Author: United States. Congress. House. Committee on the Judiciary. Subcommittee on Immigration, Citizenship, Refugees, Border Security, and International Law
Author: United States. Congress. House. Committee on the Judiciary. Subcommittee on Immigration, Citizenship, Refugees, Border Security, and International Law
While most people are aware of the World War II internment of thousands of Japanese citizens and residents of the United States, few know that Germans, Austrians, and Italians were also apprehended and held in internment camps under the terms of the Enemy Alien Control Program. Port of No Return tells the story of New Orleans’s key role in this complex secret operation through the lens of Camp Algiers, located just three miles from downtown New Orleans. Deemed to be one of two principal ports through which enemy aliens might enter the United States, New Orleans saw the arrival of thousands of Latin American detainees during the war years. Some were processed there by the Immigration and Naturalization Service before traveling on to other detention facilities, while others spent years imprisoned at Camp Algiers. In 1943, a contingent of Jewish refugees, some of them already survivors of concentration camps in Europe, were transferred to Camp Algiers in the wake of tensions at other internment sites that housed both refugees and Nazis. The presence of this group earned Camp Algiers the nickname “Camp of the Innocents.” Despite the sinister overtones of the “enemy alien” classification, most of those detained were civilians who possessed no criminal record and had escaped difficult economic or political situations in their countries of origin by finding a refuge in Latin America. While the deportees had been assured that their stay in the United States would be short, such was rarely the case. Few of those deported to the U.S. during World War II were able to return to their countries of residence, either because their businesses and properties had been confiscated or because their home governments rejected their requests for reentry. Some were even repatriated to their countries of origin, a possibility that horrified Jews and others who had suffered under the Nazis. Port of No Return tells the varied, fascinating stories of these internees and their lives in Camp Algiers.
Why an account of "the peopling" of the United States must include the stories of indigenous people, enslaved persons, and those living in territories and foreign nations taken and acquired by the United States. In New Narratives on the Peopling of America, editors T. Alexander Aleinikoff and Alexandra Délano Alonso present an extraordinary collection of original essays that reshape our understanding of the peopling of the United States. This thought-provoking volume goes beyond conventional accounts of immigration by reexamining narratives about foreign-born populations in the United States. It situates them as part of a larger story of forced displacement and dispossession that needs to include indigenous people, enslaved persons, deported and returned migrants, and those residing in territories and foreign nations acquired by the United States. The diverse range of contributors—which include academics, journalists, artists, legal scholars, and activists—confront complex topics such as migration, racial justice, tribal sovereignty, and the pursuit of equality. As nationalism, globalization, and economic challenges reshape the social and political landscape, this timely volume calls for a reevaluation and reconstruction of national narratives of belonging. Challenging nativist tropes and offering broader understandings of collective history, this pathbreaking book centers issues of race and dispossession in the story of the American people. New Narratives on the Peopling of America is an essential resource for students and a compelling read for general readers seeking a deeper understanding of the complex tapestry of American identity. Contributors: Neil Agarwal; T. Alexander Aleinikoff; Jill Anderson; Kwame Anthony Appiah; Hana Brown; Alexandra Délano Alonso; Allison Dorsey; Taylor Dow; Maria Cristina Garcia; Justin Gest; Daniel Immerwahr; Jennifer A. Jones; Katy Long; Maggie Loredo; Dakota Mace; Ruth Milkman; Ana Raquel Minian; Carlos Motta; Mae Ngai; Eboo Patel; QUEEROCRACY; Marco Saavedra; Cinthya Santos Briones; Rogers M. Smith; Pireeni Sundaralingam; Héctor Tobar; Jesús I.Valles; Wendy A. Vogt; John Weeks
During World War II, the US government confined thousands of Japanese-, German- and Italian-Americans to isolated, fenced and guarded relocation centers known as internment camps. At the same time, it shipped foreign Prisoners of War captured overseas to the US for imprisonment. Heartland reflects on the intersection between these two historic events through the story of a German-born widow and her family who take in two German Prisoners of War to work their family farm. But the German-American family and the POWs bond too well for the townspeople to accept, and the widow is arrested, interned and eventually suffers a breakdown, which tears her family apart. Based on true stories, Heartland illustrates what can happen when fear and prejudice pit neighbor against neighbor in times of war. A dramatic tale that grants insights into American history, Heartland is a winner of the Dayton Playhouse FutureFest and a runner-up for the Kennedy Center American College Theatre Festival David Mark Cohen National Playwriting Award. “The story is shocking; for me it was revelatory,” wrote theatre critic Pat Launer. “Deporting our own citizens? Who knew? But the play, while conveying historical information, is not in the slightest didactic. It’s a family story, a tale of survival and acquiescence, of racism, of neighbor against neighbor. Not a pretty picture ....” While it may be read for pleasure, Heartland also is a useful tool for exposing students to important lessons in history, politics, economics, sociology, psychology, women’s studies and other academic disciplines. Social Fictions Series Editorial Advisory Board Carl Bagley, University of Durham, UK Anna Banks, University of Idaho, USA Carolyn Ellis, University of South Florida, USA Rita Irwin, University of British Columbia, Canada J. Gary Knowles, University of Toronto, Canada Laurel Richardson, The Ohio State University (Emeritus), USA Lojo Simon is a playwright, dramaturg and journalist. Her play, Adoration of Dora, about surrealist photographer Dora Maar, won the David Mark Cohen National Playwriting Award given by the Kennedy Center American College Theatre Festival and the Association for Theatre in Higher Education. She holds an MFA in Theatre from University of Idaho. Anita Yellin Simons is a political activist and playwright who combines both her love of history and activism in her many award-winning plays. From her first play Goodbye Memories about Anne Frank before going into hiding to a later play This We’ll Defend about female rape in the military, Simons presents thought-provoking theater with humor and pathos.
The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)
"The United States locks up more than half a million non-citizens every year for immigration-related offenses; on any given day, more than 50,000 immigrants are held in detention in hundreds of ICE detention facilities spread across the country. This book provides an explanation of how, where, and why non-citizens were put behind bars in the United States from the late nineteenth century to the present. Through select granular experiences of detention over the course of more than 140 years, this book explains how America built the world's largest system for imprisoning immigrants. From the late nineteenth century, when the US government held hundreds of Chinese in federal prisons pending deportation, to the early twentieth century, when it caged hundreds of thousands of immigrants in insane asylums, to World War I and II, when the Federal Bureau of Investigation (FBI) declared tens of thousands of foreigners "enemy aliens" and locked them up in Immigration and Naturalization Service (INS) camps in Texas and New Mexico, and through the 1980s detention of over 125,000 Cuban and almost 23,000 Haitian refugees, the incarceration of foreigners nationally has ebbed and flowed. In the last three decades, tough-on-crime laws intersected with harsh immigration policies to make millions of immigrants vulnerable to deportation based on criminal acts, even minor ones, that had been committed years or decades earlier. Although far more immigrants are being held in prison today than at any other time in US history, earlier moments of immigrant incarceration echo present-day patterns"--