The Tattoo Encyclopedia provides the first comprehensive overview of tribal tattooing across history, continents, and ethnicities. Each group, clan, or community that practiced tattooing had its own places where people prepared for tattooing or where tattooing was performed. Tattoo sessions were accompanied by music, songs, or other rituals. They had tattoo artists and their assistants. Of course, they used various tattoo tools to carry and apply the designs. Last but not least, they also used different ingredients to obtain the inks for the tattoos. For all this, the different communities had their own names and terms, in their own language or dialect, and it is these terms, including descriptions, often already lost in history, that this book presents.
Tattoos have moved into the mainstream and are continuing to grow in popularity. For people contemplating getting a tattoo, however, the choice of images can be overwhelming. THE TATTOO ENCYCLOPEDIA provides a comprehensive and informative exploration of the colourful world of tattoos. It presents precise descriptions of both common and unusual symbols and sheds light on their historic, religious and cultural significance. Organised in a convenient A-Z format, cross-referenced, indexed and illustrated with 300 pieces of authentic tattoo line art, the book features a stunning array of images from ancient Buddhist and Chinese designs to those sported by twenty-first century bikers. Whether choosing a personally significant tattoo, wanting to learn more about a symbol, or simply interested in tattoos as a form of art and body decoration, readers will discover the richness of tattoo culture in this treasury.
For more than 30 years Danzig Baldayev was a prison warder in Kresty prison in St Petersburg. He collected more than 3000 images of Russian criminals' tattoos. These form the backbone to this encyclopedia that explores one of the world's more unusual art forms.
Tattoos have played an important role in human culture for thousands of years. Ideal for the tattoo artist, anthropologist, or tattoo fan, this visual lexicon covers tattoos from hundreds of different cultures and lists meanings, reasons for wearing, rites of passage, and indicates placement for thousands of individual tattoos. Complete with nearly 650 illustrations, the book breaks down the symbology of these tattoos, indicating the origin and significance of motifs from tattoo cultures that still exist and those that have been lost to history. The breadth and depth of this information serves to inspire today's tattoo artist and expand the knowledge of this ancient and global phenomena.
Tattooing is a very old and spiritually respected art form that has existed in many different cultures around the world. After many centuries of not being practiced in Europe, tattooing was re-introduced to the Western world through the inhabitants of the Pacific Ocean. Beginnning in the 16th century, European explorers came across many people who practiced tattooing as an integral part of their cultures. This is the first serious study of Filipino tattoos, and it considers early accounts from explorers and Spanish-speaking writers. The text presents Filipino cultural practices connected with ancestral and spiritual aspects of tattoo markings, and how they relate to the process and tools used to make the marks. In the Philippine Islands, tatoos were applied to men and women for many different reasons. It became a form of clothing. Certain designs recognized manhood and personal accomplishments as well as attractiveness, fertility, and continuity of the family or village. Facial tattoos occurred on the bravest warriors with names that denoted particular honor. Through the fascinating text and over 200 images, including color photographs and design drawings, the deep meanings and importance of these markings becomes apparent.
