van Beethoven

Publisher: Courier Corporation

Published: 1987-01-01

Total Pages: 210

ISBN-13: 0486253988

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This definitive Breitkopf & Härtel edition of Beethoven's most performed and recorded piano trios includes the Ghost (Op. 70, No. 1) and the Archduke (Op. 97). Features lay-flat sewn binding.


Arthur Foote

Arthur Foote

Author: Nicholas E. Tawa

Publisher: Scarecrow Press

Published: 1997

Total Pages: 518

ISBN-13: 9780810832954

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Gathers all the available information on Arthur Foote (1853-1937), one of the most important American composers who worked creatively in the late 19th and early 20th centuries. With bibliography and musical examples.


Chamber Music

Chamber Music

Author: James M. Keller

Publisher: Oxford University Press

Published: 2011

Total Pages: 517

ISBN-13: 019020639X

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Chamber Music: A Listener's Guide brings together acclaimed program annotator James Keller's essays on the essential chamber-music repertoire. Written to be meaningful to non-professional music-lovers while also providing enrichment for chamber-music professionals, these notes offer generous historical background for 193 works by 56 composers from the 18th century to the present.


Chamber symphony no. 1, for 15 solo instruments, op. 9

Chamber symphony no. 1, for 15 solo instruments, op. 9

Author: Arnold Schoenberg

Publisher: Courier Corporation

Published: 2002-01-01

Total Pages: 161

ISBN-13: 0486419002

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This piece is unusual in concentrating all the elements of a symphony into a single movement; in being written for 15 solo instruments; in using chords built up of fourths; and in creating dissonances without immediate resolution. To its first audiences, the symphony seemed shocking. But today it is one of Schoenberg's most pleasing and accessible works. Scored for a chamber ensemble of flute, oboe, English horn, two clarinets, bass clarinet, bassoon, contrabassoon, two horns, two violins, viola, cello, and bass. Instrumentation. Glossary.


Bending the Rules of Music Theory

Bending the Rules of Music Theory

Author: Timothy Cutler

Publisher: Routledge

Published: 2019-02-04

Total Pages: 314

ISBN-13: 1351069152

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For students learning the principles of music theory, it can often seem as though the tradition of tonal harmony is governed by immutable rules that define which chords, tones, and intervals can be used where. Yet even within the classical canon, there are innumerable examples of composers diverging from these foundational "rules." Drawing on examples from composers including J.S. Bach, Mozart, Beethoven, Schubert, Mendelssohn, Chopin, Brahms, and more, Bending the Rules of Music Theory seeks to take readers beyond the basics of music theory and help them to understand the inherent flexibility in the system of tonal music. Chapters explore the use of different rule-breaking elements in practice and why they work, introducing students to a more nuanced understanding of music theory.


Beethoven Hero

Beethoven Hero

Author: Scott Burnham

Publisher: Princeton University Press

Published: 2020-07-21

Total Pages: 231

ISBN-13: 069121588X

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Bringing together reception history, music analysis and criticism, the history of music theory, and the philosophy of music, Beethoven Hero explores the nature and persistence of Beethoven's heroic style. What have we come to value in this music, asks Scott Burnham, and why do generations of critics and analysts hear it in much the same way? Specifically, what is it that fosters the intensity of listener engagement with the heroic style, the often overwhelming sense of identification with its musical process? Starting with the story of heroic quest heard time and again in the first movement of the Eroica Symphony, Burnham suggests that Beethoven's music matters profoundly to its listeners because it projects an empowering sense of self, destiny, and freedom, while modeling ironic self-consciousness. In addition to thus identifying Beethoven's music as an overarching expression of values central to the age of Goethe and Hegel, the author describes and then critiques the process by which the musical values of the heroic style quickly became the controlling model of compositional logic in Western music criticism and analysis. Apart from its importance for students of Beethoven, this book will appeal to those interested in canon formation in the arts and in music as a cultural, ethical, and emotional force--and to anyone concerned with what we want from music and what music does for us.


Chamber Music

Chamber Music

Author: Mark A. Radice

Publisher: University of Michigan Press

Published: 2012-01-19

Total Pages: 384

ISBN-13: 0472051652

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A thorough overview and history of chamber music