The asylum--at once a place of refuge, incarceration, and abuse--touched the lives of many Americans living between 1830 and 1950. What began as a few scattered institutions in the mid-eighteenth century grew to 579 public and private asylums by the 1940s. About one out of every 280 Americans was an inmate in an asylum at an annual cost to taxpayers of approximately $200 million. Using the writing of former asylum inmates, as well as other sources, Writing Mad Lives in the Age of the Asylum reveals a history of madness and the asylum that has remained hidden by a focus on doctors, diagnoses, and other interventions into mad people's lives. Although those details are present in this story, its focus is the hundreds of inmates who spoke out or published pamphlets, memorials, memoirs, and articles about their experiences. They recalled physical beatings and prolonged restraint and isolation. They described what it felt like to be gawked at like animals by visitors and the hardships they faced re-entering the community. Many inmates argued that asylums were more akin to prisons than medical facilities and testified before state legislatures and the US Congress, lobbying for reforms to what became popularly known as "lunacy laws." Michael Rembis demonstrates how their stories influenced popular, legal, and medical conceptualizations of madness and the asylum at a time when most Americans seemed to be groping toward a more modern understanding of the many different forms of "insanity." The result is a clearer sense of the role of mad people and their allies in shaping one of the largest state expenditures in the nineteenth and early twentieth centuries--and, at the same time, a recovery of the social and political agency of these vibrant and dynamic "mad writers."
A man desperately tries to keep his pact with the Devil, a woman is imprisoned in an insane asylum by her husband because of religious differences, and, on the testimony of a mere stranger, "a London citizen" is sentenced to a private madhouse. This anthology of writings by mad and allegedly mad people is a comprehensive overview of the history of mental illness for the past five hundred years-from the viewpoint of the patients themselves.Dale Peterson has compiled twenty-seven selections dating from 1436 through 1976. He prefaces each excerpt with biographical information about the writer. Peterson's running commentary explains the national differences in mental health care and the historical changes that have take place in symptoms and treatment. He traces the development of the private madhouse system in England and the state-run asylum system in the United States. Included is the first comprehensive bibliography of writings by the mentally ill.
An examination of the evolving rhetoric of psychiatric disease Diagnosing Madness is a study of the linguistic negotiations at the heart of mental illness identification and patient diagnosis. Through an examination of individual psychiatric case records from the late nineteenth and early twentieth centuries, Cristina Hanganu-Bresch and Carol Berkenkotter show how the work of psychiatry was navigated by patients, families, doctors, the general public, and the legal system. The results of examining those involved and their interactions show that the psychiatrist's task became one of constant persuasion, producing arguments surrounding diagnosis and asylum confinement that attempted to reconcile shifting definitions of disease and to respond to sociocultural pressures. By studying patient cases, the emerging literature of confinement, and patient accounts viewed alongside institutional records, the authors trace the evolving rhetoric of psychiatric disease, its impact on the treatment of patients, its implications for our contemporary understanding of mental illness, and the identity of the psychiatric patient. Diagnosing Madness helps elucidate the larger rhetorical forces that contributed to the eventual decline of the asylum and highlights the struggle for the professionalization of psychiatry.
Discussing marginality from an analytic perspective and drawing on canonical theories by a diverse set of authors, such as Dilthey, Collingwood, Wittgenstein, Foucault, John McDowell, Susan Carey, Michael Tomasello, and Chris Frith, this book is an important contribution to ongoing debates on marginality among psychiatrists, psychologists, social scientists, and philosophers. Psychology often resorts to overambitious theorizing due to a perceived pressure to justify its scientific credentials. Taking the cases of preverbal children and mentally ill patients, George Tudorie illustrates that applying overarching and unifying explanations to marginal subjects is problematic, arguing instead that those at the margins should be given their proper explanatory autonomy. Tudorie examines recent cognitive theories on early development in children to reveal the difficulties of conceptualising the emergence of human abilities, while also demonstrating how cognitive accounts of psychosis, built around the typical concepts of 'belief-desire-intention' psychology, eventually falter. In doing so, he reveals that interpretation is not a route psychology can take at the margins, and calls for a clearer view of explanatory options in marginal cases.
In his book about the discovery of the structure of DNA, James Watson wrote, “So we had lunch, telling ourselves that a structure this beautiful just had to exist.” Indeed, the quest most often asked by scientists about a scientific theory is “Is it beautiful?” Yes, beauty equals truth. Scientists know, mathematicians know. But the beauties, the truths of mathematics and science were not the truths that inspired the author as a child, and he intuitively knew that the truths he needed come from a different way of knowing, a way of knowing not of the world of logic and reason and explanation (though they have a value), but rather a way of knowing that is of the world expression, a world that enters the truths beyond the grasp of logic. That is what this book is all about. It is an exploration of the greatest minds of human existence struggling to understand the deepest truths of the human condition. This second edition updates the previous one, incorporating new publications on Van Gogh, recent discoveries in neurology, psychology, and the rapid developments in understanding DNA and biotechnology. We’ve come a long way already from that original discovery by Watson and his coauthor Francis Crick.
Excerpt from The Trial of Ebenezer Haskell, in Lunacy, and His Acquittal Before Judge Brewster, in November, 1868: Together With a Brief Sketch of the Mode of Treatment of Lunatics in Different Asylums in This Country and in England A brief outline of the facts connected with the confinement of Ebenezer Haskell in the Pennsylvania Hospital for the Insane. Ebenezer Haskell, an industrious, sober citizen, more than forty years a resident of Philadelphia, and long and well known amongst the leading business men of that city as an energetic and successful mechanic, on the 8th of April, 1866, being over 60 years of age, files a Petition in the Orphans' Court of Montgomery County, in the right of his wife, Adelaide A., the daughter of Henry Horn, deceased, praying a citation for an account against the Executor, James H Horn, of the said Henry Horn, who had then been more than four years in possession of the trust, without showing any account. This causes disturbance in the immediate family of Mr. Haskell, consisting of himself, wife, three sons and one daughter. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.