Treasury of Alphabets and Lettering is a classic source book of the most beautiful type and letters of all time selected by Jan Tschichold, internationally renowned typographer and master of lettering. It contains only letters of timeless and lasting beauty--the true mainsprings of the art of lettering. One hundred and seventy-six type specimens are presented, most of them in complete alphabets.
Chicago–based jewelry engraver J. M. Bergling (1866–1933) created thousands of letter styles, signets, monograms, and ciphers. A noted author on the subjects of lettering and heraldic design, Bergling created books that became standard references of his era. He assembled his first book, Art Monograms and Letters,with the hopes of inspiring other etchers, engravers, sign painters, and artisans. This volume contains selected illustrations from that publication in addition to his complete Art Alphabets and Lettering,which comprises 96 pages of layouts and letter styles ranging from simple to ornate. Commercial artists, designers, calligraphers, engravers, amateurs, and professionals will prize this exclusive edition as a source of high-quality images and alphabets. This reference book features an appreciative Foreword by artist and author James Gurney, which places Bergling's works in historical context.
This grand compilation presents more than 250 depictions of the alphabet's changing forms, from handsome Roman letters cut in marble and delicate English courthand to sixteenth-century Greek initials and modern styles inspired by Gothic, Japanese, and other forms of writing. In addition to its intriguing survey of historical trends, this book also offers richly illustrated reflections on the artistic ability involved in rendering the alphabet. An introductory essay traces the evolution of the English alphabet, followed by a wealth of old alphabets arranged in order of date. Among the selection of modern alphabets are samples that offer evidence of how the surface — wood, stone, leather, mosaic — and the writing instrument — chisel, needle, brush, stylus, pen — can affect the character of the lettering. An assortment of ampersands and numerals concludes the volume, along with an index of illustrations arranged by artist, country, material and process, and style. Artists, graphic artists, historians, and anyone with an interest in calligraphy will appreciate the historic sweep and artistic range of this treasury of lettering.
Treasury of royalty-free fonts with eye-catching appeal includes Carnival Open, Ecclesiastic, Garland, Laurel, Daisy Delight, scores more. All fonts include uppercase alphabets; some contain punctuation marks and lowercase letters. Most have numerals. Graphic artists and illustrators will find these distinctive alphabets ideal for use in display ads, on posters, signs, menus, more.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
More than 2,500 designs, originally published between 1830 and 1881, offer a splendid source of royalty-free ornaments. Includes two-, three-, and four-letter combos, plus crowns, crests, and coats of arms.
This illustrated A-Z features outstanding type designers from around the world, from Gutenberg to the present day. Arranged alphabetically by designer's name, the book contains over 260 biographical profiles. Entries are illustrated by key typefaces taken from a wide range of sources, including type specimens, original posters, private press editions and magazine covers, and also give a list of work and, where applicable, further reading references and a website address. An essential reference for typographers, graphic designers and students, the book also features a full index and eight short texts by leading typographers - Jonathan Barnbrook, Erik van Blokland, Clive Bruton, John Downer, John Hudson, Jean Francois Porchez, Erik Spiekermann and Jeremy Tankard - that cover a variety of different aspects of type design, including typeface revivals, font piracy, designing fonts for corporate identities and the role of nationality in type design.