People everywhere have attempted to change their bodies in an effort to meet their cultural standards of beauty, as well as their religious and/or social obligations. Often times, this modification or adornment of their bodies is part of the complex process of creating and re-creating personal and social identities. Body painting has probably been practiced since the Paleolithic as archaeological evidence indicates, and the earliest human evidence of tattooing goes back to the Neolithic with mummies found in Europe, Central Asia, the Andes and the Middle East. Adornments such as jewelry have been found in the earliest human graves and bodies unearthed from five thousand years ago show signs of intentional head shaping. It is clear that adorning and modifying the body is a central human practice. Over 200 entries address the major adornments and modifications, their historical and cross-cultural locations, and the major cultural groups and places in which body modification has been central to social and cultural practices. This encyclopedia also includes background information on the some of the central figures involved in creating and popularizing tattooing, piercing, and other body modifications in the modern world. Finally, the book addresses some of the major theoretical issues surrounding the temporary and permanent modification of the body, the laws and customs regarding the marking of the body, and the social movements that have influenced or embraced body modification, and those which have been affected by it. All cultures everywhere have attempted to change their body in an attempt to meet their cultural standards of beauty, as well as their religious and or social obligations. In addition, people modify and adorn their bodies as part of the complex process of creating and re-creating their personal and social identities. Body painting has probably been practiced since the Paleolithic as archaeological evidence indicates, and the earliest human evidence of tattooing goes back to the Neolithic with mummies found in Europe, Central Asia, the Andes and the Middle East. Adornments such as jewelry have been found in the earliest human graves and bodies unearthed from five thousand years ago show signs of intentional head shaping. It is clear that adorning and modifying the body is a central human practice. Over 200 entries address the major adornments and modifications, their historical and cross-cultural locations, and the major cultural groups and places in which body modification has been central to social and cultural practices. This encyclopedia also includes background information on the some of the central figures involved in creating and popularizing tattooing, piercing, and other body modifications in the modern world. Finally, the book addresses some of the major theoretical issues surrounding the temporary and permanent modification of the body, the laws and customs regarding the marking of the body, and the social movements that have influenced or embraced body modification, and those which have been affected by it. Entries include, acupuncture, amputation, Auschwitz, P.T. Barnum, the Bible, body dysmorphic disorder, body piercing, branding, breast augmentation and reduction, Betty Broadbent, castration, Christianity, cross dressers, Dances Sacred and Profane, Egypt, female genital mutilation, foot binding, freak shows, genetic engineering, The Great Omi, Greco-Roman world, henna, infibulation, legislation & regulation, lip plates, medical tattooing, Meso-America, military tattoos, National Tattoo Association, nose piercing, obesity, permanent makeup, primitivism, prison tattooing, punk, rites of passage, scalpelling, silicone injections, Stalking Cat, suspensions, tanning, tattoo reality shows, tattooing, Thailand, transgender, tribalism.
Say "body modifications" and most people think of tattoos and piercings. They associate these mainly with the urban primitives of the 1980s to today and with primitive tribes. In fact, as this fascinating book shows, body mods have been on the scene since ancient times, traceable as far back as 1.5 million years, and they also encompass sacrification, branding, and implants. Professor John Rush outlines the processes and procedures of these radical physical alterations, showing their function as rites of passage, group identifiers, and mechanisms of social control. He explores the use of pain for spiritual purposes, such as purging sin and guilt, and examines the phenomenon of accidental cuts and punctures as individual events with sometimes profound implications for group survival. Spiritual Tattoo finds a remarkable consistency in body modifications from prehistory to the present, suggesting the importance of the body as a sacred geography from both social and psychological points of view.
An ethnography of the tattoo community, tracing the practice's transformation from a mostly male, working-class phenomenon to one adapted and propagated by a more middle-class movement in the period from the 1970s to the present.
For millennia, tattoos have documented the history of humanity one painful mark at a time. They form a visual language on the skin, expressing an individual’s desires and fears as well as cultural values, family ties, and spiritual beliefs on the surfaces of the body. The Indigenous peoples of Asia have created some of the world’s oldest and most distinctive tattoos, but their many contributions to body art and practice have been largely overlooked. Tattoo Traditions of Asia is the first single volume dedicated to the anthropological study of an ancient cultural practice and artform that spans many countries and societies, ancestral lands, and contemporary communities across the continent and its islands. This richly illustrated survey combines the author's twenty years of fieldwork, interviewing hundreds of Indigenous tattoo bearers and contemporary tattoo practitioners, with painstaking research conducted in obscure archives throughout the region and elsewhere to break new ground on one of the least-understood mediums of Indigenous Asian expressive culture—a vital tradition to be celebrated, an inspirational story told in skin and ink.
